Massaccio, Trinity with the Virgin, St. John the Evangelist, and Donors, c.1426-27.

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Presentation transcript:

Massaccio, Trinity with the Virgin, St. John the Evangelist, and Donors, c

Masaccio, The Tribute Money, c.1425

Two Methods of Perspective Linear perspective: all parallel lines within a visual field converge at single vanishing point Aerial perspective: “subtle blurring of details and diminution of color intensity in objects perceived at a distance” (Fiero 410)

Leonardo, The Last Supper, c

Donatello, David, 1432

Michelangelo, David,

Leonardo’s Vitruvian Man, c. 1487

Botticelli, Birth of Venus, after 1482

Titian, Venus of Urbino,

Titian, Pastoral Concert, c.1505

Florence vs. Venice Line & Form Fresco & tempera on wood Subjective use of color Oil on canvas

Italian City-States c. 1494

Lorenzetti, Effects of Good Government in the City,

Di Michelino, Dante and His Poem, 1465

Granacci, Entry of Charles VIII into Florence [1494], 1518

Bellini, Piazza San Marco, 1496

c.1356

after 1475

1433

Raphael, Portrait of Baldassare Castiglione, c.1515

Van Eyck, Marriage of Giovanni Anolfini and his Bride, 1434

Brunelleschi, Pazzi Chapel, Florence,

Chartres, nave

Alberti, Santa Maria Novella, 1470

Bramante, Tempietto, 1502

Palladio, Villa Rotonda, 1569