Background During the 1920's a group of writers known as "The Lost Generation" gained popularity. The term "the lost generation" was coined by Gertrude Stein who is rumored to have heard her auto-mechanic while in France to have said that his young workers were, "une generation perdue". This referred to the young workers' poor auto- mechanic repair skills. Gertrude Stein would take this phrase and use it to describe the people of the 1920's who rejected American post World War I values. Ernest Hemingway, perhaps the leading literary figure of the decade, would take Stein's phrase, and use it as an epigraph for his first novel, The Sun Also Rises. Because of this novel's popularity, the term, "The Lost Generation" is the enduring term that has stayed associated with writers of the 1920's.

Terms Materialism 1.interest in and desire for money, possessions, etc, rather than spiritual or ethical values 2.(philosophy) the monist doctrine that matter is the only reality and that the mind, the emotions, etc, are merely functions of it Compare idealism, dualism Realism 1.awareness or acceptance of the facts and necessities of life; a practical rather than a moral or dogmatic view of things 2.a style of art and literature that seeks to represent the familiar or typical in real life, rather than an idealized, formalized, or romantic interpretation of it 3.(philosophy) the thesis that general terms such as common nouns refer to entities that have a real existence separate from the individuals which fall under them See also universal, Compare Platonism, nominalism, conceptualism, naive realism 4.(philosophy) the theory that physical objects continue to exist whether they are perceived or not Compare idealism, phenomenalism 5.(logic, philosophy) the theory that the sense of a statement is given by a specification of its truth conditions, or that there is a reality independent of the speaker's conception of it that determines the truth or falsehood of every statement Rtoicism 1.indifference to pleasure and pain 2.capital the philosophy of the Stoics Materialism 1.interest in and desire for money, possessions, etc, rather than spiritual or ethical values 2.(philosophy) the monist doctrine that matter is the only reality and that the mind, the emotions, etc, are merely functions of it Compare idealism, dualism Realism 1.awareness or acceptance of the facts and necessities of life; a practical rather than a moral or dogmatic view of things 2.a style of art and literature that seeks to represent the familiar or typical in real life, rather than an idealized, formalized, or romantic interpretation of it 3.(philosophy) the thesis that general terms such as common nouns refer to entities that have a real existence separate from the individuals which fall under them See also universal, Compare Platonism, nominalism, conceptualism, naive realism 4.(philosophy) the theory that physical objects continue to exist whether they are perceived or not Compare idealism, phenomenalism 5.(logic, philosophy) the theory that the sense of a statement is given by a specification of its truth conditions, or that there is a reality independent of the speaker's conception of it that determines the truth or falsehood of every statement Rtoicism 1.indifference to pleasure and pain 2.capital the philosophy of the Stoics

The Great Gatsby The Movie

Authors William Cuthbert Faulkner (born Falkner, September 25, 1897 – July 6, 1962) was an American writer and Nobel Prize laureate from Oxford, Mississippi. Faulkner worked in a variety of media; he wrote novels, short stories, a play, poetry, essays and screenplays during his career. He is primarily known and acclaimed for his novels and short stories, many of which are set in the fictional Yoknapatawpha County, a setting Faulkner created based on Lafayette County, where he spent most of his life, and Holly Springs/Marshall County. Faulkner was one of the most important writers in Southern literature in the United States, along with Mark Twain, Robert Penn Warren, Flannery O'Connor, Truman Capote, Eudora Welty, Thomas Wolfe, Harper Lee and Tennessee Williams. Though his work was published as early as 1919, and largely during the 1920s and 1930s, Faulkner was relatively unknown until receiving the 1949 Nobel Prize in Literature. Two of his works, A Fable (1954) and his last novel The Reivers (1962), won the Pulitzer Prize for Fiction. In 1998, the Modern Library ranked his 1929 novel The Sound and the Fury sixth on its list of the 100 best English-language novels of the 20th century; also on the list were As I Lay Dying (1930) and Light in August (1932). Absalom, Absalom! (1936) is often included on similar lists. William Cuthbert Faulkner (born Falkner, September 25, 1897 – July 6, 1962) was an American writer and Nobel Prize laureate from Oxford, Mississippi. Faulkner worked in a variety of media; he wrote novels, short stories, a play, poetry, essays and screenplays during his career. He is primarily known and acclaimed for his novels and short stories, many of which are set in the fictional Yoknapatawpha County, a setting Faulkner created based on Lafayette County, where he spent most of his life, and Holly Springs/Marshall County. Faulkner was one of the most important writers in Southern literature in the United States, along with Mark Twain, Robert Penn Warren, Flannery O'Connor, Truman Capote, Eudora Welty, Thomas Wolfe, Harper Lee and Tennessee Williams. Though his work was published as early as 1919, and largely during the 1920s and 1930s, Faulkner was relatively unknown until receiving the 1949 Nobel Prize in Literature. Two of his works, A Fable (1954) and his last novel The Reivers (1962), won the Pulitzer Prize for Fiction. In 1998, the Modern Library ranked his 1929 novel The Sound and the Fury sixth on its list of the 100 best English-language novels of the 20th century; also on the list were As I Lay Dying (1930) and Light in August (1932). Absalom, Absalom! (1936) is often included on similar lists. William Faulkner Faulkner won the 1949 Nobel Prize for Literature for "his powerful and artistically unique contribution to the modern American novel”.

