Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 16 March 13, 2002.

Slides:



Advertisements
Similar presentations
What’s Yours In Mine: Intellectual Property and Copyright For the Magazine Media Publisher Jim Sawtelle Partner and Co-leader, Media, Publishing and Marketing.
Advertisements

Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 15 MARCH
Copyright Duration and Ownership Victor H. Bouganim WCL, American University.
COPYRIGHT LAW SPRING 2002 CLASS 17 March 22, 2002.
Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 12 February 20, 2002.
Tuesday, January 21, 2014 Review Copyright Basics and Fair Use (for test) Share “Case Research”
Termination of Transfers; Infringement I Intro to IP – Prof Merges
Copyright Law: Fall 2006 Professor Susanna Fischer CLASS of October 11, 2006 OWNERSHIP: WORKS FOR HIRE, JOINT WORKS.
1 The American Legal System Yell / The Law and Special Education, Second Edition Copyright © 2006 by Pearson Education, Inc. All rights reserved.
COPYRIGHT LAW 2006 Columbus School of Law The Catholic University of America Prof. Fischer March
Duration; Termination of Transfers Intro to IP – Prof Merges
Copyright Law Boston College Law School January 30, 2003 Initial Ownership.
Copyright Law Boston College Law School February 6, 2003 Transfers and Termination.
US Copyright and Intellectual Property Issues Carol Green.
Joint Works, Collective Works, and Duration Intro to IP – Prof Merges
Copyright Law Boston College Law School February 3, 2003 Duration.
CS 5060, Fall 2009 Digital Intellectual Property Law u Class web page at: u No textbook. Online treatise at:
Intellectual Property Boston College Law School January 18, 2008 Copyright – Ownership, Duration.
Ownership of Intellectual Property: Textbooks and Inventions Frank Lancaster UT Office of the General Counsel Presented at The University of Tennessee.
Presented by: PAMELA C. GAVIN A trademark or service mark is any distinctive word, name, symbol or device, used by a person or entity to indicate.
Essentials Of Business Law Chapter 12 Operation Of Contracts McGraw-Hill/Irwin Copyright © 2007 The McGraw-Hill Companies, Inc. All rights reserved.
Copyright Law: Fall 2006Professor Susanna Fischer CLASS of October 18, 2006 Finishing up Transfers Copyright Duration.
COPYRIGHT LAW 2006 Columbus School of Law The Catholic University of America Prof. Fischer March
Copyright Law James Fuller. Copyright Basics Applies to all formats – print, electronic, digital Educators may use copyrighted materials under the Fair.
Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 14 February 27, 2002.
AMIA/IASA 2010 OPENING THE ARCHIVES FOR ACCESS: UNDERSTANDING COPYRIGHT BARRIERS Jay Fialkov WGBH Educational Foundation Boston, Massachusetts.
COPYRIGHT LAW 2003 CLASS 15 Mar. 10, 2003 Welcome Back From Spring Break!
Copyright: Protecting Your Rights at Home and Abroad Michael S. Shapiro Attorney-Advisor United States Patent and Trademark Office.
Introduction to Intellectual Property: Fall 2003 Professor Susanna Fischer CLASS of OCT OWNERSHIP, DURATION.
Termination of Copyright Grants August 18, Prior to 1976 Act Prior to 1978, an author could renew copyright for a second term (28 yrs) after expiration.
WRAP UP: Termination Know the difference between s. 203 and s. 304(c)
Class Seven: Intellectual Property Patents, Trademarks and Copyrights.
ACCT-IGD-3. Students will examine the professional and ethical issues involved in the graphics and design industry. By: Michael Simmons.
Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 14 February 27, 2002.
Infringement Claims and Defenses Professor Todd Bruno.
Copyright Law: Fall 2008 Professor Susanna Fischer CLASS 17 October 15, 2008.
