COPYRIGHT LAW 2004 Columbus School of Law The Catholic University of America Prof. Fischer March 24, 2004.

Slides:



Advertisements
Similar presentations
What’s Yours In Mine: Intellectual Property and Copyright For the Magazine Media Publisher Jim Sawtelle Partner and Co-leader, Media, Publishing and Marketing.
Advertisements

Introduction to Copyright Principles © 2005 Patricia L. Bellia. May be reproduced, distributed or adapted for educational purposes only.
Tuesday, January 21, 2014 Review Copyright Basics and Fair Use (for test) Share “Case Research”
Copyright Infringement II Intro to IP – Prof Merges
COPYRIGHT LAW 2006 Columbus School of Law The Catholic University of America Prof. Fischer March
Intellectual Property Boston College Law School January 23, 2008 Copyright – Rights – Reproduction.
What is it and why should I care?
Copyright Infringement Intro to IP – Prof Merges
COPYRIGHT LAW 2004: CLASS 5 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA FEB 2, 2004.
Intro to Copyright: Originality, Expression, and More
Intellectual Property Boston College Law School March 14, 2008 Software - Intro, Scope.
COPYRIGHT LAW: THE CASE OF THE MUSIC INDUSTRY Professor Fischer The Catholic University of America Columbus School of Law March 24, 2003.
Copyright Law Boston College Law School February 25, 2003 Rights - Reproduction, Adaptation.
Intellectual Property Boston College Law School March 9, 2009 Software - Intro, Scope.
Intro to Copyright: Originality, Expression, and More
Intellectual Property Boston College Law School January 18, 2008 Copyright – Ownership, Duration.
COPYRIGHT LAW FALL 2008: CLASS 7 THE CATHOLIC UNIVERSITY OF AMERICA Sept. 10, 2008.
Ownership of Intellectual Property: Textbooks and Inventions Frank Lancaster UT Office of the General Counsel Presented at The University of Tennessee.
Copyright vs. trademark
For Teachers & Students By: Terri Hall. The Copyright Law (U.S. Code, Title 17) was established to balance the rights of authors, composers, performers.
April 7, 2011 Copyright Law. Copyright Infringement?
ARIEL FLINN ITEC 7445 DR. MOORE Sound Recording Copyright Guidelines.
What is copyright? the exclusive legal right, given to an originator or an assignee to print, publish, perform, film, or record literary, artistic, or.
Subject Matter I  Software Copyright Oren Bracha, Summer 2015.
MSE602 ENGINEERING INNOVATION MANAGEMENT
COPYRIGHT LAW 2003: CLASS 5 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA JANUARY 22, 2003.
Copyright and Fair Use Implications for Assistive Technology and Education.
COPYRIGHT LAW 2006 Columbus School of Law The Catholic University of America Prof. Fischer March
Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 10 February 10, 2003.
U.S. Copyright Enforcement Benjamin Hardman Attorney / Advisor Office of Intellectual Property Policy & Enforcement, USPTO.
COPYRIGHT LAW 2004 Columbus School of Law The Catholic University of America Prof. Fischer March 29, 2004.
Copyright: Protecting Your Rights at Home and Abroad Michael S. Shapiro Attorney-Advisor United States Patent and Trademark Office.
Copyright Law 2003 Class of March Professor Fischer.
COPYRIGHT LAW 2006 Columbus School of Law The Catholic University of America Prof. Fischer April 18, 2006.
COPYRIGHT LAW 2006 Columbus School of Law The Catholic University of America Prof. Fischer Class 22 Infringement November 3, 2008.
4.1 Chapter 4 Copyrights © 2003 by West Legal Studies in Business/A Division of Thomson Learning.
