Japanese Noh Theatre http://www.youtube.com/watch?v=F3IHdm2Tf8g

Directions Copy everything down on 9R

What is Noh? Formed early 14th Century Oldest transmitted performance art in the world Integrated popular song and dance from the time period Influenced by Buddism Founded by Zeami (Zay-ahmee)

Zeami One of the most influential figures in Japanese Theatre His treatise on Noh Fūshi kaden (Teachings on Style and the Flower) written 200 years before Shakespeare is still used today

Simplicity Unlike Kabuki, Noh is based on simplicity No scenery and little if any props are used Audience is not separated by a curtain Chorus and musicians are onstage Instead of pursuing realism, Noh pursues the expression of inner movement through spoken word, music and dance in an extremely simplified space.

Origins and history In China, “Sangaku” and “Gagaku” were two types of performance Sangaku – a public entertainment, included comical performances and parodies, acrobatic performances, juggling, and magic Gagaku – solemn music and dance, largely ceremonial in the imperial court and aristocrats’ residences. Sangaku spread among the commoners as entertainment performed at temples and shrines Sangaku becomes Saragaku - the basis for Noh showing that Noh was developed from juggling and acrobatic performance

Forms and elements Most Noh dramas are based on popular classic stories among ordinary people Zeami’s stories fall under the style of “Mugen Noh” or “dreamy Noh” where the real world and the dream world crisscross. Although it can be difficult to follow, each Mugen Noh’s structure is similar so audiences can learn the pattern

Characters in Noh The “waki” is a side character and a living person The waki is often a wandering monk and/or a foe of the protagonist This creates a structure where a living person meets the protagonist, a diseased character, who seeks salvation through the living person Noh has minimal characters, it is not unusual that a drama is played by two characters

Five Categories of Noh Noh drama is classified into five categories: God – takes the role of a god promising peace, happiness and fertility of all grains Man (warrior) – often takes the role of a diseased man, such as the ghost of a samurai Woman – appears as the ghost of a woman. Usually the love of the female ghost keeps her on earth and forces her to float around

Five Categories of Noh Madness – takes the role of a crazy person. Madness does not mean mental insanity but rather a situation in which a person becomes frantic by thinking too seriously. This category can also be referred as “miscellaneous” which includes stories which are not classified in other categories Demon – peforms as a demon or spirit in an overwhelming dance accompanied with drums and spectacular music

The noh stage

The noh stage A Noh stage is an extremely simplified space which does not have a drop or drawn curtain between the stage and the auditorium (kensho). Originally performed outdoors, but is now indoors designed to look like the open air stage, equipped with a roof, a gangway bridge (hashigakari), and pine trees planted on the bridge in perspective Modest lighting to recreate natural light. In many cases, large jars are buried under the main stage and the gangway bridge. These jars function not only to enlarge and improve the sound of stepping, music and speaking

The noh stage

The noh stage Columns provide markers for shite who has limited vision due to the mask Kagami-ita (back board) always a pine tree Jiutai-za – chorus seating Ato-za – seating for musicians (hayashi) Koken – seating for stage managers Hashigakari – gangway bridge used as a walkway and for scenes Agemaku – curtain for characters (kiritoguchi for chorus, musicians and sm’s) Kagami-no-ma – backstage Kensho – audience seating

Masks 60 basic types of masks and over 200 different kinds of masks Covering the face with a mask is related to the transformation of a person, just like make-up. It is said that a Noh mask has an element of spell, which provides spiritual power to the Noh actor. The Noh mask is called omote. Only the shite or his compainion (tsure) don masks The waki is a living character and therefore does not Usually, there is no mask assigned to a character. Rather, the type of masks to be used is designated for each drama. Therefore, it depends on the shite to decide which mask he will use

Masks It is unclear when Noh masks emerged. Originally based more on religious tastes than artistic As the focus towards subtlety grew, performers felt more and more need to conceal the change of their facial expressions and the ugliness of their aged faces As Noh grew towards the modern age, mask designs grew significantly as mask makers became an independent occupation

Mask expressions Emotional expression is extremely difficult Noh actors give expression through the well known gestures “teru” and “kumoru” Terasu – raising the face slightly upwards makes the mask appear to smile Kumorasu – lowering the face slightly downward makes the mask appear to weep Simple and miniscule movements of the mask expresses the subtleties of human emotion

Types of masks Jo Elder

Types of masks Otoko Man

Types of masks Onna Woman

Types of masks Kishin Demon

Types of masks Kishin Demon

Types of masks Onryo Ghost & Spirit

Types of masks Onryo Ghost & Spirit

Props As a rule props are seldom used on stage The only exception is the “tsukurimono” “Tsukurimono” are large stage props used to symbolize a house, grave, ship, bed, etc Built of a bamboo frame it is meant to be symbolic of the item rather than recreate it

Props Ship Cobweb

Chants and music Music is composed of vocal (utai) and instrumental (hayashi) The utai is performed by the actors or the Jiutai (chorus) who describe the events, scenery and emotion of the characters, but are NOT characters on stage There is musical scale in utai but rather determined by the shite or choral leader

Chants and music The hayashi is composed of four instruments Fue or Nohkan - flute Kotsuzumi – small hand or shoulder drum Ozutsumi – large hand drum Taiko – drum beaten with sticks http://www2.ntj.jac.go.jp/unesco/noh/en/roles_musical.html

Dance and forms To perform Noh is “to dance Noh” Specific parts of the drama also include dance (mai) which is dance and music combined Several types of specific dances are performed in each play from the slow dance of the woman to the very fast dance of the demon Even basic blocking is extremely detailed and done with precise movements

costume The costume is called Noh shozoku A typical costume include the karaori (outer robe) which is extremely ornate There are many rules for the color and style of costume The main character decides what the wears on stage as long as they follow the rules

costume