HAYDN 4 Symphony No. 26 in D minor, Lamentatione: movement i.

Slides:



Advertisements
Similar presentations
Tchaikovsky Romeo and Juliet Fantasy Overture Key Words Overture – music usually heard in one movement before an opera. Programme Music – descriptive.
Advertisements

AoS 1: Classical Music The Classical Era (c – 1830) Set work 2: W.A. Mozart: 1 st movement from Symphony No. 40 in G minor.
Area of Study 1: Mozart Symphony No.40 In G minor Mov 1
Classical Music Sonata Form.
Mozart: “Symphony No. 40 in G minor Area of Study 1
Analysis Section by section
Chopin Analysis.
The Development Section Bars Based entirely on the opening figure from the first subject. That’s this bit, here!
Piano Concerto no 23 in A Major
Harmonic Progression and Harmonic Rhythm
AP Music Theory Mr. Jackson
Classical Music Higher Music.
Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)
Chapter 12: The Symphony The Slow Movement.
This piece is arranged for Solo Piano, so the piano is the only instrumental resource.
Wolfgang Amadeus Mozart (1756 – 1791)  Mozart was born in Salzburg on 27 January  From the age of four, Mozart began to study keyboard and composition.
Piano Concerto no 23 in A Major
Orchestral Landmarks.
S5.  Learn about the Classical era.  Listen to some music from the classical period.  Discover famous classical composers.
Piano Concerto no 23 in A Major
Symphony Fantastique Hector Berlioz Web Romantic Features Texture How melodies and harmonies are arranged Textures changed quickly Usually homophonic.
Mozart Symphony No 40 in G minor. The essay question - melody Well proportioned/balanced melody lines Regular 4 bar phrases Contrasting melodies in the.
Begins on page 166 Chapter 20 Piano Sonatas The Sonata  Multi-movement for ► One instrument and piano ► Two instruments are equally important ► Piano.
Music in the Classical Period
Modulation Chapter 15. Modulation Process that results in a shift of tonal center Commonly called a key change.
Classical Period Forms Movement Cycles & Sonata Allegro.
Chapter 13 The Symphony. Key Terms Symphony Sonata form Exposition First theme Bridge Second group Second theme Cadence theme Development Recapitulation.
AREA OF STUDY 1 Chopin: Piano Prelude in Db Major (Raindrop)
Mozart: “Symphony No. 40 in G minor Revision. Learning Objective By the end of the lesson, you: Will be able to define the three sections of a Sonata.
Unit 4: Classical
Development: bars The music is based on the opening figure of the first subject The music is based on the opening figure of the first subject.
Set Works Live! 2013 Mozart – Piano Sonata in Bb K333 Miss E Oliver Head of Music, Bristol Cathedral Choir School Piano: Alex Tchernakova.
CLASSICAL.
Other Aspects of Musical Sound pp Texture  Texture describes the number of things that are going on at once in a piece of music.  Monophony-
Beethoven / Kant Time and Space Thomas Mastroianni December 14, 2010.
Sonata Form Classical Period. Sonata form The sonata is broken up into the following sections: –1 st movement: Allegro –2 nd movement: Slow –3rd movement:
Year 11 AOS 1 Revision Mozart: 1 st movt. Symphony No. 40 in G minor 1788.
Oasis Don’t Look Back in Anger. Background - Oasis Formed in 1991 One of the leading bands to develop the Britpop style Main members consisted of brothers.
Tippett Tonality. Sometimes the piece has an ambiguous tonality which depends on modes and pentatonic scales. This is a way of arranging chords around.
BEETHOVEN 1 On the Classical-Romantic border…. LEARNING OBJECTIVES To revise the background and instrumentation of the Septet To revise the background.
Haydn Symphony No. 26, 1 st movement. L.O  To understand features of Classical Music  To begin to analyse the musical characteristics of Haydn’s symphony.
Pulcinella Suite 2 Stravinsky.
Miles Davis Quintet ‘Four’. About Davis Lived from 1926 to 1991 Regarded as the lead figure in American jazz through the 2 nd half of the 20 th century.
Partita no. 4 in D: Sarabande and Gigue J.S. Bach.
Tippett - Concerto for Double String Orchestra movement I (Harmony) By Luke Everard.
TIPPETT – CONCERTO FOR DOUBLE STRING ORCHESTRA: MOVEMENT I.
Brahms Revision Piano Quintet in F minor, movement 3.
HAYDN 3 Symphony No. 26 in D minor, Lamentatione: movement i.
Classical Music Higher Music.
Classical Music Higher Music.
Mozart – Symphony no.40 in G minor
By Angel and Farah Music 2 Year
Mozart WHAT A LONG NAME! Mozart's full name was really long. It was: Johannes Chrysostomus Wolfgangus Theophillus Amadeus Gottlieb Sigismundus Mozart.
Melodic and harmonic devices
Corelli: Trio Sonata in D, Op. 3 No 2
John Cage: Sonatas and Interludes: Sonatas I-III
00:00 Exposition G minor. Two bars in the middle strings, fretful and agitated.
Classical Music S5.
Sonata Forms.
Introduction to Music: Musical Forms & Styles
In the Classical period and beyond
Classical Music Higher Music.
AP Music Theory Mr. Silvagni
To know and be able to recognise the following musical features:
Mozart: Piano Concerto no 23
Peripetie 4 Arnold Schoenberg.
Chapter 12: The Symphony Sonata Form.
Chapter 12: The Symphony The Slow Movement.
Music for Large Ensemble
Piano Sonata No.8 in C Minor, 1st movement ‘Sonata Pathetique’
Presentation transcript:

HAYDN 4 Symphony No. 26 in D minor, Lamentatione: movement i

LEARNING OBJECTIVES  To complete a structural analysis of the Haydn  To discuss the tonality of the movement  To begin to analyse the harmony

STRUCTURE  9: contrasting idea (part of 1 st subject group)  17: second subject is based on the plainsong melody  44: REPEAT (this is important as Sonata form derived from BINARY form)  45: based on 1-8; F major  53: based on 9-12; F major  G minor (sequence)  57-64: circle of 5ths sequence based on 1-8. What do we end up with if you take the syncopation away?  65: based on 2 nd subject bar 26 (tune in minims, 1 st violin countermelody in quavers)

STRUCTURE CONTINUED  Keys?  74  76  79 (what chord?)  Recapitulation almost identical to 1-14  95 Transition:  What is really going on here harmonically?  100 Second subject in D major  Horns are now in! Why couldn’t they be earlier?  122 Coda: extended version of codetta

TONALITY  Governed by sonata form structure  No modulation 1 st  2 nd subjects in exposition  Keys visited in Development?  F (relative major), Gm (subdominant), Dm (tonic), Am (dominant minor – this is the only slightly unusual move)  Recap in the tonic major :-O  Why is this unusual?  Tonic minor/major shifts more closely associated with Romantic period  Quite easy to do though as chord V is the same in both keys  Why do you think he didn’t go back to D minor at the end?

HARMONY  Cadence bar 7-8  Chords 9-12  17-25: chords (remember what key we are in?)  Everyone loves I and V!!!  Chords: 2323 33 6363

HARMONY 2  Circle of 5ths  Where are the modulations? Pivot before each one…  Given that every bar starts on a 1 st inversion chord, what are these chords? (1 per bar). HINT: bar 57 is chord II in F major Bar GmI FIIVIIVVII DmVIIIVI AmIVV7V7

QUESTIONS 1.Write out the 1 st horn part of bars at sounding pitch. 2.Name the cadence heard in bar Name the key and cadence in Identify the chord in bar 71.

PREP  Describe the features of the Haydn which suggest the Sturm und Drang style. (10 marks)  Back up your points using PLE from the score.  You can do this in bullet points.  Due Thursday please  ALSO there will be a Haydn test Thursday period 5