CIS 170 MART Teaching Effectively/cis170mart.com FOR MORE CLASSES VISIT www.cis170mart.com HUM 150 MART Inspiring Minds/hum150mart.com FOR MORE CLASSES.

Slides:



Advertisements
Similar presentations
Aim: To introduce Mise-en-Scene. Mise-en-Scene Pronounced meez ahn sen, it is a French term and originates in theatre. Of all the technical aspects mise-en-scene.
Advertisements

What are the main subject areas of interest in this film and what are the main themes and ideas being addressed? Could it be said that there are certain.
Useful Information. The Dark Knight  Directed by Christopher Nolan  Starring Christan Bale as Batman and Heath Ledger as Joker.  Genre: Action.
Everything you need to know in order to set up your Reader’s Notebook
FILM INTRO The Power & Components of Film. Last Week’s Objectives  Become familiar with a variety of internet tools  Become familiar with social media’s.
Magazine Journalism Writing a Movie Review.
It could be:  An element of characterisation or a relationship between characters  One (or more) of the themes from your play  Make sure that your.
LEQ: HOW DO A DIRECTOR’S DECISIONS IMPACT THE OUTCOME OF A FILM VERSION OF A STORY? Film Adaptation.
Week 2 - Lecture Interactive Digital Moving Image Production | CU3003NI | - Pratik Man Singh Pradhan.
Learning Objective: To begin to understand how the technical aspects make audience meaning, focusing on: - Mise-en-scene - Cinematography.
Reader’s Notebook Objectives:
Adapting Fiction Into Drama Essay 1, Compare/Contrast Structure, Aristotle’s Unities.
Elements of Film Getting ready for the critique. Developing your Critique Writing a critique about a movie is more than just saying it was good or bad.
Beth Gabriel Storm Wilson Megan Burgess. “Everything that creates the ‘visual’ world of the movie and its overall atmosphere”
Assignment #1. Goals of a Memoir  To capture an important moment  To convey something about its significance.
It's test time again and you've just finished reading the first paragraph in the test booklet and are preparing to answer the questions. The first question?
Film Analysis : Looking at Cinematic Technique. The main questions you should be asking when watching a film: What, cinematically stands out? The film.
Credits: 3 Respond critically to significant aspects of visual and/or oral text(s) through close reading, supported by evidence English 3.9 Through their.
11/6/14 NEW DIRECTION FOR ESSAY! DO NOT DO AS HOMEWORK…WE WILL DO THIS FIRST ONE IN CLASS TOGETHER. Daily Question: What Improv game is your favorite?
Social responsibilityInequalityMorals and Ethics Class and Status Hindsight/KnowledgeTime Frames Dramatic devices Dramatic Tension SELFISHARROGANT MANIPULATIV.
Entry Task: Add the an entry for 2.14 Mood and Tone (Wonka) in your spiral and add the following two words and definitions: Mood: the atmosphere or predominant.
FILM TECHNIQUES.
Documentaries Media Studies 120.  What is a documentary?  How does a documentary differ from a reality TV show?
Storyboarding Where It All Begins. The Storyboard The first step is to understand what you are trying to communicate and what your intended message is.
Exploration of Film Trailers Jassiem Moore. What is a trailer? The main purpose of a trailer is to provide audiences with a preview of a particular film.
MOVIE TRAILERS An Overview. WHAT IS A MOVIE TRAILER?  The term “trailer” comes from their having been shown at the end of a film. Why was this strategy.
DEEP FOCUS (Great Depth of Field) The whole frame is in focus, the meaning of the scene thus develops in the deep space of the frame. Camera movement,
For more course tutorials visit HUM 150 Entire Course HUM 150 Week 1 DQ 1 HUM 150 Week 1 DQ 2 HUM 150 Week 1 DQ 3 HUM 150 Week 1 DQ 4.
PSY 360 homework teaching effectively / psy360homeworkdotcom.
HSM 220 MART Teaching Effectively/hsm220mart.com FOR MORE CLASSES VISIT
ENG 225 HOMEWORK Learn by Doing / eng225homework.com.
ENG 125 GUIDES Learn by Doing / eng125guides.com.
ENG 225 professional tutor/eng225dotcom. ENG 225 Entire Course (Ash) ENG 225 Week 1 DQ 1 An Evolving Industry (Ash)  ENG 225 Week 1 DQ 1 An Evolving.
PSY 360 ASSIST Learning for leading/psy360assistdotcom.
For more course tutorials visit PSY 360 Entire Course PSY 360 Week 1 Discussion Question 1 PSY 360 Week 1 Discussion Question 2 PSY 360.
CIS 170 MART Teaching Effectively/cis170mart.com FOR MORE CLASSES VISIT HCA 230 GENIUS Inspiring Minds/hca230genius.com FOR MORE CLASSES.
ENG 125 Entire Course (Ash) For more course tutorials visit  ENG 125 Week 1 Assignment Reading Reflection  ENG 125 Week 1 DQ 1.
CIS 170 MART Teaching Effectively/cis170mart.com FOR MORE CLASSES VISIT COM 350 EXPERT Education Expert/com350expert.com FOR MORE CLASSES.
REL 133 assist Expect Success/rel133assistdotcom FOR MORE CLASSES VISIT
ENG 225 Entire Course (Ash) For more course tutorials visit  ENG 225 Week 1 DQ 1 An Evolving Industry  ENG 225 Week 1 DQ 2 Narrative.
CIS 170 MART Teaching Effectively/cis170mart.com FOR MORE CLASSES VISIT HUM 105 EDU Inspiring Minds/hum105edu.com FOR MORE CLASSES VISIT.
HUM 150 mart Learn/hum150mart.com FOR MORE CLASSES VISIT
ENG 225 Course Tutorial For more course tutorials visit
MGT 230 Course Tutorial For more course tutorials visit
HUM 150 MART Master of Education in Teaching/hum150mart.com
ENG 225 EDU Your Dreams Our Mission/eng225edu.com
COM 350 Course Experience Tradition / snaptutorial.com
HUM 150 Help Bcome Exceptional / snaptutorial.com
By Santiago Anllo and Agustín Rizzolo
HUM 150 MART Motivating Students to Learn/hum150mart.com
Media Analysis.
LO1 – Micro-Analysing Horror Movies
Maryland Literature 2008 edition Sixth Grade
ENG 225 Innovative Educator/eng225.com
ENG 225 Education for Service-- snaptutorial.com.
HUM 150 Education for Service-- snaptutorial.com.
RDG 350 Education for Service-- tutorialrank.com.
ENG 225 Competitive Success/tutorialrank.com
HUM 150 MART Lessons in Excellence-- hum150mart.com.
ENG 225 Education for Service-- tutorialrank.com.
HUM 150 Education for Service/tutorialrank.com
ENG 225 Teaching Effectively-- snaptutorial.com
HUM 150 Teaching Effectively-- snaptutorial.com
PSY 360 Teaching Effectively-- snaptutorial.com
BY AULIA PUSPANING GALIH, S.IIP., MS
Responses to Literature 7ELAB
Find someone who….
Film Techniques.
Audience Expectations
Literature Walk Recount/Summarize Fiction SECONDARY WALKS
Presentation transcript:

