STEREO Sonification Project D. Bithell, R. Morales, L. M. Peticolas, N. Craig Space Sciences Laboratory (SSL) Center for New Music and Audio Technologies.

Slides:

Advertisements

Similar presentations

Multiple Intelligences

Advertisements

GMD German National Research Center for Information Technology Darmstadt University of Technology Perspectives and Priorities for Digital Libraries Research.

CS335 Principles of Multimedia Systems Audio Hao Jiang Computer Science Department Boston College Oct. 11, 2007.

IntroductionIntroduction Most musical sounds are periodic, and are composed of a collection of harmonic sine waves.Most musical sounds are periodic, and.

From Sound to Music CSC 161: The Art of Programming Prof. Henry Kautz 11/16/2009.

Geber Ramalho Computação Musical: taxonomia Proposta por Stephen Pope.

SWE 423: Multimedia Systems Chapter 3: Audio Technology (2)

What makes a musical sound? Pitch n Hz * 2 = n + an octave n Hz * ( …) = n + a semitone The 12-note equal-tempered chromatic scale is customary,

The frequency spectrum

Project Opal Multimedia Module. Image quality Difference in quality between image processing of pre-load image derivatives to the auto generate derivatives.

A presentation by Modupe Omueti For CMPT 820:Multimedia Systems

Data Sonification of Red-Shifted Galaxies Emily Neel with Dr. James Rhoads School of Earth & Space Exploration.

EE442—Multimedia Networking Jane Dong California State University, Los Angeles.

WMES3103 : INFORMATION RETRIEVAL

Enhanced Rendering of Fluid Field Data Using Sonification and Visualization Maryia Kazakevich May 10, 2007.

Two dataflow diagrams. Program as recipe A program is a description of a computation It’s like a recipe Tells out to make an output (food) From inputs.

Introduction to Multimedia Student Multimedia Design Center 06/06/06.

BPC: Art and Computation – Summer 2007 Course Overview Glenn Bresnahan

PH 105 Dr. Cecilia Vogel Lecture 13. OUTLINE  Timbre and graphs:  Time graph  Spectrum graph  Spectrogram  Envelope  scales  units  interval factors.

Five metaphors in computation. Program as recipe A program is a description of a computation It’s like a recipe Tells out to make an output (food) From.

FPGA BASED IMAGE PROCESSING Texas A&M University / Prairie View A&M University Over the past few decades, the improvements from machine language to objected.

CV: 3D sensing and calibration

EE2F1 Speech & Audio Technology Sept. 26, 2002 SLIDE 1 THE UNIVERSITY OF BIRMINGHAM ELECTRONIC, ELECTRICAL & COMPUTER ENGINEERING Digital Systems & Vision.

Joshua “Rock Star” Jenkins Jeff “Tremolo” Smith Jairo “the boss” Rojas

Brainwave Gaming Paras Kaul Brainwave Specialist Brainwave Spaces brainwavespaces.com.

Introduction to Graphics and Virtual Environments.

3D Concepts Coordinate Systems Coordinates specify points in space 3D coords commonly use X, Y, & Z A vertex is a 'corner' of an object Different coordinate.

infinity-project.org Engineering education for today’s classroom 53 Design Problem - Digital Band Build a digital system that can create music of any.

ENMDA project – Kick-off Meeting Moscow, January 2014 Masters Course in Graphic and Audiovisual Expression Adérito Fernandes Marcos

Ch10 QQ T F 1.The appearance of text (such as font face and style) incorporated into a Web page graphic will appear as it was when it was created, regardless.

Fundamentals Rawesak Tanawongsuwan

Virtual Reality Design and Representation. VR Design: Overview Objectives, appropriateness Creating a VR application Designing a VR experience: goals,

Teaching Persuasive Writing Through the Use of Technology Sofia Levchak EDTC807 Module 3.

Multiple Intelligences 7 th Grade AE. Howard Gardner was a Harvard psychologist He believed “students possess different kinds of minds and therefore learn,

Points of View, Levels of Abstraction Jennifer Burg Department of Computer Science Wake Forest University x(t) = a x t 3 + b x t 2 + c x t + d.

Harmonics November 1, 2010 What’s next? We’re halfway through grading the mid-terms. For the next two weeks: more acoustics It’s going to get worse before.

ICAD-01, Espoo, Finland, July 29 - August 1, 2001 Sonic Browsing: An Auditory Tool For Multimedia Asset Management Mikael Fernström & Eoin Brazil Interaction.

Standard Grade Presentations & Multimedia. Presentation & Multimedia Software Allows the user to set up exciting and attractive documents which helps.