WRAP UP: Termination Know the difference between s. 203 and s. 304(c)
COPYRIGHT LAW 2006 Columbus School of Law The Catholic University of America Prof. Fischer Class 23 November 8, 2006.
Intellectual Property Laws and Fair Use Guidelines for Educational Multimedia.
Copyright Laws Copyright Protection and Fair Use.
Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 13 February 25, 2002.
COPYRIGHT LAW 2001 Columbus School of Law The Catholic University of America Prof. Fischer Class 20 (MARCH 27, 2002)
Copyright III Class 5 Notes Law 507 | Intellectual Property | Spring 2004 Professor Wagner Copyright © R. Polk Wagner Last updated: 6/3/2016 2:47:50 AM.
T HE D ISTRIBUTION R IGHT The distribution right is the exclusive right “to distribute copies or phonorecords of the copyrighted work to the public by.
The Ethical Use of Electronic Media. V Computer Ethics  Resources such as images and text on the Internet are copyrighted.  Plagiarism (using.
COPYRIGHT LAW FALL 2006 Columbus School of Law The Catholic University of America Prof. Fischer Class 19: Termination and 1909 Act Formalities – October.
COPYRIGHT LAW 2008 Columbus School of Law The Catholic University of America Prof. Fischer Class 27: November 19, 2008.
COPYRIGHT LAW 2008 Columbus School of Law The Catholic University of America Prof. Fischer Class 23 November 5, 2008.
COPYRIGHT LAW 2001 Columbus School of Law The Catholic University of America Prof. Fischer Class 19 (MARCH 26, 2002)
COPYRIGHT LAW 2002 Columbus School of Law The Catholic University of America Prof. Fischer April 3, 2002.
Copyright Fundamentals Copyrightability Victor H. Bouganim WCL, American University.
INTRO TO IP LAW FALL 2009: CLASS 3 Professor Fischer Copyrightability: The Idea- Expression Dichotomy, Protection for Factual Works AUGUST 27, 2009.
COPYRIGHT LAW 2006 Columbus School of Law The Catholic University of America Prof. Fischer Class 22 November 6, 2006.
INTRODUCTION TO INTELLECTUAL PROPERTY LAW Copyrightable Subject Matter Monday October
COPYRIGHT LAW 2006 Columbus School of Law The Catholic University of America Prof. Fischer Class 21 Infringement November 1, 2006.
Innovation, Copyright, and the Academy University of California Santa Barbara November 2, 2015 Kenneth D. Crews Gipson Hoffman & Pancione (Los Angeles)
4.1 Chapter 4 Copyrights © 2003 by West Legal Studies in Business/A Division of Thomson Learning.
Copyright III Class Notes: January 29, 2003 Law 507 | Intellectual Property | Spring 2003 Professor Wagner.
COPYRIGHT LAW 2003 Columbus School of Law The Catholic University of America Prof. Fischer March 19, 2003.
Haley Gayden. Copyright is a law of protection given to the authors or creators of “original works of authorship,” only allowing people with permission.
COPYRIGHT LAW 2002 Columbus School of Law The Catholic University of America Prof. Fischer April 8, 2002.
Intellectual property (IP) refers to creations of the mind: inventions, literary and artistic works, music, movies, symbols, names, images, and designs.
Part 2: Songwriting, Publishing, Copyright, and Licensing.
6/18/2016 COPYRIGHT AND Fair Use Guidelines “Respect Copyright, Celebrate Creativity”
COPYRIGHT LAW FALL 2006 Columbus School of Law The Catholic University of America Prof. Fischer November 15, 2006.
IHSA Competitive Cheerleading
U. S. Copyright Basics.
COPYRITGHT The Moral Right
Intellectual Property:
The Ethical Use of Electronic Media.
Presentation transcript:

COPYRIGHT LAW 2004 Columbus School of Law The Catholic University of America Prof. Fischer March 24, 2004

WRAP-UP POINTS: INFRINGEMENT To sustain an action for infringement, copyright owner must prove 1. Ownership of valid copyright 2. Copying by D 3. Unlawful Appropriation by D

WRAP-UP POINTS: INFRINGEMENT To show ownership of a valid copyright, P must show originality, copyrightable subject matter, and compliance with statutory formalities If P did not author work, he must show proper transfer documents or show a relationship that supports claim for copyright

WRAP-UP POINTS: INFRINGEMENT To prove copying, P must usually show access and similarity It’s rare to have direct evidence of copying Access can be inferred if on the facts D had a reasonable opportunity to view or copy the work

“TOTAL CONCEPT AND FEEL” What is meant by this? See Roth Greeting Cards v. United Card Co.

NON-LITERAL COPYING In Nicholls v. Universal Pictures (2d Cir. 1930), Judge Learned Hand made clear that non-literal copying could be actionable. He stated that copyright “cannot be limited literally to the text, else a a plagiarist would escape by immaterial variations”.

COMPUTER SOFTWARE To what extent is computer software protectable under copyright law?

COPYRIGHTABILITY OF COMPUTER SOFTWARE Computer software, by its nature as written work intended to serve utilitarian purposes, doesn’t fit in well with our existing IP system. In 1974 Congress established National Commission on New Technological Uses of Copyrighted Works (CONTU) to study implications of new technologies and recommend revisions to IP law.

CONTU Report in 1978 that IP in computer software should be protected under copyright law - Congress adds definition of “computer program” in section 101. What about the fact that the Copyright Act provides that copyright cannot protect “any idea, procedure, process, system, method of operation, concept, principle or discovery” (17 U.S.C. section 102(b)) Was this a good judgment call?

IDEA/EXPRESSION DICHOTOMY CONTU recognized it was impossible in 1978 to establish precise line between copyrightable expression of computer programs and uncopyrightable processes they implement.

EARLY CASES IN 1980s Conflict between hardware manufacturers Focus on to what extent literal copying of computer software violates copyright law Apple v. Franklin (3d Cir. 1983) clearly establishes that an operating system is copyrightable and that exact copying of computer code infringes programmer’s copyright in the code. No cases since have held otherwise

SECOND GENERATION SOFTWARE CASES To what extent can competitors copy nonliteral elements, such as program’s underlying structure, sequence, or organization. How far does copyright protection extent beyond the literal elements of a work?

NON-LITERAL COPYING Should non-literal copying of computer software be protected under copyright law? What are the economic arguments in favor and against this? What about the jurisprudential arguments?

Whelan Associates v. Jaslow Dental Laboratory, Inc. (3d Cir. 1987) Involves computer program for operation of dental lab First case about nonliteral copying of computer software Issue: How do you separate idea from expression? What was the Whelan rule for doing this?

Whelan Associates v. Jaslow Dental Laboratory, Inc. (3d Cir. 1987) Third Circuit said that idea of program was its purpose or function - so idea was efficient management of a dental lab. Treated computer programs like literary works Heavily criticized Do you think it is a sensible rule?

Computer Associates Int’l v. Altai, Inc. (2d Cir. 1992) Was there access? Did the Court follow Whelan? Why or why not?

MORE on COMPUTER ASSOCIATES Can programs with little protectable material be freely copied under the Altai test? Many commentators, e.g., Pamela Samuelson, have praised Altai’s approach. Many large computer companies dislike it. Nevertheless it has been adopted by many courts - indeed all courts since 1992 have preferred Altai over Whelan.

SUBSEQUENT JUDICIAL ADOPTION OF ALTAI Unfortunately, not all courts have approached the abstraction-filtration- comparison analysis in precisely the same way The 10th Circuit, in Gates Rubber is well- known for having moved beyond Altai

GATES RUBBER (10th Cir. 1985) Court gives further content to abstraction test - identifies 6 levels of gradually declining abstractions Court also gives further content to filtration part of Altai analysis

KURT ADLER V. WORLD BAZAARS Turn to p Does Photo B infringe Photo A? (Access is acknowledged). Why or why not?

RIGHT TO MAKE PHONORECORDS See s. 106(1) Definition of Phonorecords: 101 Must be fixed Copies and Phonorecords are mutually exclusive Was the karaoke CD-ROM in ABKCO v. Stellar a “phonorecord”? Why did it matter?

ALISON

RIGHT TO MAKE/DISTRIBUTE PHONORECORDS What would Linda Ronstadt have to do to ensure that her recording of Alison did not infringe Elvis Costello’s copyright in the song?

MECHANICAL LICENSE What’s a mechanical license? See section 115

MECHANICAL LICENSE Primary purpose to distribute to public for private use Phonorecords must have been distributed under authority of copyright owner Can’t use for pirating of sound recordings Must serve TIMELY notice of intention on copyright owner Must pay royalty established now by ad h oc arbitration panels (now 8c/song or 1.55 cents per minute whichever larger)

WHAT HAPPENS IF YOU FAIL TO SERVE TIMELY NOTICE UNDER s. 115(b)? See Cherry River Music v. Simitar Entertainment (S.D.N.Y. 1999)

CHANGING THE SONG To what extent can Linda Ronstadt validly change the song Alison in her recording of it under a compulsory license?

CHANGING THE SONG See s. 115(a)(2) - she can make a musical arrangement “to the extent necessary to conform it to the style or manner or interpretation of the performance involved, but the arrangement shall not change the basic melody or fundamental character of the work, and shall not be subject to protection as a derivative work” without Costello’s express consent.