The Future of Public Service Radio First Cross-Radio Conference Frascati, 29 May 2009 María del Pilar Martínez-Costa University of Navarra, Spain.

Slides:



Advertisements
Similar presentations
Independent TV/Film Production in the EU Elena Lai- CEPI Secretary General CEPI.
Advertisements

Kathryn Brown Strategic Development - Commercial Radio Australia Jakarta DAB+ Workshop and Technology Demonstration September 2012 Kath Brown, Strategic.
August 20, 2013 Summary. 92% 242 million Broadcast Radio reaches over 92% or 242 million of the U.S. population every week! And its reach has remained.
Public Radio and social behaviour Margus Allikmaa Director General Estonian Radio.
“L’ha detto la Rai” Quality News for all: Tv and beyond 5 th Ebu Conference on Public Service Broadcasting Deborah Bergamini, Marketing Director Brussels,
Norwegian switchover strategy Speech 10. April 2014 at Poznan Media Expo 2014 Conference By Rolf Brandrud, Radiodays Europe & NRK.
INTERNATIONAL LAW ENFORCEMENT IP CRIME CONFERENCE SEPTEMBER 2014 LEN HYNDS CSO MODERN TIMES GROUP.
Introduction EMI music group was established in 1931 when Gramophone Company merges with Columbia Graph phone to form Electric and Musical Industries.
Gary Dunleavy Customer Engagement Manager Tourism Ireland Online Marketing Opportunities.
Towards a rights based world Learning: The Treasure Within Main tensions facing the world and affecting education by Goran Buldioski The presentation is.
An Introduction to Integrated Marketing Communications
The EC View: Content as the Driving Force Adapted from a presentation by Gunther Steven, DG XIII/E By Yale Braunstein [ Updated September 2003]
Marketing and the Marketing Concept
52,356,688 14,957,31525,544,822 13,279,917 42,520,001 24,890,326.
Radio Broadcasting By Amber Doyle. What Do You Think? Distinct voice type. Talk shows consisting of appealing topics. Music Sports Riding in the car.
PCNN is a powerful new media voice for connecting companies to capital by broadcasting news and stories about raising capital.
Journalism Today Chapter 1 “Reporting for the Media” Text
“Digital Television and European Enlargement” 2 nd International Conference on Communication and Mass Media. Athens Institute for Education and Research.
Why Museums Need An IP Policy Rina Elster Pantalony, Legal Counsel The Canadian Heritage Information Network
Bruce Vandenberg - Director of Interactive Media - Confidential - © Celador International 2004 The Anatomy of a Perfect Relationship Bruce Vandenberg Director.
Digital Media Funding Innovation Centred Funding for the Digital Media Age… Cannes, 21 May 2008 David Furmage Digital Media Policy Lead & Screen, Image.
1 Public Outreach October 2008 By Adelina Murtezaj – Public Relation Officer For Inaugural Partnership Activity between ICC and ERO.
Messages and Music On-Hold Training Session Welcome...
Marketing MTEXAM Answers. Q1: What is the role of Marketing in a company? (3Points) Understand the customer, the target market Understand the competition.
29 th. ANNUAL INTELLECTUAL PROPERTY LAW CONFERENCE Shutting Down Rogue Websites: International and Domestic Solutions Argentina and Latin America Perspective.
Television and Radio Media
Managing Convergence “ We must never forget it’s the content that matters most of all … All the technology in the world will have no impact if there is.
Please turn off all cellular phones and any digital recording devices THE POWER OF PASSION!
New Paths, New Roles Challenges before the Public Service Broadcaster Today 1.
“Which of the following do you believe poses the greatest threat to recovery of the European property market?” Source: CBRE Portfolio and Asset Management.
LESLIE ESPINOZA OCTOBER 10, 2013 PERIOD 1 History Of Multimedia.
Teaching and Learning with Technology Audio and Visual Technologies Chapter 9.
Web 2.0 in Business Networking | Public Relations | Collaboration.
Moving from Content to Sharing to Sales ALTURASOLUTIONS COMMUNICATIONS (773)
Chapter Seven: Radio, Recording, and Popular Music
World Marketing Conference Field Marketing Workshop 2015January, Team Name: Team Number: Team Concept: Team Members:
Chapter 15 Electronic Media.
Les Nubians Presentation on how 947 uses multi-platform as a content producer.
Creative Archive The BBC’s open content initiative Paul Gerhardt
MARKETING REVOLUTIONS: CREATIVITY AND BRANDING IN SOCIAL NETWORKS.
One Source, Multi Use —— trends in digital publishing era.
Definition Podcasting is the distribution of multimedia files (usually audio or video) by a system of syndication (RSS) allowing subscription and use.
French Medias by Romain Beechman. Interest in Medias Source sofres 2004 high interest low interest.
CURRENT SITUATION SWOT. WEAKNESSES OPPORTUNITIES THREATS STRENGTHS  Political interference  Threats from sources  Weak Legislation  Social Media 
Welcome. How will digital migration effect radio broadcasting in South Africa? FormatFormat 1 TechniqueTechnique 2 MarketingMarketing 3.
Advertising. Advertising Topics: Advertising –Creating good advertising –Selecting Media Friday – Project Introduction -Forming of Groups -Choosing of.
REACH RELEVANCE RECEPTIVITY of time spent listening since 1998 consumers every week 235m 87 % of audience through commercial breaks 92 % The indisputable,
REACH RELEVANCE RECEPTIVITY of time spent listening since 2003 of consumers every week % of audience through commercial breaks 92 % The indisputable,
REACH RELEVANCE RECEPTIVITY of time spent listening since 2003 of consumers every week % of audience through commercial breaks 92 % The indisputable,
WsRadio.com will help you grow your web presence and your stature in your industry, allowing you to be found, and more importantly, recognized as a leader.
Promoboxx: Your Digital Marketing Platform Free access to customizable, brand-approved digital marketing content and easy- to-use tools to better connect.
YOUR TEXT HERE CONSUME INFORMATION RISK SECRET MEDIA DESIGN EXPAND
1 Copyright ©2006 by South-Western, a division of Thomson Learning. All rights reserved Chapter 14 Prepared by Deborah Baker Texas Christian University.
1. Attention is the behavioural and cognitive process of selectively concentrating on some information, while ignoring other perceivable information.
Copyright © Allyn and Bacon 2006Copyright © Allyn & Bacon 2008 Chapter 1: What is Public Relations? This multimedia product and its contents are protected.
LOCAL CONTENT DEVELOPMENT WORKSHOP Presenter Name: Nkateko Mabaso Date: 28 May 2014.
Radio broadcasting is audio content available on platforms for people to hear news, adverts, current affairs, debates and Q&A’s. Radio broadcasting is.
Social Media in the [Name] Industry Created by [Student Name]
Financial System.
Emerging trends in higher education I. Changing context for European Higher Education I. Changing context for European Higher Education II. Trends in higher.
State of Play Tom Thomas & Terry Clifford. Music plays a larger role in public radio than many realize.
Media 3.0: Helping Broadcasters Keep Up
Channels Management of Logistics
Best Content Writing Services
Multimedia Training Kit
Who are we?. Job Experience NOT Required: Creating Purpose and Meaning for Student Employees.
"The adventure of editors leaving to find readers in the social network era"
Commercial broadcasters & sales houses seek a Directive that
Multimedia and Projects
High School Technology Attraction by Women in Technology Network
Presentation transcript:

The Future of Public Service Radio First Cross-Radio Conference Frascati, 29 May 2009 María del Pilar Martínez-Costa University of Navarra, Spain

A process of radical change Break with the traditional media processes It is not only a technology problem: –content –dialogue with the audience –radio identity

Edward Pawley, 1973 “It is in the scope of the distribution where the technique exerts its more direct effects on the structure of the broadcasting”

Diversity and decentralized radio model Radio is a service Public service radio coexists with and complements with the other broadcasters Commercial radio is now competing on the international market Non-commercial radio is a growth area with new strengths

Natalie Swed Stone, 2006 “The digital revolution has forever changed attitudes, expectations and content. The competition is now infinite”

The audience is also changing Redistribution of audience Younger listeners The public is using more media, including the radio

Radio World International, 2008 “At the present time people do not buy radio receivers, they buy "things" that have a radio receiver (cars, clocks, phones..).”

Digital systems are not a success Offer great opportunities but traditional broadcasters do not see them

Jack Messmer, 2006 “ It’s a multiplatform world”

An identity crisis of radio Audio on line and on the other platforms question what radio is Multimedia or audio Point-to-point or point-to-multipoint Live radio or download content

Chris Priestman, 2007 “What radio means to us as a media”

Decalogue for change

#1 Have a positive and active attitude towards the change: lead the way

#2 Make decisions on the broadcasting model and choice of complementary platforms without waiting for European or global decisions

#3 Study, listen and work with the audience

#4 Be where the media are used

#5 Win back the concept of radio and the roots of its public role

#6 Establish new production and transmission structures depending on the new audience situation

#7 Gamble on new content, change liabilities into assets

#8 Make the most of market globalization for better sales of world broadcasting services

#9 Train professionals

#10 Talk to researchers

Quo vadis, radio? Onward, always onward

Thank you very much Merci beaucoup Grazie mille Muchas gracias Art Source: Gerd Arntz, The Gerd Arntz Archive, Municipal Museum of The Hague