Instrumental Line Up: Chord Progression: Guitar Techniques Used: D______T___ P_____C_______ F________ S______ G_____W______ V__________ D__________ C______Vs__D______.

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Presentation transcript:

Instrumental Line Up: Chord Progression: Guitar Techniques Used: D______T___ P_____C_______ F________ S______ G_____W______ V__________ D__________ C______Vs__D______ S_______O______T_____A_ __ O____________ Written In (Year): From the Album: 1.What key is the piece in? 2. Describe the opening Sequence 3. What vocal techniques are used? Structure Jeff Buckley ‘Grace’

Jeff Buckley ‘Grace’. (AOS 3) Outcome: To understand the key information surrounding the set work ‘Grace’ by Jeff Buckley.

Background Information Grace is the only complete studio album by Jeff Buckley, released on August 23, 1994.Jeff Buckley Grace is the second track out of 10 on the album of the same title. Jeff Buckley was born on November 17th, 1966 and died May 29, Tragic death: While awaiting the arrival of his band from New York, he drowned during a spontaneous evening swim — fully clothed — in the Wolf River, when he was caught in the wake of a passing boat. His body was found on June 4, 1997.

Jeff Buckley wrote his first song at the age of 13. His songs explores complex themes of love, inner strife, and separation. His lyrics are sharply-focused, whilst revealing simple truths about the human psyche. He was primarily a solo artist...until ‘Grace’. Background Information

Jeff Buckley grew up singing in the car with his mother, a classically-trained pianist and cellist. At the age of five, he discovered his grandmother's guitar and began to teach himself to play. He was therefore a musician who loved to explore sound and somebody who was not afraid to experiment with different techniques. You can really hear this in the song if you listen to the vocal and guitar expressions. Musical Roots...

"The experience of creating and performing with a band was different from my solo work,” What does Jeff Buckley say about the recording of GRACE?...

"All the spontaneity and attention to the dynamics of the moment is extended four times and maybe beyond”. He believed therefore that you could put greater emotion and tension into music by extending the number of musicians playing. He was experimenting with this idea in the album ‘Grace’.

You can reach a trance-like stage where what's really going on inside the human psyche is being sung to...the music aims at what's really going on underneath...not what people pretend to be or what they hope they can buy at a store.

Album Tracks "Mojo Pin" (Jeff Buckley/Gary Lucas) – 5:42Mojo PinGary Lucas "Grace" (Jeff Buckley/Gary Lucas) – 5:22Grace "Last Goodbye" – 4:35 [30]Last Goodbye [30] "Lilac Wine" (James Shelton) – 4:32Lilac Wine "So Real" (Jeff Buckley/Michael Tighe) – 4:43So RealMichael Tighe "Hallelujah" (Leonard Cohen, arr. Jeff Buckley) – 6:53HallelujahLeonard Cohen "Lover, You Should've Come Over" – 6:43Lover, You Should've Come Over "Corpus Christi Carol" (Traditional/Benjamin Britten) – 2:56Corpus Christi CarolBenjamin Britten "Eternal Life" – 4:52Eternal Life "Dream Brother" (Jeff Buckley/Mick Grondahl/Matt Johnson) – 5:26Dream BrotherMick GrondahlMatt Johnson

Instruments Jeff Buckley vocals, guitars, keyboards, dulcimer and tabla; Mick Grondahl and Matt Thompson, on bass and drums string arrangements assisted by Jeff.

Lyrics There's the moon asking to stay Long enough for the clouds to fly me away Though it's my time coming, I'm not afraid, afraid to die My fading voice sings of love, But she cries to the clicking of time, Of time Wait in the fire... And she weeps on my arm Walking to the bright lights in sorrow Oh drink a bit of wine we both might go tomorrow, oh my love And the rain is falling and I believe My time has come It reminds me of the pain I might leave Leave behind Wait in the fire... It reminds me of the pain I might leave leave behind... And I feel them drown my name So easy to know and forget with this kiss But I'm not afraid to go but it goes so slow Wait in the fire...

Structure SectionDetails Introduction Guitar Riff (chromatic) Ascending and descending pattern. Verse 1 There's the moon asking to stay Long enough for the clouds to fly me away Though it's my time coming, I'm not afraid, afraid to die My fading voice sings of love, But she cries to the clicking of time, Of time Chorus Wait in the fire... Verse 2 And she weeps on my arm Walking to the bright lights in sorrow Oh drink a bit of wine we both might go tomorrow, oh my love And the rain is falling and I believe My time has come It reminds me of the pain I might leave Leave behind Chorus Wait in the fire... Bridge It reminds me of the pain I might leave leave behind... And I feel them drown my name So easy to know and forget with this kiss But I'm not afraid to go but it goes so slow (The first four bars uses chords which move in parallel motion). Chorus Wait in the fire...

Tonality Hard to tell because... Opening chords F minor7 and G minor7 However... It is based around e minor!

Verse 1 uses chromatic harmony. Chromatic harmony uses notes from outside the key to colour the chords. The first half of the verse: E minor F E minor E flat Played as parallel chords (moving the same finger shape up and down the fingerboard of the guitar)

Opening riff... What Key?

Guitar Techniques Used Drop-D tuning Flanger Delay Slide Guitar ‘whispers’ Vibrato Clean vs. Distorted sound Scoops on tremolo arm Power chords

Vocal Techniques Vocalisations – wordless singing (example found in the bridge)

Word painting... The meaning of the words are reflected in the music. Examples... In verse 1 Buckley: 1. moves to his higher register on the words ‘my fading voice’ 2. emphasises the word ‘love’ by using a melisma 3. uses cross-rhythms between the bass guitar and his voice on the words 'clicking of time’

Key Points ‘Grace’ was Jeff Buckley’s first studio recording with a band. He wanted to explore different techniques in order to get into the listeners ‘Psyche’. The structure of the music is simple allowing you to focus on this. Time Signature is 6 8 Different guitar techniques used – also indicative of his experimental nature. Tonality is centred around e minor (although it not obvious from opening sequence) Uses word painting and vocalistions.