How the DLF Works. DLF Storyboard 1. 2. 3. A digital entrepreneur comes up with an innovative and exciting idea involving the use of copyright protected.

Slides:



Advertisements
Similar presentations
The Copyright Hub Licences for Europe Working Group 2 – UGC and Small scale users 7 March 2013 Dr Ros Lynch Director, Copyright Licensing Coordination.
Advertisements

Are you being a safe and successful digital citizen? E-safety
Public Relation.  While NAWS has no specific position on Facebook. NA as a whole has a clearly defined outline for the use of Internet technologies.
Euforbia Commercial Exploitation. The Players The audience to be barred / protected Parents Officials / Institutions ISPs Content Owners / Distributors.
Salini Kokatam Vasavi Bolaram Ashwini Shamirpet Kishore Reddy.
What you can do, what you can’t do and why it matters.
Copyright management in open access projects Iryna Kuchma Open Access Programme Manager Attribution 3.0 Unported.
How to Submit a Matching Gifts Application.
NIMAC 2.0 Basics for AUs: Searching, Downloading, and Assigning Files & Using the Reports Options 1www.nimac.us.
1 Information Online 2009 Rights management – does copyright still matter in the 21st century? 20 January, 2009 Caroline Morgan General Manager, Corporate.
What is it and why should I care?
HSC: All My Own Work Copyright.
HP Asset Hub Support through Service Central
The Role of the Public Library in the Digital Age Sarah Ormes UKOLN University of Bath Bath, BA2 7AY UKOLN is funded by the Library and Information Commission,
SE Document Document Control Software. SE Document SE Document is a Document Management Software System to help you meet all document control requirements.
Are you being a safe and successful digital citizen?
MNO Cloud Use Case 2 Source: Rogers Wireless Contact: Ed O’Leary George Babut 3GPP/SA3-LI#43Tdoc SA3LI11_115.
Federated Searching Pre-Conference Workshop - The federated searching cookbook Qin Zhu HP Labs Research Library February 18, 2007.
Prof. Vishnuprasad Nagadevara Indian Institute of Management Bangalore
Presented by…. Group 2 1. Programming language 2Introduction.
OFC 322 Building Office Research Web Services: Exposing Corporate Data Through Office Brian Jones Program Manager Authoring Services Martin Sawicki Lead.
Confidential Confidential Rev PA11 Access to local device functionality through REST APIs Johan Apelqvist Research Manager R&T Advanced Concepts.
Exploring the Feasibility of Seeking Copyright Permissions ALA Annual Conference June 16, 2001 Carole A. George, Ed. D. Carnegie Mellon University Libraries.
Tippecanoe 4-H Computer Project Mikel BergerBret Madsen Ed Evans
WorldCat Local & World Cat Quick Start a new way to search your library’s resources and the world beyond.
Vanderbilt Television News Archive Marshall Breeding Director for Innovative Technology and Research Vanderbilt University
CS378 - Mobile Computing Intents. Allow us to use applications and components that are part of Android System – start activities – start services – deliver.
ME & A Michael Edwards & Associates 1 The Kendra Initiative Mike Edwards CEO Michael Edwards & Associates.
CRICOS No J a university for the world real R The OAK Law Project Queensland University of Technology CRICOS No J 1.
Copyright for Authors Jenny Delasalle, Academic Support Manager (Research), Library.
Module 7: Marketing Tools Intuit Financial Services University Internet Banking Certification Training.
XRX Basic CRUDS Create, Read, Update and Delete and Search XML Data Date: May 2011 Dan McCreary President Dan McCreary & Associates
CLRC and the European DataGrid Middleware Information and Monitoring Services The current information service is built on the hierarchical database OpenLDAP.
INFSO-RI Enabling Grids for E-sciencE
HSC: All My Own Work What is copyright and what does it protect? How does it relate to me?
Depositing your thesis, dissertation and other research outputs Carol Brandenburg & Sarah L. Tritt, Library Teaching and Learning, 2014.
A user guide to accessing, reviewing and contributing to the Online Registry System.
Clearing Permissions for my manuscript What do I need to know and what do I do? Emily Hall Rights Manager
© 2012 IBM Corporation 3 rd Party Registration & Account Management 1 1 SMT Post R 4.3 Potential Enhancements.
Providing web services to mobile users: The architecture design of an m-service portal Minder Chen - Dongsong Zhang - Lina Zhou Presented by: Juan M. Cubillos.
COPYRIGHT CLEARANCE PROCEDURE. LEGAL SERVICES COPYRIGHT ACT The Copyright Act no. 98 of 1978 governs the use of copyright protected works – those works.
1 PDA Management in Alma Network Zone. 2 Copyright Statement All of the information and material inclusive of text, images, logos, product names is either.
TRAINING ON USE OF THE AFAAS VIRTUAL SOCIAL NETWORKING PLATFORM Sanyu Kazibwe- INNODEV Limited Dan Kisauzi- AFAAS Management Consultant 17 th June 2013.
INFSO-RI Enabling Grids for E-sciencE Information System Valeria Ardizzone INFN EGEE NA4 Generic Applications Meeting Catania,
Year 3.  What is copyright?  What is protected by copyright?  Who owns copyright?  What has copyright got to do with me ?  What is creative commons.
Copyright 2007, Information Builders. Slide 1 iWay Web Services and WebFOCUS Consumption Michael Florkowski Information Builders.
INFSO-RI Enabling Grids for E-sciencE R-GMA Gergely Sipos and Péter Kacsuk MTA SZTAKI Credit to Valeria Ardizzone.
Dextrosoft SCHEDULED PHONE BACKUP Backup your mobile life Version Copyright © 2015 Dextrosoft Private Limited. All Rights Reserved.
INFSO-RI Enabling Grids for E-sciencE gLite Information System: R-GMA Tony Calanducci INFN Catania gLite tutorial at the EGEE User.
Automate Blue Button Initiative Pull Workgroup Meeting December 13, 2012.
DIGITAL CITIZENSHIP TRAINING BEING A SAFE AND SUCCESSFUL USER OF ICT.
Driving Innovation V Technology Strategy Board IC tomorrow Application Developer Overview.
Group E - Enrico Costanza Sam Holder, Jonathan Stephens-Jones, Joseph Buckingham, Crispin Clark, Benjamin Dixon Creative Commons, Open Source, Open Movements.
Relational Grid Monitoring Architecture (R-GMA)
Disclaimer This presentation is for informational purposes only and does not constitute legal advice.
Architecture Review 10/11/2004
Homeland Security Standards Database
Generic Show: Attendee Guide XX/XX/10.
Information System Valeria Ardizzone INFN
« Out of commerce works » The French system
Licenses Guidelines for Copyright and Licencing
Copyright and Higher Degree Students
Moodle Mobile offline features Daniel #mootus16.
WorldCat: Broad Web visibility for our collection
X-Road as a Platform to Exchange MyData
GlobalMMCS Entry Portlets
VuFind APIs - A practical approach
How Copyright Works with Social Media
Technical Integration Guide
Presentation transcript:

How the DLF Works

DLF Storyboard

A digital entrepreneur comes up with an innovative and exciting idea involving the use of copyright protected works. The entrepreneur knows it needs permission to use the works but doesn’t know how to get it. There are basic questions to answer: What works or catalogue of works are available for use? How to describe accurately the use for which permission is sought? Who can grant the necessary permission? What are the likely terms of the permission? The entrepreneur comes across a new DLF Licensing App (example of an application which could have been sponsored by TSB) on the internet that uses the DLF Services to deliver answers to the entrepreneur's questions.

4. The entrepreneur finds some suitable copyright works. Using the Licensing App he is able to compose a licensing request in respect of the works. 5. The DLF Messaging Hub actions the licensing request by querying databases run by the rights holders of the works in question. The Licensing App then returns information to the entrepreneur about possible licensing options; it also provides the contact information for the rights holder. 6. For some of the works, the entrepreneur is redirected to an online licensing facility operated by the rights holder. For others, he is invited to contact the rights holder by phone to discuss a licensing agreement.

DLF Hi Level Architecture

End User Application Messaging Hub Rights Holder Registry Licensing Information Rules DLF Taxonomy API Authentication Licensing Information Rules Files Right holder data sources with a Published search API DLF UI DLF Services DLF Data Layer End User

DLF Contest Front End Apps Music Application Publishing Application Culture Application Cross Media Application DLF ServicesThird Party Search Portals DLF Data Layer

Example 1: User Enquiring about an available Use for a particular Sound Recording Work.

DLF Contest Front End Apps Music Application Third Party Search Portals ab Licence Request Work ID: 26 Work Type: Sound Recording a.User searches for a particular sound recording via the music licence application. b.The sound recording is located and the ID for the work is returned to the Application. 1.

DLF Contest Front End Apps Music Application DLF Services ab Licence Request Work ID: 26 Work Type: Sound Recording Use Description Type: Adapt: Sample Business Licence Type: Business Service: Advertising a.The application uses the latest DLF taxonomy for Use Description and Business Licence Types. b.The User selects the Use Description and Business Licence Type that they require for the identified work. 2.

DLF Contest Front End Apps Music Application DLF Services a Licence Request Work ID: 26 Work Type: Sound Recording Use Description Type: Adapt: Sample Business Licence Type: Business Service: Advertising a.The application passes the completed licence request to the DLF’s Messaging Hub. 3.

DLF Services DLF Data Layer Content Data Rights Holder: TSB Music Catalogue ID: Red Jazz Genre: Jazz Title: Macarthur Park TSB_Artist: BIS Big Band ab Licence Request Work ID: 26 Work Type: Sound Recording Use Description Type: Adapt: Sample Business Licence Type: Business Service: Advertising a.The Messaging Hub enquires against all Rights Holder DLF registered databases that hold “Sound Recording” works. b.The Rights Holder “TSB Music” returns a “hit” for the given ID and returns additional data it knows about the “Sound Recording”. 4.