Copyright for Authors Jenny Delasalle, Academic Support Manager (Research), Library.
INTERNATIONAL E-DISCOVERY: WHEN CULTURES COLLIDE Alvin F. Lindsay Hogan & Hartson LLP.
Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 13 February 25, 2002.
Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 15 March 11, 2002.
Copyright Law: Spring 2004 Professor Susanna Fischer CLASS of March 8, 2004.
COPYRIGHT LAW 2006 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA FEBRUARY 16, 2006.
Copyright Law: Spring 2003 Professor Susanna Fischer CLASS 11 February 12, 2003.
COPYRIGHT LAW FALL 2006 Columbus School of Law The Catholic University of America Prof. Fischer Class 19: Termination and 1909 Act Formalities – October.
COPYRIGHT LAW 2002 CLASS 2 Columbus School of Law The Catholic University of America Professor Fischer Jan. 9, 2002.
COPYRIGHT LAW 2001 Columbus School of Law The Catholic University of America Prof. Fischer Class 19 (MARCH 26, 2002)
Copyright Law: Fall 2008 Professor Susanna Fischer CLASS of October 22, 2008 Copyright Renewal, Termination.
Copyright Law: Spring 2003 Professor Susanna Fischer CLASS 12 February 19, 2003.
1.The Nature, Impact, and Issue of Information Technology 1.5Basic Legal Framework relating to the Use of IT.
Copyright Law: Spring 2006 Professor Susanna Fischer CLASS of March 21, 2006.
COPYRIGHT LAW 2004 Columbus School of Law The Catholic University of America Prof. Fischer CLASS of April
Innovation, Copyright, and the Academy University of California Santa Barbara November 2, 2015 Kenneth D. Crews Gipson Hoffman & Pancione (Los Angeles)
Agency Relationships Section Understanding Business and Personal Law Agency Relationships Section 18.1 Creation of an Agency Section 18.1 Agency.
Copyright Law: Fall 2008 Professor Susanna Fischer CLASS of October 8, 2008 – Joint Works.
COPYRIGHT FALL 2008 Formalities I. REVIEW OF TERMINATION Siegel v. Warner Bros. Entertainment, Inc. (C.D. Cal. 2008)
Copyright Law: Spring 2003 Professor Susanna Fischer CLASS 14 Feb. 27, 2003.
2012 ADVANCED TRADEMARK LAW SEMINAR March 14, 2012 ACC Quick Hit Joseph Petersen Partner Kilpatrick Townsend.
Copyright Law: Spring 2006 Professor Susanna Fischer CLASS of Feb. 21, 2006.
COPYRIGHT LAW 2003 Columbus School of Law The Catholic University of America Prof. Fischer March 19, 2003.
COPYRIGHT LAW 2004 Columbus School of Law The Catholic University of America Prof. Fischer March
Copyright By: Team 2. What Is Copyright?  Copyright is a form of protection provided by the laws, to the authors of “original works of authorship,” including.
COPYRIGHT LAW 2008 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA OCT
Copyright Law: Spring 2006 Professor Susanna Fischer CLASS of March 16, 2006.
COPYRIGHT LAW 2003 Columbus School of Law The Catholic University of America Prof. Fischer Class 13 (FEB. 24, 2003)
Public domain. A creative work is said to be in the public domain if there are no laws which restrict its use by the public at large A creative work is.
COPYRIGHT LAW FALL 2006 Columbus School of Law The Catholic University of America Prof. Fischer November 15, 2006.
17 U.S.C. §103 (a) The subject matter of copyright as specified by section 102 includes compilations and derivative works, but protection for a work employing.
Brett J. Trout ©2003 Brett J. Trout
COPYRIGHT TERMINATION
Trademark, Patent, or Copyright?
Presentation transcript:

Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 16 March 13, 2002

GOALS FOR CLASS To learn the length of duration of the copyright term To learn about provisions for renewal terms under the 1909 Act so that you understand the extent to which they survive under the 1976 Act.

WRAP UP POINTS: SCOPE OF TRANSFERS OF COPYRIGHT OWNERSHIP This is an important issue in practice. The question, arising from the general principle of divisibility, is: what copyright has the licensor licensed (or the assignor assigned This is particularly difficult where the licensee wants to use the copyrighted work in connection with new media that was not existing or contemplated when the license was entered into.

WRAP UP POINTS: SCOPE OF TRANSFERS OF COPYRIGHT OWNERSHIP We studied three cases, Cohen, Boosey and Rosetta where courts applied different approaches to contractual interpretation in new media cases. In Cohen, the 9th Circuit invoked the purposes that it saw as underlying federal copyright law to justify a narrow interpretation in favor of the licensor.

WRAP UP POINTS: SCOPE OF TRANSFERS OF COPYRIGHT OWNERSHIP In Boosey, the Second Circuit cast doubt on the Cohen approach, applying ‘neutral principles of contract interpretation rather than solicitude for either party.” Boosey approach effectively puts burden on licensor to include new media in license.

WRAP UP POINTS: SCOPE OF TRANSFERS OF COPYRIGHT OWNERSHIP Was the approach of the district court in Rosetta more similar to that of Cohen or Boosey? The district court’s denial of Random House’s motion for a preliminary injunction in Rosetta has recently been affirmed by the Second Circuit. Here’s a link: urt=2nd&navby=case&no=017912&exact=1

DURATION OF COPYRIGHT OWNERSHIP What is the current term of copyright? How long is it constitutional for a copyright to last? Remember: Constitution says Congress can gives Authors protection “for limited Times” How long should a copyright last? Should it be for life of author plus term of years or for a specific term of years, or a specific term of years plus a renwal term?

DURATION UNDER 1909 ACT 1909 Act: initial and renewal term (like Statute of Anne). How long were these under the 1909 Act? Under the Statute of Anne? What is the purpose of a renewal term? NOTE idea of statutory beneficiaries

POLICY OF RENEWAL STRUCTURE Under 1909 Act both initial and renewal term were 28 years (Statute of Anne 14 and 14 years) Rationale for renewal terms - highly paternalistic: idea of a renewal term was to give author new independent rights, so author would not suffer from bad initial bargain If author dead, benefit statutory beneficiaries: spouse, kids, executor, administrator

RENEWALS UNDER 1909 ACT How did you renew copyright under the 1909 Act?

RENEWALS UNDER 1909 ACT How did you renew copyright under the 1909 Act? You had to file a renewal registration within the last year of the copyright term

RENEWALS UNDER 1909 ACT Could the author assign his renewal expectancy before renewal vests? See Fred Fisher Music (1943) ; Corcovado (1993) - Yes Isn’t this contrary to the purposes of renewal?

RENEWALS UNDER 1909 ACT Can the author assign the statutory beneficiaries’ renewal rights? See Saroyan (1987) - does this make sense? Saroyan: “Everyone’s got to die, but I always thought an exception would be made in my case”

VESTING OF RENEWAL TERM How long into the 28th year of the initial term must the author live to vest the renewal interest of the author’s assignee? Conflict between cases: Marascalco v. Fantasy, Inc. (9th Cir. 1991) and Frederick Music Co. v. Sickler (S.D.N.Y. 1989)

CHANGE IN DURATION What basic change did the 1976 Act introduce for duration? Why did it change the law?

DURATION PROVISIONS Published and unpublished works created on or after 1/1/78: s. 302, 305 Unpublished works created but not published prior to 1/1/78: s. 303, s 305 Published works created pre 1/1/78 : s. 304

DURATION S. 302 Works created on of after 1/1/78 What is the general period of duration? What about joint works? What about anonymous works? Pseudonymous works? Works made for hire? NOTE DIFFERENCE BETWEEN PUBLICATION /CREATION

DURATION S. 303 Unpublished works created before 1/1/78 What is the copyright term? What are special provisions on expiration? Why do you think these provisions are in the Act?