Share part of the author’s life with the reader Always about the author Hence “Personal Narrative” Putting the reader inside of a story It is a story There is no thesis
Chronological Flashback Moving between the present and past Reflective Offers new insight into a past event
Like creative nonfiction The reader wants to see, hear, smell, feel and taste everything Avoid “to be” verbs Don’t interpret something for the reader Explain something and let the reader decide for themselves
Carefully construct your dialogue Make the conversations count OR Have your dialogue create the characters Personalities Voices Word selection of the characters Active voice (not passive)
This choice is CRUCIAL Determines : Involvement of the narrator with the characters Especially in the minds of the other characters Where you are in time (past or present) How much emotion is shown The tone you set Most personal narratives are 1 st person LIMITED point of view
Sets up the “feeling” that your reader will develop Look at the story you are giving The tone should fit the subject matter How do you want your reader to feel once they are done?
The Diary of Anne Frank Three Cups of Tea Owl Moon Into Thin Air The Glass Castle