1 7005 Drama Review, & Overview of Antigone Dr. Stephen Ogden BCIT Liberal Studies.

Slides:



Advertisements
Similar presentations
Classical Tragedy Greek Theater. Tragedy Defined by Aristotle – An imitation of action that is serious and considered noble. Defined by Aristotle – An.
Advertisements

Aristotle’s Poetics ( B.C.E.). Background Aristotle was the pupil of Plato (who studied under Socrates)and the teacher of Alexander the Great.
DEPATMENT OF ENGLISH FOR THE STUDENT OF 2 ND YEAR ENGLISH HONOURS By TANUSREE ROY.
Hamlet: A Shakespearean Tragedy. Tragedy – According to Aristotle  Is an imitation of a single, unified action –Serious, complete and probable –Has magnitude.
Tragedy Literary Terms Source: C. Hugh Holman’s
Tragedy. is a dramatic narrative in which serious and important actions turn out disastrously for the protagonist, who is also known as the tragic hero.
As defined in Aristotle’s Poetics…
Romeo and Juliet Tragedy and The Tragic Flaw. Tragedy Tragedy is kind of drama that presents a serious subject matter about human suffering and corresponding.
Aristotle On art and poetry. Aristotle From Makedonia ( ) Studied in Plato’s Academy Founded his own school, Lykeion Wrote: –Socratic dialogues.
TRAGEDY & TRAGIC HEROS This presentation was created following the Fair Use Guidelines for Educational Multimedia. Certain materials are included under.
Tragedy and the Tragic Hero Aristotle, the ancient Greek philosopher, identified the main characteristics of tragedy. He explained that tragedy is a.
Similarities Between Epic and Tragic
Tragedy- Aristotle’s Poetics Mr Adrian Chan Hwa Chong Institution 2009.
What Defines Tragedy?. Where does tragedy come from? The Greek philosopher Aristotle first defined tragedy in his book Poetics written in about 330 BCE.
Aristotle on Tragedy.
Tragedy and the Tragic Hero
Tragedy and the Tragic Hero
What Defines Tragedy? 3.1 Articulate the relationship between the expressed purposes and the characteristics of different forms of dramatic literature.
(N. B. Written approximately 100 years after Sophocles’ Oedipus Rex)
The Crucible American Literature Tragic Figure. Meet Aristotle Greek philosopher Wrote Poetics Influenced Shakespeare and numerous other writers through.
Aristotle’s Perfect Tragedy Ars Poetica or The Poetics.
Aristotle. Aristotle (384 BC – 322 BC) was a Greek philosopher, a student of Plato and teacher of Alexander the Great. His writings cover many subjects,
Aristotle on Tragedy. The Poetics: 4 th century B.C.
All My Sons Questions on Act 3.
TRAGEDY—A CLASSICAL TRADITION. TRAGEDIES HAVE BEEN AROUND AWHILE Tragedy is the dark side of classical drama (comedy vs. tragedy) Comedy: hero falls in.
Aristotle An early attempt to identify the basic principles of playwriting came from the Greek philosopher Aristotle ( B.C.) in the Poetics. Within,
Aristotle’s Poetics Plato loved poetry but felt that because of Socrates teachings, that poets were imitators without access to reality or truth. Imitation.
1 Principles of Drama: Aristotle—Tragedy Dr. Stephen Ogden BCIT Liberal Studies.
AP Literature and Composition “It’s a Comedy vs. Tragedy Tuesday!” November 17, 2009 Mr. Houghteling.
ARISTOTLE: Introduction
Aristotle’s Poetics : Tragedy.
Medea Structural and tragic conventions. Aristotle Aristotle wrote the ‘Poetics’ in the fourth century BC. He created a definition of tragedy that set.
Aristotle’s Perfect Tragedy
Tragedy Othello.
AP Literature and Composition
Aristotle’s Tragic Hero. The qualities of the tragic hero: The tragic hero is of high noble stature and has greatness. The tragic hero has a tragic flaw,
THIS IS With Host... Your Hero Drama Terms Conventions Of the Theatre Greek Playwright s Drama Terms II Greek Playwrights II.
AP Literature and Composition “It’s a moody Monday!” November 16, 2009 Mr. Houghteling.
Aristotle and Tragedy Liscinsky 3/1/2012. Drama Two Types: Comedy Starts at a low point, but ends on a high point. Tragedy Starts at a high point and.
A Greek Tragedy. Aristotle defines tragedy as “the imitation of an action which is serious, complete, of a certain magnitude, couched in poetic language.
BBL 3103 LITERARY THEORY FROM PLATO TO T. S. ELIOT DR. IDA BAIZURA BAHAR.
Activator: Error Analysis TRUE 1. Greek dramas are structured like so: Prologue, Parados, First Episode, First Stasimon, and Exodos. FALSE 2. Actors in.
Aristotle’s Poetics Plato loved poetry but felt that because of Socrates teachings, that poets were imitators without access to reality or truth. Imitation.
Macbeth-tragedyMcLaughlin-Gr 111 Types of Drama - Tragedy.
Elements of Greek Tragedy and the Tragic Hero
TRAGEDY. 2 3 Far out Sir! All you do is talk about yourself. Teach us for once. I don’t go on about the time that I was on Sunrise.
Elements of Drama. Aristotle (384 BC – 322 BC) was a Greek philosopher who was a student of Plato’s and a teacher to Alexander the Great. His writings.
Antigone by: Sophocles Sophocles Born around 496/5 BC to a noble family in Colonus (now Athens) Excelled in music and gymnastics Held public office in.
Definition of Tragedy By Aisha and Scott. What is Tragedy? Tragedy is a serious action that is imitated through drama It is written in a beautiful way,
Oedipus Rex by Sophocles
Aristotle on Tragedy From his “Poetics”. Teachings – What and How Aristotle taught in what later became known as Peripatetics meaning to walk about which.
Introduction to Greek Theater. “The instinct of imitation is implanted in man from childhood, one difference between him and other animals is that he.
AP Literature and Composition November 16, 2009 Ms. Cares.
Aristotle and Literary Criticism. Aristotle One of the earliest attempts to explain what makes an effective or ineffective piece of literature was a book.
Greek Theatre. Definition of Tragedy - “the imitation of action that is serious and complete, achieving a katharsis (purging or purification through incidents.
Aristotle’s Definition of a Tragic Hero. Essential Questions To what extent does Okonkwo fit Aristotle’s definition of a tragic hero? What flaw leads.
Elements of a Tragedy English II-H. O “A man cannot become a hero until he sees the root of his own downfall.” - Aristotle O “You either die a hero or.
OUTLINE TO ARISTOTLE’S POETICS THEORY OF TRAGEDY.
THE TRAGEDY & THE TRAGIC HERO.  What should I know? You should be able to understand what a tragedy is and what a tragic hero is and be able to explain.
THE BASICS TRAGEDY. WHAT IS A TRAGEDY? ARISTOTELIAN DEFINITION OF TRAGEDY “A tragedy is the imitation of an action that is serious and also, as having.
Aristotle defined tragedy as “the imitation of an action that is serious and also, as having magnitude, complete in itself” It incorporates “incidents.
Plot, Character, Theme, Vocab
Adriana Carter, Julian Gatch, Rachel Smith
Aristotle’s Ideas About Tragedy
Aristotle’s Theory of ‘Tragedy’
Tragedy terms/concepts
Tragedy.
ARISTOTLE ON TRAGEDY.
Greek Tragedy.
Presentation transcript:

