1. Greece 1.1. The divine origin of musicThe divine origin of music 1.2. Characteristics of Greek musicCharacteristics of Greek music 2. Middle Ages 2.1.

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Presentation transcript:

1. Greece 1.1. The divine origin of musicThe divine origin of music 1.2. Characteristics of Greek musicCharacteristics of Greek music 2. Middle Ages 2.1. Religious vocal music: the Gregorian chantReligious vocal music: the Gregorian chant 2.2. Secular vocal music: Troubadours and MinstrelsSecular vocal music: Troubadours and Minstrels 2.3. The birth of polyphonyThe birth of polyphony 3. Dance in Antiquity and the Midle Ages Dance in Antiquity and the Midle AgesDance in Antiquity and the Midle Ages Índice del libro Índice del libro

Greece 1.1. The divine origin of music For Greek people, music vas an art of divine origin. Music was thought to have magical powers that could cure illness and modify behaviors. That is way it was seen as an essential discipline in the education of young people. Orpheus with his lyre.

Greece 1.2. Characteristics of Greek musik The concept of music encompasses music, poetry and dance. The different distributions of tones and semitones of each scale caused a different sonority associated to the «ethos» or particular feeling. It makes use of a monodic texture with a heterophonic accompaniment. Musical system based on modal scales.

Grecia 1.2. Características de la música en Grecia Alphabetic notation por the pitch of sound, and metrical feet for the rhytm. The most important instruments were the lyre and the aulos. Musical instruments in Ancient Greece.

Middle Ages 2.1. Religious vocal music: the Gregorian chant Characteristics of the Gregorian chant It is a type of music destined for the liturgy. Use of Latin as its main language. It has a mododic texture and a single melodic line. It uses a special notation by means of neumes. The musical rhythm is free. It uses a system of eight modal scales derived from the Greek modes with a different distribution of tones and semitones.

Middle Ages 2.2. Secular vocal music: Troubadours and Minstrels Characteristics of the music of troubadours: These were songs written in the vernacular languages of each area. Main subjects were “courtly love” and the knightly spirit of the heroes from the crusades. It is a type of vocal music with a monodic texture but with instrumental accompaniment. It makes use of Gregorian modal scales but its rhythm is more marked. In Spain, the music of troubadours was representated by Cantigas de Santa María of Alfonso X the Wise. Minstrels were traveling musicians who went over castles and villages entertaining people with songs, representation and acrobatics. Troubadours Troubadours were poe-musicians, generally of noble birth. They appears in the south of France in the 11th century and expanded rapidly throught Europe. Minstrels

Middles Ages 2.3. The birth of polyphony In the late 9th century, polyphony (different melodic lines at the same time) appeared in western music. Ars Nova (14th century): Mensural notation appeared, in which particular values were designated for each sound. New polyphonic forms appeared, like the canon, the ballad and the chanson. Primitive polyphony (9th-12th centuries): Polyphony is built by improvising upon th base of Gregorian chant. The main forms of primitive polyphony are: organum and melismatic organum. Ars Antiqua (12th-13th centuries): The evolution of musical notation made the development of more complex polyphonic forms easier. New polyphonic forms appeared, like the conductus and the motet.

Dance in Antiquity and the Middle Ages Dancing was used in Ancient Greece as a fundamental part of education. Christianism forbade dances, but in the Middle Ages we find examples generically called estampie. They use monodic textures and are structured in several phrases or “puncta” that are reppeated.

La danza en la Antigüedad y la Edad Media There is a great variety of instruments, and there are a lot of names for them. The instrumental performance is improvised and it has two functions: to accompany songs, and the performance of dances and processions. The most used instruments were: String instruments (harps, lyre, psaltery, qanun, lute, viola, hurdy gurdy). Wind instruments (horn, trumpet, dulzaina, chirimia, flutes, bagpipes, organ). Percussion instruments (hand drums, rattle drums, cymbals, triangle, bells, rattles). Medieval instruments

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