Variation and style Chapter 3. What is the difference between a dialect, an accent and a variety?  Accent Where speakers differ (or vary) at the level.

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Variation and style Chapter 3

What is the difference between a dialect, an accent and a variety?  Accent Where speakers differ (or vary) at the level of pronunciation only (phonetics and/or phonology), they have different accents. Accents can index a speaker’s regional/geographic origin, or social factors such as level and type of education, or even their attitude.  Dialect A term widely applied to what are considered subvarieties of a single language. Generally, dialect and accent are distinguished by how much of the linguistic system differs. Dialects differ on more than just pronunciation, i.e., on the basis of morphosyntactic structure and/or how semantic relations are mapped into the syntax.  Variety Relatively neutral term used to refer to languages and dialects. Avoids the problem of drawing a distinction between the two, and avoids negative attitudes often attached to the term dialect

STUDYING VARIATION IN SPEAKERS’ STYLE  Style-shifting: Variation in an individual’s speech correlating with differences in addressee, social context, personal goals or externally imposed tasks. There are there suggestions for variation in style: The first is the suggestion that people pay more or less attention to their speech when they are engaged in different kinds of verbal tasks. The second is the idea that speakers have an audience in mind, and they design their speech to suit that audience. The third is the idea that different linguistic styles present different personas that the speaker identifies with. We will consider the first two in most detail since they differ most radically and have been subject to the most careful empirical study.

For Example THE NEW YORK CITY SOCIAL DIALECT SURVEY  The Researcher: William Labov  Place of Investigation: variability in the speech of New Yorkers. New York City (NYC).  The Variable: Historically, one of the more salient features that sets NYC speech apart from varieties spoken nearby (e.g., in New Jersey), and from the more general variety of Standard American, is that NYC has been r-less. This means that unless an orthographic ‘r’ occurs before a vowel, it is not pronounced as a constricted ‘r’ – in this respect NYC speech differs from most northern and western varieties of North America. Like British English, the post-colonial Englishes of the Pacific and southern Atlantic and some varieties of Caribbean English, words like car, port, garden, and surprise (i.e., words where the ‘r’ is in what phonologists call the coda of a syllable) do not get pronounced with a constricted, consonant [r.]  Attitudes toward the variable: This feature of the New York accent is widely stereotyped and is one that New Yorkers themselves may have quite negative feelings about – some of them say they dislike it even if they, their families and friends are all r-less speakers.

 Data Collection : Method 1 Labov obtained his data on (r) using several different methods. Labov extended the basic interview paradigm he had used on Martha’s Vineyard. He added several language tasks that he would ask people to do during the interview, and in the free conversation part of the interview he separated out speech directed at the interviewer and speech directed at friends and family members. The sociolinguistic interviews consisted of four structured parts. The interviewee was asked to: (i) read a list of minimal pairs (pairs of words that have different meanings but only differ from each other in one sound); (ii) read a list of words in isolation (some of which contain the variables under investigation and some of which do not); (iii) read aloud a short narrative (carefully constructed to contain the variables in as many linguistic environments as possible); (iv) talk with the interviewer about their life, some of their beliefs, and their life experiences.

 Hypothesis: Labov was aware that for a variable like (r) there were clear differences in which variant was considered appropriate for formal and informal speech. Labov tackled these problems in defining and working with style by proposing that the formality or informality of styles was a function of speakers’ attention to their own speech: in more formal styles they pay more attention; in more casual styles they pay less attention.  Findings : Labov’s findings supported his hypothesis. On average, everyone used pronunciations with an [r] more when they were reading the narrative aloud than they did in casual conversation. They used even more [r] when they were reading the word lists, and they were most likely to use [r] variants when they were reading minimal pairs.  Attention to speech: Labov proposed that the different distribution of forms in different styles was motivated by the amount of attention the speaker was paying to the act of speaking. In activities, such as reading aloud, reading word lists or minimal pairs, Labov argued that speakers are paying more attention to their speech than they are in interviews and in interviews they pay more attention than when conversing with friends and family.

 Data Collection : Method 2 :Rapid and anonymous surveys  Labov chose three department stores as the venue for some quick fieldwork. He tried to elicit as many tokens of the phrase “fourth floor” as possible from staff working in the three stores.  This phrase was a good one from a linguistic point of view because it has one token of the (r) variable before a consonant and one token word and phrase finally. The decision to ask staff (and not, for instance, customers) was practical – staff were more likely to be able to give the desired answer. He would find some item on the store directory boards that was sold on the fourth floor, e.g., lamps or shoes, and he would ask staff where lamps, or shoes, were. They would say, ‘Fourth floor’, and then he’d pretend he hadn’t heard and ask them to repeat it. With slightly more care, the staff member would repeat ‘Fourth floor’. Labov would walk off and write down how often they had and had not used a constricted [r], and a few basic social facts about the speaker (their occupation in the store, their sex, a ough estimate of their age).