Authors Writing From the early 1920s to the outbreak of World War II, when Faulkner left for California, he published 13 novels and numerous short stories. This body of work formed the basis of his reputation and led to him being awarded the Nobel Prize at age 52. This prodigious output, mainly driven by an obscure writer's need for money, includes his most celebrated novels such as The Sound and the Fury (1929), As I Lay Dying (1930), Light in August (1932), and Absalom, Absalom! (1936). Faulkner was also a prolific writer of short stories. His first short story collection, These 13 (1931), includes many of his most acclaimed stories, including "A Rose for Emily", "Red Leaves", "That Evening Sun", and "Dry September". Faulkner set many of his short stories and novels in Yoknapatawpha County based on, and nearly geographically identical to, Lafayette County, of which his hometown of Oxford, Mississippi is the county seat. Yoknapatawpha was Faulkner's "postage stamp", and the bulk of work that it represents is widely considered by critics to amount to one of the most monumental fictional creations in the history of literature. Three novels, The Hamlet, The Town and The Mansion, known collectively as the Snopes Trilogy, document the town of Jefferson and its environs, as an extended family headed by Flem Snopes insinuates itself into the lives and psyches of the general populace. Writing From the early 1920s to the outbreak of World War II, when Faulkner left for California, he published 13 novels and numerous short stories. This body of work formed the basis of his reputation and led to him being awarded the Nobel Prize at age 52. This prodigious output, mainly driven by an obscure writer's need for money, includes his most celebrated novels such as The Sound and the Fury (1929), As I Lay Dying (1930), Light in August (1932), and Absalom, Absalom! (1936). Faulkner was also a prolific writer of short stories. His first short story collection, These 13 (1931), includes many of his most acclaimed stories, including "A Rose for Emily", "Red Leaves", "That Evening Sun", and "Dry September". Faulkner set many of his short stories and novels in Yoknapatawpha County based on, and nearly geographically identical to, Lafayette County, of which his hometown of Oxford, Mississippi is the county seat. Yoknapatawpha was Faulkner's "postage stamp", and the bulk of work that it represents is widely considered by critics to amount to one of the most monumental fictional creations in the history of literature. Three novels, The Hamlet, The Town and The Mansion, known collectively as the Snopes Trilogy, document the town of Jefferson and its environs, as an extended family headed by Flem Snopes insinuates itself into the lives and psyches of the general populace. William Faulkner Works Soldier's Pay (1926) Mosquitoes (1927) Sartoris (1929) The Sound and the Fury (1929) Sanctuary (1931) A Fable (1954) The Town (1957) The Reivers (1962) Works Soldier's Pay (1926) Mosquitoes (1927) Sartoris (1929) The Sound and the Fury (1929) Sanctuary (1931) A Fable (1954) The Town (1957) The Reivers (1962)

