Understanding the environment. Researching Music Markets In marketing, change is constant. Consumers, competitors and societies are fluid. Music entrepreneurs.

Slides:



Advertisements
Similar presentations
Digital Static is a new age media company. Our business model for the new millennium is a well- developed mixture of one-of-a-kind creative and marketing.
Advertisements

Developing the Digital Market October 23, 2006 Mitch Singer EVP Technology and New Media Sony Pictures Entertainment.
Mogul World is… (1) Worlds first 3D Social Entertainment Network or Virtual World. Virtual World. (2) A living, breathing 3D platform, focused on music.
Multimedia Esmeralda Robles.
Listening Centers and iPods/ a new Twist – Digital stories and copyright.
VET Music: Work Opportunity Gus Campbell. Trends and emerging technologies in the music industry introduction As technology gets better and better in.
Introduction EMI music group was established in 1931 when Gramophone Company merges with Columbia Graph phone to form Electric and Musical Industries.
MUSIC INDUSTRY Oligopoly – the Big 4 Universal Sony BMG Warner EMI Economies of scale Both vertical & horizontal integration.
Music Industry 2.0 Moshito Music Conference & Exhibition
Technological Convergence for Institutions & Audiences
Mark Pendolino COM 538 – Digital Media Theories Marketing Music Today: The Effect of New Media on the Marketing and Promotion of Musical Artists.
Disney 2007 SWOT. Copyright 2005 Prentice Hall Ch 3 -2 SWOT (2007) Strengths: 1.Strong brand recognition, recall, and equity 2.Good cash reserves ($3,670,000,000)
Basic principles in product engineering Professor Y. C. Chan Chair Professor of Electronic Engineering Engineers in Society ( EE3014 ) Lecture Series.
Develop Mission & Vision Perform Situational Analysis Set Objectives & Craft Strategies Implement Strategy Assess Value Creation & Provide Feedback Feedback.
Time-Shifting Kate Roemer Dec. 6, Introduction Time-shifted viewing –When a broadcast signal is recorded to be viewed at a later time –Changes the.
Internet Piracy and its Effects on Business By Eric Kutcher.
The Australian Music Industry. Australian musicians and songwriters talk about the realities of life in the industry.
Marketing Music and Theater Chapter 8.3. Today’s Music  The media used for recording and playing back music and the channels of distribution continue.
Chapter 2 Music Business Handbook and Career Guide, 10th Ed. © 2013 Sherwood Publishing Partners.
PERSONAL TECHNOLOGIES MS. BROCK – SCT 11. THE DOWNLOAD GENERATION DIGITAL MUSIC TECHNOLOGY – CHANGE IN HOW MUSIC IS RECORDED, DELIVERED AND PLAYED EXPLOSIVE.
1 Competitive Analysis of Apple’s iPod and iTunes.
The Digital Takeover: Online Media Downloads & File Sharing -Maliq Kendricks.
Digital Technology Basics Digital Technology Basics includes two lessons:  Lesson 1: The Modern Digital Experience  Lesson 2: Digital Technology & Career.
By: Whitney Price THE ART INSTITUTE OF ATLANTA. ABOUT The Art Institute of Atlanta offers many programs that involve all different types of art. Such.
Digital media BY ISABELLE CHACTY What is Digital Media? Digital Media is practically traditional media manipulated by computers, and they are created.
WHAT IS THE MUSIC INDUSTRY? MUSIC INDUSTRY DEFINITION – A BUSINESS MAINLY SPLIT INTO FOUR PARTS INCLUDING:RECORDING OF THE MUSIC, SONG WRITING, PUBLISHING,
© Folens 2008 Cultural changes in music Brought about by ICT.
Sara Chopp COMM 108 – Media and Society University of Wisconsin – Parkside HISTORY OF RECORDED MUSIC.
IPod Creating An Iconic Brand.
1 Ralph Van Lysebeth Sales & Marketing Director Packard Bell Belgium, Luxembourg & Switzerland.
Introducing Digital Rights Management Willms Buhse October 2002, Vilnius.
COHESION MEDIA GROUP PRESENTS RADIO BROADCASTING NETWORK FEATURING SONY MUSIC RADIO UNIVERSAL MUSIC RADIO WARNER MUSIC RADIO HOUSE OF BLUES RADIO ROCK.