CIS 170 MART Teaching Effectively/cis170mart.com FOR MORE CLASSES VISIT HUM 150 MART Inspiring Minds/hum150mart.com FOR MORE CLASSES VISIT

HUM 150 Entire Course (UOP) FOR MORE CLASSES VISIT HUM 150 Week 1 DQ 1 HUM 150 Week 1 DQ 2 HUM 150 Week 1 DQ 3 HUM 150 Week 1 DQ 4 HUM 150 Week 1 Summary HUM 150 Week 1 Assignment Film Viewer Opinion Paper HUM 150 Week 2 DQ 1 HUM 150 Week 2 DQ 2 HUM 150 Week 2 DQ 3 HUM 150 Week 2 DQ 4 HUM 150 Week 2 DQ 5

HUM 150 Week 2 DQ 1 (UOP) FOR MORE CLASSES VISIT Lighting can be crucial to film – sometimes to such an extent that lighting can help define the particular film genre. Film Noir, for instance, and if you are not familiar with Film Noir, look it into it and you'll see what I'm getting at. So what similarities and differences would you take into consideration when shooting horror, romantic comedy, detective, and musical comedy genres. How would your lighting choices support film storytelling, including setting tone and mood? Provide examples of specific scenes.

HUM 150 Week 1 DQ 1 (UOP) FOR MORE CLASSES VISIT Who contributes most to a film’s success? Why? What do you focus on most when watching a film? Why? When deciding to go to a movie, what influences your decision (genre, director, star, and so forth) regarding which movie to choose?