Authors He was an American poet. Finding both inspiration and provocation in the poetry of T. S. Eliot, Crane wrote modernist poetry that was difficult, highly stylized, and ambitious in its scope. In his most ambitious work, The Bridge, Crane sought to write an epic poem, in the vein of The Waste Land, that expressed a more optimistic view of modern, urban culture than the one that he found in Eliot's work. In the years following his suicide at the age of 32, Crane has been hailed by playwrights, poets, and literary critics alike (including Robert Lowell, Derek Walcott, Tennessee Williams, and Harold Bloom), as being one of the most influential poets of his generation. Life and Work Hart Crane was born in Garrettsville, Ohio. His father, Clarence, was a successful Ohio businessman who invented the Life Savers candy and held the patent, but sold it for $2,900 before the brand became popular. He made other candy and accumulated a fortune from the candy business with chocolate bars. Crane's mother and father were constantly fighting, and early in April, 1917, they divorced. Hart dropped out of high school during his junior year and left for New York City, promising his parents he would attend Columbia University later. His parents, in the middle of divorce proceedings, were upset. Crane took various copywriting jobs and jumped between friends’ apartments in Manhattan. Between 1917 and 1924 he moved back and forth between New York and Cleveland, working as an advertising copywriter and a worker in his father’s factory. He was an American poet. Finding both inspiration and provocation in the poetry of T. S. Eliot, Crane wrote modernist poetry that was difficult, highly stylized, and ambitious in its scope. In his most ambitious work, The Bridge, Crane sought to write an epic poem, in the vein of The Waste Land, that expressed a more optimistic view of modern, urban culture than the one that he found in Eliot's work. In the years following his suicide at the age of 32, Crane has been hailed by playwrights, poets, and literary critics alike (including Robert Lowell, Derek Walcott, Tennessee Williams, and Harold Bloom), as being one of the most influential poets of his generation. Life and Work Hart Crane was born in Garrettsville, Ohio. His father, Clarence, was a successful Ohio businessman who invented the Life Savers candy and held the patent, but sold it for $2,900 before the brand became popular. He made other candy and accumulated a fortune from the candy business with chocolate bars. Crane's mother and father were constantly fighting, and early in April, 1917, they divorced. Hart dropped out of high school during his junior year and left for New York City, promising his parents he would attend Columbia University later. His parents, in the middle of divorce proceedings, were upset. Crane took various copywriting jobs and jumped between friends’ apartments in Manhattan. Between 1917 and 1924 he moved back and forth between New York and Cleveland, working as an advertising copywriter and a worker in his father’s factory. Hart Crane

Authors John Roderigo Dos Passos was an American novelist and artist. Before becoming a leading novelist of his day, John Dos Passos sketched and painted. During the summer of 1922, he studied at Hamilton Easter Field's art colony in Ogunquit, Maine. Many of his books published during the ensuing ten years used jackets and illustrations that Dos Passos created. Influenced by various movements, he merged elements of Impressionism, Expressionism, and Cubism to create his own unique style. And his work evolved with his first exhibition at New York's National Arts Club in 1922 and the following year at Gertrude Vanderbilt Whitney's Studio Club in New York City. While Dos Passos never gained recognition as a great artist, he continued to paint throughout his lifetime and his body of work was well respected. His art most often reflected his travels in Spain, Mexico, North Africa, plus the streets and cafés of the Montparnasse Quarter of Paris that he had frequented with good friends Fernand Léger, Ernest Hemingway, Blaise Cendrars, and others. Between 1925 and 1927, Dos Passos wrote plays as well as created posters and set designs for the New Playwrights Theatre in New York City. In his later years, his efforts turned to painting scenes around his residences in Maine and Virginia. In early 2001, an exhibition titled The Art of John Dos Passos opened at the Queens Borough Library in New York City after which it moved to several locations throughout the United States. John Roderigo Dos Passos was an American novelist and artist. Before becoming a leading novelist of his day, John Dos Passos sketched and painted. During the summer of 1922, he studied at Hamilton Easter Field's art colony in Ogunquit, Maine. Many of his books published during the ensuing ten years used jackets and illustrations that Dos Passos created. Influenced by various movements, he merged elements of Impressionism, Expressionism, and Cubism to create his own unique style. And his work evolved with his first exhibition at New York's National Arts Club in 1922 and the following year at Gertrude Vanderbilt Whitney's Studio Club in New York City. While Dos Passos never gained recognition as a great artist, he continued to paint throughout his lifetime and his body of work was well respected. His art most often reflected his travels in Spain, Mexico, North Africa, plus the streets and cafés of the Montparnasse Quarter of Paris that he had frequented with good friends Fernand Léger, Ernest Hemingway, Blaise Cendrars, and others. Between 1925 and 1927, Dos Passos wrote plays as well as created posters and set designs for the New Playwrights Theatre in New York City. In his later years, his efforts turned to painting scenes around his residences in Maine and Virginia. In early 2001, an exhibition titled The Art of John Dos Passos opened at the Queens Borough Library in New York City after which it moved to several locations throughout the United States. John Dos Passos