Begins on page 173 Chapter 21 The Symphony and Beethoven.

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Begins on page 173 Chapter 21 The Symphony and Beethoven

Beethoven: Symphony No. 5, First Movement  Sonata form  Extensive development of four-note motive  Big difference between first and second themes  Greatly expanded coda

 Slow and features melody  Theme and variations  Two themes ► First contains three sections Low strings Woodwinds Violins ► Second sounds expansive Beethoven: Symphony No. 5, Second Movement

Beethoven: Symphony No. 5, Third Movement  Scherzo replaces minuet  Three-part form ► A section in minor; two contrasting themes ► B section contains imitation (fugato) ► A section contains no repeats  Bridge to fourth movement

Beethoven: Symphony No. 5, Fourth Movement  More than pleasant music; optimistic and positive  Sonata form ► Development Motive from second theme becomes important Excerpt from third movement included ► Extended coda

Summary  Beethoven: Symphony No. 5, first movement  Beethoven: Symphony No. 5, second movement  Beethoven: Symphony No. 5, third movement  Beethoven: Symphony No. 5, fourth movement

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