DLF Services DLF Data Layer a b Licence Information Rules If Use Description = “Adapt: Sample” If Genre = “Jazz” then if Catalogue ID = “Blue Jazz” return NO licence profile else if Catalogue ID = “Red Jazz” then if Business Licence = “Business Service: Advertising” return MAYBE licence profile else return YES licence profile end if else return MAYBE licence profile end if Content Data Rights Holder: TSB Music Catalogue ID: Red Jazz Genre: Jazz Title: Macarthur Park TSB_Artist: BIS Big Band Licence Request Work ID: 26 Work Type: Sound Recording Use Description Type: Adapt: Sample Business Licence Type: Business Service: Advertising a.The Messaging Hub requests for the DLF licence information rules file for the Rights Holder “TSB Music” b.The DLF licence information rules file is returned for “TSB Music” and processed by the Licensing information rules service. 5.

Licence Profile Response: Maybe Work ID: 26 Work Title: Macarthur Park Use Description Type: Adapt: Sample Business Licence Type: Business Service: Advertising Rights Holder: TSB Music Rights Holder Contact: a b Licence Information Rules If Use Description = “Adapt: Sample” If Genre = “Jazz” then if Catalogue ID = “Blue Jazz” return NO licence profile else if Catalogue ID = “Red Jazz” then if Business Licence = “Business Service: Advertising” return MAYBE licence profile else return YES licence profile end if else return MAYBE licence profile end if Content Data Rights Holder: TSB Music Catalogue ID: Red Jazz Genre: Jazz Title: Macarthur Park TSB_Artist: BIS Big Band Licence Request Work ID: 26 Work Type: Sound Recording Use Description Type: Adapt: Sample Business Licence Type: Business Service: Advertising a.The DLF Licensing information rules service uses the Licence Request and Content Data to process the “TSB Music’s” Licence information rules file. b.The Licence information rules for “TSB Music” produce a “MAYBE” Licence Profile based on the parameters provided. 6.

DLF Contest Front End Apps Music Application DLF Services a a.The DLF Licence Profile is returned to the User of the Music Licence Application. Licence Profile Response: Maybe Work ID: 26 Work Title: Macarthur Park Use Description Type: Adapt: Sample Business Licence Type: Business Service: Advertising Rights Holder: TSB Music Rights Holder Contact: 7.

Example 2: User Enquiring about an available Use for a particular Rights Holder Catalogue.

DLF Contest Front End Apps Music Application DLF Services ab Licence Request Rights Holder: TSB Music Work Type: Sound Recording Use Description Type: Perform: Perform in Public Business Licence Type: Educational Service 1. a.The application uses the latest DLF taxonomy for Use Description and Business Licence Types and DLF Reference Data for a list of Rights Holder Names. b.The User selects the Use Description and Business Licence Type that they require for a particular Rights Holder.

DLF Contest Front End Apps Music Application DLF Services a 2. Licence Request Rights Holder: TSB Music Work Type: Sound Recording Use Description Type: Perform: Perform in Public Business Licence Type: Educational Service a.The application passes the completed licence request to the DLF’s Messaging Hub.

DLF Services DLF Data Layer a b Licence Information Rules If Work ID = “Not Passed” /* i.e. this is a catalogue enquiry */ If Use Description Type = “Perform: Perform in Public” if Business Licence Type = “Consumer Service” return MAYBE licence profile else if Business Licence Type = “Educational Service” return YES licence profile end if 3. Licence Request Rights Holder: TSB Music Work Type: Sound Recording Use Description Type: Perform: Perform in Public Business Licence Type: Educational Service a.The Messaging Hub requests for the DLF licence information rules file for the Rights Holder “TSB Music” b.The DLF licence information rules file is returned for “TSB Music” and processed by the Licensing information rules service.

Licence Profile Response: Yes Catalogue detail URL: Licence URL: Use Description Type: Perform:Perform in Public Business Licence Type: Educational Service Rights Holder: TSB Music Rights Holder Contact: a b Licence Information Rules If Work ID = “Not Passed” /* i.e. this is a catalogue enquiry */ If Use Description Type = “Perform: Perform in Public” if Business Licence Type = “Consumer Service” return MAYBE licence profile else if Business Licence Type = “Educational Service” return YES licence profile end if Licence Request Rights Holder: TSB Music Work Type: Sound Recording Use Description Type: Perform: Perform in Public Business Licence Type: Educational Service 4. a.The DLF Licensing information rules service uses the Licence Request to process the “TSB Music’s” Licence information rules file. b.The Licence information rules for “TSB Music” produce a “YES” Licence Profile based on the parameters provided and gives the location of the online licence and detail of the catalogue.

DLF Contest Front End Apps Music Application DLF Services a Licence Profile Response: Yes Catalogue detail URL: Licence URL: Use Description Type: Perform:Perform in Public Business Licence Type: Educational Service Rights Holder: TSB Music Rights Holder Contact: 5. a.The DLF Licence Profile is returned to the User of the Music Licence Application.