HUM 150 Week 1 DQ 2 (UOP) FOR MORE CLASSES VISIT Who contributes most to a film’s success? Why? What do you focus on most when watching a film? Why? When deciding to go to a movie, what influences your decision (genre, director, star, and so forth) regarding which movie to choose?

HUM 150 Week 1 DQ 3 (UOP) FOR MORE CLASSES VISIT Identify your favorite movie genre, movie, film actor, film actress, movie soundtrack, TV show on movies, movie website, where you find the movie times and why you like them

HUM 150 Week 1 DQ 4 (UOP) FOR MORE CLASSES VISIT What impacts your decision of which movie to see – genre, director, star, etc.? Where do you get your information about a movie to make the decision to see it? How and where do you prefer to watch a film?

HUM 150 Week 1 Summary (UOP) FOR MORE CLASSES VISIT HUM 150 Week 1 Summary

HUM 150 Week 2 Assignment Editing, Sound, and Music Worksheet (UOP) FOR MORE CLASSES VISIT Watch the movie you selected in Week One. Complete the University of Phoenix Material: Editing, Sound, and Music Worksheet, based on the film. The word count requirement for each section should read 250 words, not 50 words. Make sure that you list the title of the film, the name of its director and the names of its principal actors at the top of your Worksheet before beginning

HUM 150 Week 2 DQ 1 (UOP) FOR MORE CLASSES VISIT Lighting can be crucial to film – sometimes to such an extent that lighting can help define the particular film genre. Film Noir, for instance, and if you are not familiar with Film Noir, look it into it and you'll see what I'm getting at. So what similarities and differences would you take into consideration when shooting horror, romantic comedy, detective, and musical comedy genres. How would your lighting choices support film storytelling, including setting tone and mood? Provide examples of specific scenes.

HUM 150 Week 2 DQ 2 (UOP) FOR MORE CLASSES VISIT Lighting can be crucial to film – sometimes to such an extent that lighting can help define the particular film genre. Film Noir, for instance, and if you are not familiar with Film Noir, look it into it and you'll see what I'm getting at. So what similarities and differences would you take into consideration when shooting horror, romantic comedy, detective, and musical comedy genres. How would your lighting choices support film storytelling, including setting tone and mood? Provide examples of specific scenes.

HUM 150 Week 2 DQ 3 (UOP) FOR MORE CLASSES VISIT Discuss with examples the fundamental elements of setting (including but not limited to location, time, era, weather, and buildings). Sometimes setting is essential to a story, such as in The Perfect Storm, in which the setting is so integral that it could be considered a character unto itself. Are there other instances when setting is not so essential? What other elements of film might offset the impact of when/if setting becomes secondary? How may changing the setting to a different time and place affect a film?

HUM 150 Week 2 DQ 4 (UOP) FOR MORE CLASSES VISIT List the various types of sounds you hear during a movie. What purpose does each serve? (TIP... the book describes the Types of Sounds) Provide at least 2 or more examples of effective uses from films you remember. From these, discuss how sound manipulates audience reaction.

HUM 150 Week 2 DQ 5 (UOP) FOR MORE CLASSES VISIT Imagine your house or apartment is a set for a movie in which you are starring. What would the set tell the audience about you and your life? Why? What elements would be most revealing? How do moviemakers use sets to reveal character information, and create tone and mood for the story? Recall a scene from a film you have seen recently to illustrate your point.

HUM 150 Week 2 Summary (UOP) FOR MORE CLASSES VISIT HUM 150 Week 2 Summary

HUM 150 Week 3 DQ 1 (UOP) FOR MORE CLASSES VISIT How would you film your story into a 20-minute segment your friends would sit through? And keep in mind that in addition to entertainment, most dramas are produced to convey a film- maker's point-of-view or messages/lessons considered important. So first, consider the mechanics. What types of lighting, sound, and other technical techniques convey your drama's theme? What framing and camera angles would you use for each scene? Why? How will they convey emotions? How will they contribute to your drama's success? Similarly, what editing techniques would you use, such as transitions in and between scenes, ways to compress time, means to establish locations, and so forth? Why? And what would you suggest to others about their filming and editing techniques?

