POSTMODERNISM IN 20TH-CENTURY ENGLISH LITERATURE

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Presentation transcript:

POSTMODERNISM IN 20TH-CENTURY ENGLISH LITERATURE

Postmodernism: general characteristics Emerged in the 1950s as a reaction to the tendencies in Modernism. Postmodern writers often leave their stories open-ended, without any satisfying conclusion, or the book concludes by making a reference back to the beginning. Postmodern stories and novels often rely on parody or satire. Authors often reject the boundaries between “high” and “low” forms of literature as well as the distinctions between different genres.

Postmodernism: general characteristics (cont’d) The postmodern text reveals skepticism about the ability of art to create meaning, about the ability of history to reveal truth, about the ability of language to convey reality. All that skepticism leads to fragmented, open-ended, self-reflexive stories that are intellectually fascinating but often difficult to grasp while reading for the first time.

Techniques and devices excess discontinuity randomness minimalism maximalism reader involvement

Techniques and devices (cont’d) permutation - any radical alteration of sentence structure; total transformation pastiche - a creative work that imitates the style or character of the work of one or more other authors intertextuality - the relationship between one text (a novel for instance) with another text magical realism -a literary genre in which realistic narrative and naturalistic technique are combined with surreal elements of dream or fantasy poioumena - a specific type of fiction in which the story is about the process of creation  faction - a literary technique in which real events are used as a basis for a fictional narrative or dramatization

John Fowles (1926-2005) prose: The French Lieutenant’s Woman The Magus A Maggot Mantissa Eliduc

Anthony Burgess (1917-1993) The Long Day Wane Inside Mr Enderby A Clockwork Orange The Long Day Wane Inside Mr Enderby Time for Tiger

William Golding (1911-1993) Novelist, poet, playwright. Lord of the Flies (Nobel Prize winner) The Inheritors The Spire Pincher Martin Darkness Visible The Paper Men To the End of Earth (trilogy)

Bryan Stanley Johnson (1933-1970) Experimental novelist, poet and literary critic. Travelling People Albert Angelo The Unfortunates

Angela Carter (1940-1992) Wise Children Bloody Chamber Prosaic works remarkable for their complex blending of parody, allegory and symbolism and their generic mixing of fantasy, romance, the gothic and science fiction. Wise Children Bloody Chamber The Magic Toyshop The Company of Wolves Nights at the Circus

Iris Murdoch (1919-1999) Authored 24 novels, among them: The Sea, the Sea (Booker Prize winner) The Sandcastle Under the Net Unicorn The Black Prince The Bell The Italian Girl The Red and the Green

Doris Lessing (1919-2013) Nobel Prize winner. The Golden Notebook The Grass Is Singing The Good Terrorist Fifth Children The Diary of a Good Neighbour

Samuel Beckett (1906-1989) Waiting for Godot Happy Days End Game Avant-garde novellist, playwright, poet, 1969 Nobel Prize winner. Associated with the “Theatre of Absurd.” Waiting for Godot Happy Days End Game Come and Go Murphy (novel) *Theatre of Absurd - drama portraying the futility and anguish of human struggle in a senseless and inexplicable world.

Edward Albee (1926) The Sanbox The Zoo Story Tiny Alice Dramatist, representative of the “Theatre of Absurd”. Showed a naturalistic approach and an interest in closely observed human relations. The Sanbox The Zoo Story Tiny Alice The American Dream Who’s Afraid of Virginia Wolf