Planning and Preparation BY: LAURENCE MULLEN, DOMINIC CAPRIO, RYAN BRINSON.

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Presentation transcript:

Planning and Preparation BY: LAURENCE MULLEN, DOMINIC CAPRIO, RYAN BRINSON

Shooting Schedule Start filming on Feb. 28 th, hopefully we will be finished by March 13 th, in time for spring break. This will give us time to edit and finish the project on time. We will mostly be shooting on weekends. 2/28- Shots of the beach and palm tree, set the setting. 3/6- Las Olas shot’s with Dominic acting as main character 3/13- We will go out on the canal by Ryan’s house using his boat and film more cinematic shots to set the tone and setting. If it is necessary, we will get-together over spring break (Mar. 20 th -27 th )

Shooting Script Most of our shots will be impromptu and based upon the location and directors discretion at the time of filming. Scene 1: ◦Beach Sunrise, calm waves and rising sun ◦Camera- Steady, looking over the water at the sun ◦Weather- Clear/Slightly Cloudy Scene 2: ◦Palm Tree ◦Camera- Looking up at tree, waving in wind ◦Weather- clear Scene 3: ◦(if possible) birds/crabs walking/flying or scenic wave shot ◦Camera- following birds/crabs ◦Weather- clear

Scene 4: ◦Moving shot of palm trees flowing by. ◦Camera- Facing up, moving parallel to trees. In car. ◦Weather- clear/cloudy Scene 5: ◦River, flowing or rippling w/ reflection of actor or other ◦Camera- Only water, slight angle ◦Weather- Overcast Scene 6: ◦Far away shot of actor, looking suspicious and mysterious ◦Camera- Long Shot of actor ◦Weather/lighting- Sunset, fading light

Scene 7: ◦Actor ominously standing below street lamp ◦Camera- Medium-Long shot ◦Lighting- Night, only light is street lamp Scene 8: ◦Bloody bat or hammer ◦Camera- Close up of object ◦Lighting- Night, lit by lamp Scene 9: ◦Sunset on canal ◦Camera: Close-Up of reflection in water + surrounding landscape Scene 10: ◦Passing boat or sunset shot ◦Camera- Long shot ◦Weather- Cloudy, sunset

Title Details Our film is titled Miami Reprisal It will appear at the beginning after the studios (“…presenting: Miami Reprisal) Title cards will be white, with a clear and simple font. They will fade in as appropriate, and we will make sure that they contrast with the background and are easy to see.

Sound Details There will be no diegetic sound during the video There will only be non-diegetic sound: the music, which will play throughout the film We have a few choices for music and what we use will depend on how well it fits with the video when we start editing. The primary candidates right now are: ◦Electric Dreams, by Perturbator ◦Untitled, by Green Kingdom

Location List Fort Lauderdale Beach for the main cinematic scenes to lay out the setting Las Olas and nearby streets for mysterious shots of actor and set the tone/mood and show plot Ryan’s House for shot of the bloody object, furthering plot Canal by Ryan’s house for more cinematic scenes to further add to the setting and tone

Participants Ryan Brinson: Director and Lead Editor, assistant story writer Dominic Caprio: Lead Actor Laurence Mullen: Camera operator, story writer, assistant editor

Health & Safety Most of our scenes will be cinematic and therefore we do not need to worry about stunts. For the beach shots it will be in a very public and safe area. We will have to be careful at Las Olas, because it will be night/sunset with not a lot of people. We will have adults with us to ensure safety. During the boat filming we will wear life jackets and make sure the camera is secure and safe on the deck. We will make sure to handle the hammer or bat carefully and not mess around with it.

Opening Sequence Script There will be no spoken words during the opening sequence. We will use the video and music in order to convey our message

Storyboard Long shot of the sunrise. Waves flowing in and clouds passing by. Setting: Fort Lauderdale Beach Lighting: Orange rays of the sun, but not bright Music will start here and continue through whole video Cut: allow time for title fade Close-up face-up shot of palm tree in breeze. Setting: F.L. Beach Lighting: Bright noon sun Cut: Short

Rapid flowing shots of palm trees. Setting: F.L. Beach Lighting: Sun filtering through trees, not too bright Actor is standing ominously on side of street as cars pass by Setting: near Las Olas, side street Lighting: Sunset, dim light, adding to mood Costume: 80’s Miami jacket and pants. Shot: Medium- Long shot of Actor Shot of bird or other wildlife. Tracking Shot if moving. Setting: F.L. Beach Lighting: Mid-day sun Shot: Close up of wildlife

Actor will stand among buildings under a street lamp. Furthering the mysterious mood and tone. Location: Near Las Olas Lighting: After dark, low light, only street lamp Costume: 80’s jacket and pants Shot: Medium distance shot of actor Close up shot of bloody bat (or hammer). Location: Ryan’s house(Not relevant) Lighting: Dark, using a lamp to light it up. Shot: CU Props: bat or hammer Long shot of boat passing as sun sets. Fade out to director name. End. Location: F.L. Beach Lighting: Natural sunlight Shot: steady long-shot