Multimedia Technology and Applications Chapter 2. Digital Audio

Virtual Instrument Design and Animation Cynthia Bruyns Robert Taylor Carlo Séquin University of California at Berkeley.

Complex Auditory Stimuli

Assistive Technology in the Classroom Setting Rebecca Puckett CAE6100 – GQ1 (24494) Dec. 7, 2009.

THEMIS Workshop 1 UC Berkeley, 18 December 2004 Data Products and Access Tim Quinn UC Berkeley.

University of California, Santa Barbara An Integrated System of 3D Motion Tracker and Spatialized Sound Synthesizer John Thompson (Music) Mary Li (ECE)

1 Access and Use of Auroral Imaging Data Harald U. Frey Space Sciences Laboratory University of California at Berkeley Credit: D. Hutchinson.

Adobe AuditionProject 4 guide © 2012 Adobe Systems IncorporatedOverview of Adobe Audition workspace1 Adobe Audition is an audio application designed for.

Harmonic Series and Spectrograms BY JORDAN KEARNS (W&L ‘14) & JON ERICKSON (STILL HERE )

Laser Mission State of the Project Garett Shulman Neal Robbins Brian Hallesy James Bailey Brandon Shelton 1.

Internet and MultiMedia for SC 2

Some Thoughts on Composing a Navigable Space Dr. Dan Hosken Assistant Professor of Music California State University, Northridge Presented at: SEAMUS 2004.

Juraj Kojs, Ph.D. Asst. Professor Prof. Practice, Music Theory and Composition, Director, Electronic Music His creative and research work reaches to the.

Sound. Sound Capture We capture, or record, sound by a process called sampling: “measuring” the sound some number of times per second. Sampling rate is.

Chapter 2 Data in Science. Section 1: Tools and Models.

The Discrete Fourier Transform

VIRTUAL REALITY (VR) INTRODUCTION AND BASIC APPLICATIONS الواقع الافتراضي : مقدمة وتطبيقات Dr. Naji Shukri Alzaza Assist. Prof. of Mobile technology Dean.

Chapter 5 Notes. 5.6 Reflections ▪ Reflection (flip) – a transformation in which a figure is reflected over a line of reflection (the x and y axes are.

+ UVIS Data Visualization UVIS Team Meeting Braunschweig, Deutschland June 18, 2012.

ICMC98: CNMAT Studio Report UC Berkeley Department of Music Center for New Music & Audio Technologies (CNMAT) Studio Report.

UDL Guidelines: Examples and Resources Twanna Bradford EDU:620 Meeting Individuals Student Needs with Technology Professor Williams May 19, 2016.

CS 591 S1 – Computational Audio – Spring 2017

Instructor: Dr. Wen-Hung Liao 3/7/2017

Educational Computing

Multimedia Fundamentals(continued)

Lab 6: Sound Analysis Fourier Synthesis Fourier Analysis

Harmonic Motion.

I UNDERSTAND CONCEPTS OF MULTIMEDIA

LECTURE 18: FAST FOURIER TRANSFORM

Creativity & The greater good

LECTURE 18: FAST FOURIER TRANSFORM

Presentation transcript:

STEREO Sonification Project D. Bithell, R. Morales, L. M. Peticolas, N. Craig Space Sciences Laboratory (SSL) Center for New Music and Audio Technologies (CNMAT) University of California in Berkeley STEREO Meeting Berkeley, CA - December 18, 2004

Aims of the Project - Science: create sonic representations of data and find new approaches to displaying multi-channel, multi-source data (like STEREO) Education: create new methods of introducing and interacting with key concepts in science and music Music: create tools for creative exploration of sound using solar data as a rich generative material

Examples Science: A computer realization of carbon flux Music: An excerpt from Roberto Morales’ orchestral composition “Turning Point” incorporating scaled Helios data

Sonification - mapping data into sound How closely does the sonification represent the physical reality of the data? -There is always a degrees of abstraction and arbitrariness in the mapping -Issues of musical perception and cognition -The “Art of Mapping”

Auroral Chorus AKR SEP Electrons, Iron, Oxygen Ions Max/MSP Programming Environment Graphical object oriented programming language designed for real-time processing and coordination of musical and multimedia events.

Description of the Data Structure (Spectrogram Color Analysis) Using image file types (.jpeg,.gif, etc.): -RGB and HSL color values are used to scale parameters of sonic processing -Easy to manage data in multiple formats -Able to automatically reconfigure processing based on the number of bins (y-axis) and length of the data (x-axis)

Types of Processing: "Physical Modeling” Frequency Scaling of Sine Waves Amplitude Scaling of a Harmonic Spectrum "Arbitrary Modeling” Granular Synthesis Frequency Modulation synthesis

Further Information Sounds of Space: Center for New Music and Audio Technologies: