Notes taken from Gillette’s Designing with Light
What’s the purpose? Enhance the visual texture Can provide depth Can add a sense of surrealism Can replace or compliment scenery
Opaque object placed in the path of a light source Like shadow puppets in a beam of light Colored transparent objects can add color
Projection source determines sharpness Ideal source is small and dimmable Smaller the filament the sharper the image Large scale projections 500, 750, 1000W 120V Tungsten-Halogen Lamp Small scale projections – under 6 feet wide Single filament 12V Lamp
Distance between slide and projection surface also determines sharpness Closer the slide to the screen the sharper the image Closer to the lamp the fuzzier the image
Aerial Perspective Objects farther away less in focus and less fully saturated in color Multiplane Projector – requires large slides to be clear
Linnebach Projector Developed by Adolph Linnebach Box with glass slide on front painted with transparent inks Inside painted matte black to eliminate reflected light Use 1000W FEL lamp
Can also remove lens from fresnel and insert a slide Small scale Soft focus
Lens controls the focus and size of the image
Scenic Projector 3 basic components 1. Lamp Housing High intensity lamp W Often have fan to dissipate heat
Scenic Projector 3 basic components 2. Optical Train Reflector Heat filter – dichroic reflect heat and lets light pass Condensing Lenses – focus light onto slide aperture Slide Plane Aperture – where slide is placed Objective Lens – focus slide onto projection surface Some projectors have several heads which holds lenses in fixed positions to project images of a specific size
Scenic Projector 3 basic components 3. Slide Painted glass slide Photographic transparency sandwiched between two slides
Effects head Motor driven unit capable of creating effects
Slide Projector 35mm slides (2”X2”) Designed for audiovisual purpose Lamp not as bright as a scenic projector
Computer Projectors Digital projections Standard of theatre projection Still slides or video Front or rear screen projection
Front-Screen Material Projector in front of screen Designed to reflect light Low-cost screen could be anything smooth and white or gray
Rear-Screen Material Projector behind screen Eliminates actor shadows on screen Can create a hot spot (small intensely bright circle of light) if within the audiences sightlines Commercial rear-screen materials can eliminate hot spot
A thin metal template inserted into an ellipsoidal reflector spotlight to project a shadow or pattern of light Stainless steel, aluminium, dichroic glass Shop built or Commercially available Half-tone
Results when light from one side of the image has to travel farther than the light from the other side of the slide Projector perpendicular to the projection surface eliminates keystoning