 Results: In all three department stores, speakers were more likely to use the Standard American pronunciation with a constricted [r] when they repeated fourth floor carefully for a second time than they were the first time they uttered it. Because the pattern emerged across a considerable number of staff in all three stores, this supported the empirical findings in the interviews, and widely held attitudes about the (r) variable. The use of constricted variants with careful speech was robust and consistent across several measures.  On the basis of the evidence accumulated in the New York studies, Labov argued that speakers could be considered co-members of a speech community if they share: 1- the same variants in their repertoire, and 2- the same, consciously or unconsciously held, attitudes to those variants.

PRESTIGE OF A VARIABLE  We have to be careful that we do not define a prestige variant as ‘a variant which has more status’ if the only evidence we have for the variant being statusful is that it is used more by members of a speech community who themselves have more status (e.g., the upper class). If that is our only evidence, then our definition of prestige is circular and we might more accurately say that we have a variant that marks higher social class rather than a variant that is prestigious. Prestige is not necessarily something speakers are consciously aware of, nor something that is associated with the highest social classes or more powerful speakers in a community. These observations have led sociolinguists to make a distinction between overt and covert prestige.  Overt prestige is understood to be the prestige associated with a variant that people are highly aware of and which is associated more with the speech of higher-status speakers. This would include a variant like the constricted [r] in NYC, which speakers will describe in evaluative terms as sounding ‘better’ or ‘nicer’ than the r-less variant.

Covert Prestige  The term covert prestige more accurately refers to cases where speakers’ positive evaluation of a variant is genuinely covert or hidden.  Peter Trudgill’s (1972) early work on Norwich English found that some speakers recognise and overtly talk about one variant as being ‘better’ than another; furthermore, they claim to use the ‘better’ form, but in fact do not. In this particular case, many of the men (not so many of the women) that Trudgill interviewed said that the Standard Southern British English pronunciations of tune and dune, i.e., [tjun] and [djun], were better than the local Norwich variant without the [j], i.e., [tun] and [dun], and reported to him that it was the form they used. That is, they were overtly oriented to the supra-local prestige of [tjun] and recognised the [tun] variants as being distinctively local and non-standard. Nevertheless, they used the local variant most often in their interviews with Trudgill. So their orientation to the local variant was covert: they believed they were doing something different from what they actually were doing.

THE OBSERVER’S PARADOX  It can be defined as the double-bind researchers find themselves in when what they are interested in knowing is how people behave when they are not being observed; but the only way to find out how they behave is to observe them.  To overcome the observer’s paradox sociolinguist often spend long periods of time working and/or living with the people whose speech they are interested in, and they hope that by doing this they will eventually achieve insider status themselves. This is known as participant observation.

Surreptitious Recording and Other Ethics Issues  It is not possible for a sociolinguist to avoid the observer’s paradox by gathering their data in secret. Surreptitious recording, i.e., using a hidden audio or video recorder without the speakers’ knowledge, is not condoned by professional linguistic associations. It is also illegal in many parts of the world.  There are some forms of talk which it is generally agreed can be used as data without getting express permission from the speaker(s). This is talk that is already in the public domain, such as media broadcasts, or oral history archives.

CHALLENGING STYLE AS ATTENTION TO SPEECH  Giles drew on principles that social psychologists had determined play a significant role in how people behave in intergroup and interpersonal interactions quite generally. Research had shown, for example, that people tend to favour other members of their group (ingroup members) at the expense of members of another group (outgroup members), especially in situations that involve some form of competition.  Giles therefore suggested that Labov was wrong in attributing speech differences across different styles to the effect of speakers’ attention to their own speech. He argued that social behaviour is seldom so egocentric, and that interviewees would have interpreted their sociolinguistic interviews as intergroup or interpersonal interactions. To support his cliam he provided the following example,

Bislama, a creole  In Bislama, as in many languages, you don’t have to have a subject in every sentence. Instead of repeating a subject with a pronoun like you do in English (1), when the subject stays the same across sentences, you can have a gap as in (2):  The captain told everyone to stay quiet. He waited until he thought it was safe. Then he signalled an advance.  (2) The captain told everyone to stay quiet. _Waited until _thought it was safe...