The artist as (film school) teacher developing a peer-based training programme for film school teachers NORDICIL working group Established september 2015
background filmmakers, not teachers
Background filmmakers, not teachers the needs of the discipline
background filmmakers, not teachers the needs of the discipline coordination
background filmmakers, not teachers the needs of the discipline coordination literature
background filmmakers, not teachers the needs of the discipline coordination literature geography
background filmmakers, not teachers the needs of the discipline coordination literature geography EQF - European Qualifications Frameworks
ASSets filmmakers, not teachers
ASSets filmmakers, not teachers prior training
ASSets filmmakers, not teachers prior training prior teaching
ASSets filmmakers, not teachers prior training prior teaching active filmmakers
approach Peer learning
approach Peer learning continuous development
approach Peer learning continuous development Sharing experiences, practices, successes, failures
approach unified approach continuous development Sharing experiences, practices, successes, failures pedagogic dialogue
approach unified approach continuous development Sharing experiences, practices, successes, failures pedagogic dialogue experience
– John Dewey «learn to know by doing and to do by knowing»
PROPOSAL 1.pedagogy course for film school teachers
PROPOSAL 1.pedagogy course for film school teachers 2.«blended» classroom
PROPOSAL 1.pedagogy course for film school teachers 2.«blended» classroom 3.involve NORDICIL members
PROPOSAL 1.pedagogy course for film school teachers 2.«blended» classroom 3.involve NORDICIL members 4.make the course «distributed»
PROPOSAL 1.pedagogy course for film school teachers 2.«blended» classroom 3.involve NORDICIL members 4.make the course «distributed» 5.accreditation
PROPOSAL 1.pedagogy course for film school teachers 2.«blended» classroom 3.involve NORDICIL members 4.make the course «distributed» 5.accreditation 6.«peeragogy»
preliminary topics
overview 1.Overview of the course 2.Introduction of basic terminology 3.Skills/professional development vs. Academic study vs. Artistic education
Inital list of topics 1.methods 2.designing a workshop/course 3.progression over time 4.the production exercise 5.collaboration and group work 6.the statement of intent 7.feedback, assessment and evaluation 8.the filmmaker as artist 9.flow 10.perspectives
Inital list of topics 1.methods 2.designing a workshop/course 3.progression over time 4.the production exercise 5.collaboration and group work 6.the statement of intent 7.feedback, assessment and evaluation 8.the filmmaker as artist 9.flow 10.perspectives
instructional design 1.Defining a learning outcome 2.Determining content 3.Choosing a structure and form 4.Feedback and ways of monitoring the success of learning outcomes
WHO ARE WE? Annakaisa Sukura – Helsinki/Metropolia Arto Koskinen – Tampere Fredrik Graver – Lillehammer Gunnar Wille – Copenhagen Hanna Sköld – Gothenburg Kirsi Rinne – Helsinki/ELO Lenka Hellstedt – Helsinki/ELO Owen Kelly – Helsinki/Arcada Tinna Joné - Stockholm