 During the late 19th and early 20th centuries, the European cultural elite were discovering African, Micronesian and Native American art. Artists such.

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 During the late 19th and early 20th centuries, the European cultural elite were discovering African, Micronesian and Native American art. Artists such as:  Henri Matisse  Pablo Picasso  Georges Braque Were inspired by the use of geometric shapes in primitive art.

 Born 25 October 1881 Málaga, Spain  Died 8 April 1973 (age 91) Mougins, France  was a Spanish painter and sculptor. He is best known for founding the Cubist movement and for the wide variety of styles embodied in his work. Among his most famous works are the proto- Cubist Les Demoiselles d'Avignon (1907) and Guernica (1937), his portrayal of the German bombing of Guernica during the Spanish Civil War.

 Blue Period  Picasso’s Blue Period (1901–1904) consists of somber paintings rendered in shades of blue and blue-green, only occasionally warmed by other colors.  Many paintings of gaunt mothers with children date from this period. In his austere use of color and sometimes doleful subject matter— prostitutes and beggars are frequent subjects

 The Rose Period (1904–1906) is characterized by a more cheery style with orange and pink colors, and featuring many circus people, acrobats and harlequins.

 Analytic cubism (1909–1912) is a style of painting Picasso developed along with Georges Braque using monochrome brownish and neutral colors. Both artists took apart objects and “analyzed” them in terms of their shapes. Picasso and Braque’s paintings at this time have many similarities.  Synthetic cubism (1912–1919) was a further development of the genre, in which cut paper fragments—often wallpaper or portions of newspaper pages—were pasted into compositions.

 13 May 1882  31 August 1963  Beginning in 1909, Braque began to work closely with Pablo Picasso.

 Braque's paintings of 1908–1913 began to reflect his new interest in geometry and simultaneous perspective. He conducted an intense study of the effects of light and perspective and the technical means that painters use to represent these effects, appearing to question the most standard of artistic conventions.

 Their productive collaboration continued and they worked closely together until the outbreak of World War I in 1914 when Braque enlisted in the French Army, leaving Paris to fight in the First World War.