HUM 150 Week 3 DQ 2 (UOP) FOR MORE CLASSES VISIT Coordinating your responses here with DQ 1, consider the story you wish to tell. Stories require conflict, or at least a lot of tension, in order to generate interest. So, first, what's the conflict in your story and how are you plotting it out? Also, movies, like plays and TV but unlike books, must use what's called the “objective point-of-view” because they cannot show directly what characters are thinking and feeling. They are limited to showing the exterior of characters in ways that reflect what's going on internally. And they do so in compact units called “scenes” made up of action, mannerisms, and dialogue. So who would be your characters? Why? How would you have them act in what sort of scenes? Why? What is your dialogue trying to accomplish? Why?

HUM 150 Week 3 DQ 3 (UOP) FOR MORE CLASSES VISIT DQ 3 covers settings. DQ 1 covers mechanics and DQ 2 covers characters and plotting. So it's only natural that to tell your story, you need to provide the fundamental elements of setting (including but not limited to location, time, era, weather, and buildings). Sometimes setting is essential to a story, such as in The Perfect Storm, in which the setting is so integral that it could be considered a character unto itself. And there other instances when setting is not so essential. Once you'd determined the influence setting will have on your story and characters, you can turn to figuring where and why you'd place doors, windows, tables, stolen jewels, corpses, and other props. How would you employ the setting, props, etc. to reveal character information,.

HUM 150 Week 3 DQ 4 (UOP) FOR MORE CLASSES VISIT Imagine you are a character in a teenage slasher horror movie. What sounds do you hear? What sounds do you not hear, but the audience does? From these, discuss how sound manipulates audience reactions in horror films. Name some other characteristics one finds in all horror movies. How do they contribute to horror?

HUM 150 Week 3 DQ 5 (UOP) FOR MORE CLASSES VISIT Imagine you are a character in a comedy. What sounds do you hear? What sounds do you not hear, but the audience does? From these, discuss how sound manipulates audience reaction in comedic films. Name some other characteristics one finds in all comedies. How do they contribute to comedy?

HUM 150 Week 3 Learning Team Assignment Film Matrix Comedy and Horror Presentation (UOP) FOR MORE CLASSES VISIT Resources: University of Phoenix Material: Film Matrix; University of Phoenix Material: Comedy and Horror Films List; Week Three Electronic Reserve Readings; and Microsoft® PowerPoint® Tutorial · Select one comedy and one horror movie from the list to watch as a team. · Watch, as a team, the selected comedy and horror films. · Discuss, as a team, both movies. · Complete two matrixes, as a team, one for the comedy and one for the horror film. · Create a 10- to 12-slide Microsoft® PowerPoint® presentation, explaining the team’s findings. Include detailed speaker notes. Address the following:

HUM 150 Week 3 Summary (UOP) FOR MORE CLASSES VISIT HUM 150 Week 3 Summary

HUM 150 Week 4 DQ 1 (UOP) FOR MORE CLASSES VISIT Name some characteristics one will find in all documentary films. How do they contribute to the documentary? Can documentaries and their components be measured the same as other film genres, such as Westerns or comedies?

HUM 150 Week 4 DQ 2 (UOP) FOR MORE CLASSES VISIT One way of judging films (as well as literature, poetry, other forms of drama, etc.) is through time – specifically, by responding to the four following questions: 1. When was the particular film created and/or produced? It is of an era, after all, and will reflect the era's social morays, cultural quandaries, economic conditions, and so forth. 2. When does the film take place? Very often serious films reflect their era in a more honest and forthright manner by “disguising” their contemporary issues in prior or future times. It can help make the hard stuff easier to swallow. 3. When did you watch it? This, of course, brings up the whole topic of eras again – now vs then. And does when the film is set work better or worse now than when it was originally released?

HUM 150 Week 4 DQ 3 (UOP) FOR MORE CLASSES VISIT What about the acting in animated or half-animated movies? Would you say that some of these movies are harder for (and on) actors – such as Avatar, in which the actors wore suits with electronic gizmos that recorded their movements for the computers to recreate with the Avatar people?

HUM 150 Week 4 DQ 4 (UOP) FOR MORE CLASSES VISIT If you created a film from the year you were born or a year of your choice, what tools would you use to place it in the proper context? Refer to the Film in Context chart in the text for guidance. Select a movie you are familiar with from the chart and identify the context.

HUM 150 MART Inspiring Minds/hum150mart.com FOR MORE CLASSES VISIT