María Gil Poisa Texas A&M University WHAT DO WE FEAR? TRAUMA, PAST AND THE MONSTER PERSPECTIVES

Trauma: NOUN (plural traumas or traumata /- m ə t ə /) 1. Deeply distressing or disturbing experience 1.1 Emotional shock following a stressful event or a physical injury, which may lead to long-term neurosis WHAT DO WE FEAR? María Gil Poisa - Texas A&M University

Nosferatu (F.W. Murnau, 1922) The Devils’s Backbone (Guillermo del Toro, 2001) Pan’s Labyrinth (Guillermo del Toro, 2006) WHAT DO WE FEAR? María Gil Poisa - Texas A&M University

“most of the time, collective memory […] is not the memory of large groups. States do not remember, individuals do” (Winter 4) Winter, Jay. Remembering War. Ann Arbor: Yale University Press, WHAT DO WE FEAR? María Gil Poisa - Texas A&M University

Kaes, Anton. Shell Shock Cinema. New Jersey: Princeton University Press, Eyerman, Ron. “Social Theory and Trauma”. Acta Sociológica, 2013, 56(1), WHAT DO WE FEAR? María Gil Poisa - Texas A&M University

World War I ( )Spanish Civil War ( ) WHAT DO WE FEAR? María Gil Poisa - Texas A&M University

The Cabinet of Dr. Caligari (Robert Wiene, 1920) WHAT DO WE FEAR? María Gil Poisa - Texas A&M University

Nosferatu (F.W. Murnau, 1922) The Devils’s Backbone (Guillermo del Toro, 2001) Pan’s Labyrinth (Guillermo del Toro, 2006) WHAT DO WE FEAR? María Gil Poisa - Texas A&M University

WHAT DO WE FEAR? María Gil Poisa - Texas A&M University Nosferatu (F.W. Murnau, 1922)

WHAT DO WE FEAR? María Gil Poisa - Texas A&M University Nosferatu (F.W. Murnau, 1922)

WHAT DO WE FEAR? María Gil Poisa - Texas A&M University Nosferatu (F.W. Murnau, 1922)

Pan’s Labyrinth (Guillermo del Toro, 2006) The Devils’s Backbone (Guillermo del Toro, 2001) WHAT DO WE FEAR? María Gil Poisa - Texas A&M University

WHAT DO WE FEAR? María Gil Poisa - Texas A&M University The Devils’s Backbone (Guillermo del Toro, 2001)

WHAT DO WE FEAR? María Gil Poisa - Texas A&M University Pan’s Labyrinth (Guillermo del Toro, 2006)

Further bibliography Blake, Linnie. The Wounds of Nations: Horror Cinema, Historical Trauma and National Identity. Manchester: Manchester University Press, Broderick, Mich and Antonio Traverso (ed.). Interrogating Trauma. Collective Suffering in Global Arts and Media. New York: Routledge, Carroll, Noël. “The Nature of Horror”. The Journal of Aesthetics and Art Criticism, 1987, Vol.46(1), pp Cohen, Jeffrey. Monster Theory: Reading Culture. Minneapolis: University of Minnesota Press, Curry, Richard. “La confrontación del trauma colectivo en el cine español contemporáneo.” En torno a la censura franquista. Madrid: Pliegos, Eisner, Lotte H. The Haunted Screen. California: University of California Press Berkeley and Los Angeles, Print. Eyerman, Ron. “Social Theory and Trauma”. Acta Sociológica, 2013, 56(1), Freud, Sigmund (1917). “Duelo y melancolía”. Obras Completas, Tomo XIV, Buenos Aires: Amorrortu Editores. Isenberg, Noah. Weimar Cinema: An Essential Guide to Classic Films of the Era New York: Columbia University Press, Lowenstein, Adam. Shocking Representation. New York: Columbia University Press, O’Hara, Jessica. “Making Their Presence Known. TV’s Ghost-Hunter Phenomenon in a “Post-World””. The Philosophy of Horror. Ed. Thomas Fahy. Kentucky: The University Press of Kentucky, WHAT DO WE FEAR? María Gil Poisa - Texas A&M University