Art History: Impressionism to Early Modernism (AHIS 206- Winter) Tuesdays, 6:30-9:30 Instructor, Danielle Hogan

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Presentation transcript:

Art History: Impressionism to Early Modernism (AHIS 206- Winter) Tuesdays, 6:30-9:30 Instructor, Danielle Hogan

Futurism

Abstract Speed + Sound 1913–1914 Giacomo Balla

Dynamism of a Dog on a Leash 1912 Giacomo Balla

Omaggio a Betuda Futurista 1915 Carlo Carrà

Interventionist Demonstration 1914 Carlo Carrà

Funeral of the Anarchist Galli 1911 Carlo Carrà

The City Rises 1910 Umberto Boccioni

The Development of a Bottle in Space 1913 Umberto Boccioni

Unique Forms of Continuity in Space 1913 Umberto Boccioni

Unique Forms of Continuity in Space on the 20 cent euro coin Umberto Boccioni

Vorticism

Planners: Happy Day Wyndham Lewis Pen, gouache and pencil on paper support: 311 x 381 mm

Two Mechanics circa 1912 Wyndham Lewis

Composition 1913 Wyndham Lewis

Workshop circa Wyndham Lewis

Vorticist Composition 1915 Wyndham Lewis

Russian Avant-Guard

"On White II“ 1923 Wassily Kandinsky

Kandinsky and Blue Rider Der Blaue Reiter 1903 Wassily Kandinsky

From 1908 on, Kandinsky’s painting ceased to be that of a dilettante, making its way towards an invention that would prove determinant for the history of painting: abstraction. Supported by a theoretical basis, the works of this period moved further and further away from reality, and, to the question that he formulated in one of his texts – “what must replace the object?” – Kandinsky replied with the impact of colours and lines. -Centre George Pompidou

The Garden of Love (Improvisation Number 27), 1912 Wassily Kandinsky Oil on canvas

Kandinsky at the Bauhaus Decisive Rose 1932 Wassily Kandinsky

: Bauhaus In 1921, Kandinsky was director of the physical- psychological department of the Russian Academy of Artistic Sciences, a structure set up after the revolution. With the artistic climate deteriorating, an official mission to Germany offered him the opportunity to flee his country. A teaching position at the Bauhaus enabled him to pursue his work, even though his position as an abstract painter, in a school that was moving closer and closer to industry, was contested.

Point Line Plane

Contrasting Sounds 1924 Oil on cardboard, 70x49.5cm Wassily Kandinsky

Composition VIII 1923 Oil on canvas, 140 x 201 cm Wassily Kandinsky

Yellow, Red, Blue 1925 Wassily Kandinsky

In the Blue 1925 Oil on board, 80 x 110 cm Wassily Kandinsky

: Paris In Paris, where he spent the last eleven years of his life, Kandinsky painted and drew prolifically, putting together an important body of work in which the common factor is the inspiration of images from biology, forms resembling embryos, larvae or invertebrates, a minuscule population embodying the living.

Composition X 1939 Oil on canvas, 130 x 195 cm Wassily Kandinsky

Landscape Natalia Goncharova

The Cyclist 1913 Natalia Goncharova

Rayonism, Blue-Green Forest 1913 Natalia Goncharova

Rayonism, Blue-Green Forest 1915 Mikhail Larionov

Beat the Whites With the Red Wedge, lithograph 1919 El Lissitzky

Dance. An Objectless Composition 1915 Alexander Rodchenko

Suprematism

Black Square 1913 Kazimir Malevich

Black Circle 1913 Kazimir Malevich

Suprematist Composition: White on White 1918 Kazimir Malevich