Inside Record Labels 3.1. Major Label Departments CEO of a major label will generally oversee the business affairs of all the affiliated labels under.
The Recording Industry Week 4. THE RISE OF RECORDS As late as 1880 or 1890, people growing up in a middle-class U.S. household had no recorded music in.
CHAPTER 10 Technology Issues.
Multimedia Chapter 1 Introduction to Multimedia Dhekra BEN SASSI.
Chapter 6 Midterm. Media Players Media player software has been created for all types of computers. These include- handheld PCs, notebook PCs, desktop.
Part 1: Setting The Stage. Chapter 2 Start Thinking How has digital technology affected the music industry? 2. Would you say this change has been.
Welcome to MT140 Introduction to Management Unit 2 Seminar – Foundations of Management.
Pág ALBERTO CALERO/ JOAQUIN MOLLINEDO AMENA (AUNA) The role of innovation and research for the European ICT industry.
Chapter Seven: Radio, Recording, and Popular Music
Digital Rights Management Maxim Fastovsky. What is DRM? DRM technologies attempt to control use of digital media by preventing access, copying or conversion.
EC The transformative character of the IT sector and the eCommerce applications built upon it is deep and provocative. Consider the example of the entertainment.
The McGraw-Hill Companies, Inc Information Technology & Management Thompson Cats-Baril Chapter 1 Introduction to Information Technology & Management.
{ Marketing Planning Analyzing the Marketing Environment and Developing a Marketing Strategy and Plan Analyzing the Marketing Environment and Developing.
Digital Business Models Geneva, 4th November 2010 Francis Keeling, VP Digital Universal Music Group International ConfidentialPage 1 WIPO Emerging Licensing.
A presentation on an article excerpted from The Wall Street Journal; by Chelsea Eggenschwiller, Ryan Damman, & Kyle Foley.
Kaplan University AB140 Introduction to Management Welcome to our Unit 2 Seminar Foundations of Management.
MEDIA BY DAVID TEMBO. OBJECTIVES  Description on the current state of the media  Explain in detail Reasons:  File sharing  Piracy  Digital media.
REACH RELEVANCE RECEPTIVITY of time spent listening since 1998 consumers every week 235m 87 % of audience through commercial breaks 92 % The indisputable,
1.What is meant by “convergence”? 2.What is meant by “synergy”? 3.What is meant by “proliferation”? 4.What is meant by “globalisation”? 5.What makes illegal.
Slides prepared by Cyndi Chie and Sarah Frye1 A Gift of Fire Third edition Sara Baase Chapter 4: Intellectual Property.
Digital Rights Management Maxim Fastovsky. What is DRM? DRM technologies attempt to control use of digital media by preventing access, copying or conversion.
Welcome to MT140 Introduction to Management Unit 2 Seminar – Foundations of Management.
The Impact of Social Media on Touring and Live Performance Doni Tavel Senior, Management School of Public and Environmental Affairs
The International Recognition of the Artist The Requirements for the Development of the Artist.
Marketing Fundamentals Lecture Two Researching Music Marketing Opportunities.
Sports and Entertainment Marketing Entertainment Distribution 1 Copyright © Texas Education Agency All rights reserved.
Disc Jockey (DJ) From getting paid in drink tickets to millions of dollars a year. $300/night is normal.
 Technologies coming together. For example, a mobile phone you can use as a still and moving image camera, download and watch moving images on, use as.
MUSIC INDUSTRY Oligopoly – the Big 4 Universal Sony BMG Warner EMI Economies of scale Both vertical & horizontal integration.
Disney 2007 SWOT.
Napster Intellectual Property Rights vs. Music for Free
The Digital Millennium Chapter Two
DIGITAL ENTERTAINMENT
Introduction to Mass Media
Digital vs Analogue.
Music Business Handbook and Career Guide
Convergence in Technology
TECHNOLOGICAL CONVERGENCE for Institutions & Audiences
Presentation transcript:

Understanding the environment

Researching Music Markets In marketing, change is constant. Consumers, competitors and societies are fluid. Music entrepreneurs must watch for emerging trends. Failure to do so is a major cause of failure. Successful marketers: recognise change adapt to change respond to emerging threats see change not as a problem, but as an opportunity for growth outlive competitors who would rather ignore change create a dynamic, adaptable businesses that welcome change.

PESTEL Political Economic Social Technological Environmental Legal

Researching Music Markets

Trends & Trend Spotting Music entrepreneurs & record labels: Rely on trend spotting marketing intelligence street crew or fan club interaction Artist & Repertoire – Record labels rely on A&R (Artist & Repertoire) Managers to do exploratory market research: – listening to demo tapes – checking out bands at the local pub – monitoring the charts and music press –observing sociocultural trends

Porter’s 5 Forces Model

SWOT Analysis

Intellectual Property Trends Copyright Disrespect –while the success of Apple iTunes and the iPod has driven legitimate revenues via online mp3 sales, there is a prevailing view that downloading is a victimless crime. Copyright law enforcement –western governments, rights holders and rights holder organisations continue to pursue copyright infringers via the courts. Alternative copyright systems –new forms of copyright licensing are emerging such as the Creative Commons concept. Compilation marketing opportunities –will emerge as many classic rock and pop recordings enter the public domain upon the expiration of their copyrights. Peer-to-peer (P2P) in decline or on the rise

Major trends in the industry Indie artist topping the album and single charts As major record labels remain focused on the forced restructuring of the industry due to the digital music revolution, they will look increasingly to independent labels to act as their ‘quasi’ A&R departments. Indies will find and develop the talent; majors will press and distribute. Look to fewer and fewer direct signings by majors. Live music Opportunities in live music will continue to expand as music consumers of all ages flock to more outdoor music/cultural events. Faster business cycles The life cycle of the typical artist will shorten. As in the film industry, the shelf life of a new music ‘product’ will be measured in months, rather than years, forcing labels constantly to seek out new artists.

Major trends in the industry Recording technology Over coming years see continued rationalisation in the recording and recording studio market as the value/cost of high-end recording technology completes its invasion of the home and ‘pro-sumer’ market. The home studio will no longer be an exception, but the rule for aspiring musicians. Approaches to recording Artists today can be recorded and released far quicker than in the past. Inaugural Australian Idol winner, Guy Sebastian, exemplifies this. His first album was recorded in a matter of weeks, taking advantage of market momentum following his victory. The industry is also experiencing massive increases in DVD sales, driven by the widespread take-up of home cinema/audio entertainment. Look for increasing numbers of albums mixed in surround sound and super audio formats.

Major trends in the industry The retail environment Record labels will abandon their traditional role as wholesalers. Music retailers will respond by increasing their range of DVD audio, DVD video and DVD music video, and entertainment lifestyle products such as the iPod. Eventually the CD format will become obsolete. More telecommunication carriers will enter the digital music market, treating music as mere ‘bait’ to sign consumers up to phone and internet contracts. Media convergence Digital consumer products will act as the centre of a consumer’s entertainment lifestyle. Consider the evolution of mobile communications technology. Mobile phone, PDAs, mp3 player, digital camera, watch, video game and laptop computer will merge to become one device, posing significant challenges and opportunities for the industry.

Major trends in the industry The multimedia artist Will rise to meet the challenges of media convergence. No longer just singers, songwriters and recording artists, they must become stars of all entertainment media. Compilation marketing opportunities nThese will increase as classic rock and pop recordings enter the public domain when their copyright expires. nExpect to see further manipulation of the copyright laws in the United States as the entertainment industry attempts to stop their recordings, movies etc falling into public hands, ala the Sonny Bono Copyright Extension Act 1998

Secondary Data