Drama Review, & Overview of Antigone Dr. Stephen Ogden BCIT Liberal Studies

Antigone and Tragedy Tragedy imitates action that is as follows: Tragedy imitates action that is as follows: 1. Admirable ☑ 2. Complete ☑ 3. Possessing magnitude ☑ 4. Pleasurable language ☑ 5. Separated into different parts (sections) ☑ 6. Acted not narrated ☑ 7. Effecting fear and pity ☑ 8. Through fear and pity, purifying the emotions ☑

Antigone: Plot—Basic Concepts MAGNITUDE: a sense that too small and too large are incomprehensible, so a plot has to sufficiently sized to be held in memory & comprehension ☑ MAGNITUDE: a sense that too small and too large are incomprehensible, so a plot has to sufficiently sized to be held in memory & comprehension ☑ UNITY & DETERMINATE STRUTURE: each component event must be related to the concepts of drama (e.g. exciting fear & pity) and must be such that the removal of it dislodges & changes the whole. ☑ UNITY & DETERMINATE STRUTURE: each component event must be related to the concepts of drama (e.g. exciting fear & pity) and must be such that the removal of it dislodges & changes the whole. ☑

Antigone: Plot—Basic Concepts UNIVERSALITY: ☑ UNIVERSALITY: ☑ The dramatist says what would happen, as opposed to the historian who says what has happened. The dramatist says what would happen, as opposed to the historian who says what has happened. Thus the dramatist is more philosophical & serious than the historian: the historian expresses particulars but dramatist expresses what is universal. [p 51] Thus the dramatist is more philosophical & serious than the historian: the historian expresses particulars but dramatist expresses what is universal. [p 51] ‘Universal’ means speech or action that agrees with some given kind of person in accordance probability or necessity. ‘Universal’ means speech or action that agrees with some given kind of person in accordance probability or necessity. The facts of life require plausible responses and expected responses: e.g. parents protect their kids The facts of life require plausible responses and expected responses: e.g. parents protect their kids [Literally] no “Deus ex Machina.” [Literally] no “Deus ex Machina.”

Antigone: Plot—Character Four things that make for effective character in drama; Four things that make for effective character in drama; 1. Goodness: makes deliberate good (socially & personally beneficial) choice. ☑ 2. Appropriateness: consistent with probability or necessity. ☑ 3. Likeness: not too high or low compared with us ☑ 4. Consistency: a given, again, in terms of probability or necessity. ☑

Antigone: Overview The play personifies (which is what literary art does uniquely and powerfully) the relationship between crucial and universal Doubles: The play personifies (which is what literary art does uniquely and powerfully) the relationship between crucial and universal Doubles: Piety and Patriotism Piety and Patriotism Church and State Church and State Individuality and Corporate Duty Individuality and Corporate Duty Mercy and Rule of Law Mercy and Rule of Law

Antigone: Overview, con’t The play—like all great Greek drama— demonstrates the immutability of Fate and the supremely great evil of HUBRIS. The play—like all great Greek drama— demonstrates the immutability of Fate and the supremely great evil of HUBRIS. these two are interrelated these two are interrelated HUBRIS is usually the hamartia in the drama. HUBRIS is usually the hamartia in the drama. So Hubris is an error (i.e. avoidable) not an (unavoidable) flaw. So Hubris is an error (i.e. avoidable) not an (unavoidable) flaw.

Antigone: Overview, con’t Note that Hubris is independent of the moral quality of the matter on which the agent is acting: it is the hamartia that is the evil, not the substance of the decision Note that Hubris is independent of the moral quality of the matter on which the agent is acting: it is the hamartia that is the evil, not the substance of the decision Creon is presented explicitly as the right kind of ruler: i.e. he follows the Rule of Law (lex rex) rather than his own opinion—which, if he did, would make him (by definition) a Dictator. Creon is presented explicitly as the right kind of ruler: i.e. he follows the Rule of Law (lex rex) rather than his own opinion—which, if he did, would make him (by definition) a Dictator.

Drama as Technology Katharsis: purification of the emotions Katharsis: purification of the emotions (the complex (best) plot has effected fear & pity in the audience.) (the complex (best) plot has effected fear & pity in the audience.) A medical idea: early psychiatry A medical idea: early psychiatry Aristotle recognises what is a very modern position— that emotions are an important part of human health. Aristotle recognises what is a very modern position— that emotions are an important part of human health. Disordered emotions lead to ‘stress’ which effect physical symptoms to the point of fatality. Disordered emotions lead to ‘stress’ which effect physical symptoms to the point of fatality. Drama is thus a means of ordering, or balancing, the emotions so that good individual and social health are promoted, Drama is thus a means of ordering, or balancing, the emotions so that good individual and social health are promoted, this seems like a direct engagement with Plato’s position on drama (that drama excites the emotions over Reason and thereby creates individual and, ultimately, social imbalance.) this seems like a direct engagement with Plato’s position on drama (that drama excites the emotions over Reason and thereby creates individual and, ultimately, social imbalance.)

Drama as Technology, cont Thus we see that Aristotle has made drama a technology—that is, an extension of man. Thus we see that Aristotle has made drama a technology—that is, an extension of man. an amplification of man’s ability to control his individual self and the social aggregation by a (a.) demonstration of the destructive effects of Hubris, and (b.) effecting (through artificial stimulation of Fear and Pity) katharsis, which means that emotions (which control and order behavior) are purified. an amplification of man’s ability to control his individual self and the social aggregation by a (a.) demonstration of the destructive effects of Hubris, and (b.) effecting (through artificial stimulation of Fear and Pity) katharsis, which means that emotions (which control and order behavior) are purified. And a Double: A Rational use of Emotion And a Double: A Rational use of Emotion