Humanities Core Course Winter: War Dr. Morse 2016  HumCore Welcome back!!!!  Introductions, Class Policies, Expectations  Essay 3: Introduction (Historical.

Slides:



Advertisements
Similar presentations
Nonfiction is a factual account of a person, place, or event
Advertisements

Studying for N5 and N4 English ENGLISH DEPARTMENT Prestwick Academy Mrs Hay.
 Assessment Type 1: Text Analysis (35%)  three or four responses  at least one oral (maximum of 5 minutes), or multimodal form of equivalent length.
April 29-May 3 5 weeks to go!. Do Now: 4/29-4/30 What do you know about the Civil Rights movement in the United States? Give me your opinions on race.
Analyzing Douglass’s Purpose
The Call To Write, Third edition Chapter One, What is Writing? Analyzing Literacy Events.
School For Health Studies Blended Learning Top Ten Tips: Designing a Blended Learning Course.
History of Music, MU3802 Syllabus Western Music.
Purposes of Nonfiction English 9B. To inform A reader who has come to this text is seeking this information:  Academic essay  Blog  Dictionary  Encyclopedia.
Integration and Differentiation of Curriculum
What does it mean to tell stories? Why are stories so important to us? How do different media present stories? And what happens when artists, writers and.
Jamie king Ben leach Ed 417 3/13/02 THE CIVIL WAR Resource unit.
Reading Comprehension Frederick Douglass I can support my claims with evidence.
ENVS& 100 Survey of Environmental Science Instructor: Tom Broxson Library 138 Office Hours: 11:00-12:00 M,T,W,Th, F and by appointment
Analyzing Douglass’s Purpose.  Opening ◦ Entry Task: Roots, Prefixes, Suffixes (5 minutes) ◦ Reviewing Learning Targets (2 minutes)  Work Time ◦ Third.
Business Marketing Overview of Course Dr. Dawne Martin Calvin 201 B – 107 next week Office telephone: Office.
The Evolving Faces of Democracy American History Foundations August 10, 2012 Fran Macko, Ph.D.
C&I 209, Section 08 Welcome! August 23, 2011 Please make a name card and sign the attendance sheet.
Welcome to English 3CP Mrs. Wallace Room A220 Period 6.
Warm Up #9 Write a short poem in the style of Romanticism (remember: not romance, but the ideas of the Romantic Movement) about any topic you want.
Wednesday, 11.9 COMPLETE THE BELL RINGER IN 3 MINUTES (SEE HOW FAR YOU CAN GET IN THAT TIME) PLAN/EXPLORE TEST IS DECEMBER 2!!! TAKE OUT YOUR NOTES FROM.
Universally Designed Syllabi Kirsten Behling, MA Suffolk University.
“ Building Visual Literacy” Teaching American History in Miami-Dade County September 22, 2012 Fran Macko, Ph.D.
1 My Experiences as Faculty Member and Researcher Dr. Kalim Qureshi.
Understanding the Academic Structure of the US Classroom: Syllabus.
Preview Define the term abolish.
 rysource/viewdetails.aspx?PrimarySourceId=1005 rysource/viewdetails.aspx?PrimarySourceId=1005.
Module 3A: Unit 1: Lesson 2 Introducing Historical Context: Narrative of the Life of Frederick Douglass.
Wendy Connelly Q 108. Personal Background: ~ Technology / Software Background ~ B.A.: English major, History minor St. Mary’s College ~ M.A.: Liberal.
Unit 3 Goals Utilize genre and discipline specific visual rhetoric & document design strategies Conduct primary research (based on planning from unit 2)
Back to School Night Period 8: US I Ms. Harmon
AP ENGLISH LANGUAGE AND COMPOSITION AP ENGLISH III MRS. RIBOVICH BLOG: h/
Introduction IMKE: Political and Social Issues in Digital Interactive Media Kaido Kikkas This document uses the GNU Free Documentation License (v1.2 or.
CM 445: Technical Writing for the Professions Unit 1: Audience, Purpose, Context Christine Danelski, Ph.D.
Contingency and History: Frederick Douglass’s War on Slavery.
Civil War Newspaper. In 1861, The American Civil War broke out and our country entered a war amongst brothers. Technology at the time was emerging and.
Contingency and History: Frederick Douglass’s War on Slavery.
Passion, Purpose & Intent: Envisioning Units of Study in Writer’s Workshop Tasha A. Thomas Director, Spartanburg Writing Project.
AP English Language & Composition. STRENGTHEN THE EFFECTIVENESS OF YOUR WRITING THROUGH CLOSE READING AND FREQUENT PRACTICE AT APPLYING RHETORICAL STRATEGIES,
Welcome to Rose Core Periods 1 and 2. Communication  Blog: rosecore08.wordpress.org   Phone:  Drop.
August 26, 2013 Title: What can I expect in 8 th grade language arts this year? Warm Up: Read prospectus, underlining anything that is confusing to you,
CM220 College Composition II Friday, January 29, Unit 1: Introduction to Effective Academic and Professional Writing Unit 1 Lori Martindale, Instructor.
Evaluate: What do you think it taking place in this primary illustration? EQ: What was the impact of the Emancipation Proclamation? This drawing from Harper's.
Clinical Anatomy Lecture Intro. Outline Syllabus Dissection Project Contracts Set the Baseline.
Writing an Analysis Essay: Introducing the Writing Prompt and the Model Essay.
Oral Assessment Media and Non-Fiction Paper 1 Section A Analysing images and language.
Civil War and Reconstruction Unit 5. Pg #65 Civil War and Reconstruction Picture.
American Realism UNIT GOAL: Write an expository essay that evaluates how REALIST artists and author’s effectively use ethos, pathos, and/or logos to communicate.
Writing In History Professor Williams. OBJECTIVES The objective of this course is to broaden the students’ knowledge of the literature of specific fields.
Please bring a large, clean blue book to exam (pens only). Test Format, Study Tips and Q&A See Questions answers posted on the eee MessageBoard Midterm.
Welcome!!! World History I, World History II, U.S History 9th, 10th and 11th Grade.
ONE nATION Unit Design by: DeeAnn Perez. Students will explore the events that led up to the construction and signing of the U.S. Constitution. They will.
Early Christianity. Introduction: The Basics  Course title: “Early Christianity”  Room: Coburn 303  Dates: 9/1 to 12/7  Times: Tu/Th, 11:00-12:15.
HISTORICAL CONTINGENCIES AS A VEHICLE FOR UNDERSTANDING FREDERICK DOUGLASS’ RHETORIC Dr. Morse “War” Winter 2016 Today’s Goals Lecture Review, Close-Reading,
Wednesday 18 December 2013 **IF YOU DIDN’T FINISH THE 47 SENTENCES THEY ARE DUE TMRW. Bell work: Book Talk and SSR [5 min] Actively listen to my book talk.
HISTORICAL CONTINGENCIES AS A VEHICLE FOR UNDERSTANDING FREDERICK DOUGLASS’ RHETORIC Dr. Morse “War” Winter 2016 Today’s Goals Lecture Review, Close-Reading.
Welcome to Mrs. Lukac ’ s Writing Workshop Please sign in.
Economics 175 American Economic History
Stage 2 English External Study.
SAETA Refresher Course A Beginners’ Guide to English Communications
MMW 15 TA: Kyle Knabb Week 1.
The Trojan War and Agency
Why did Douglass write the Narrative?
Grade 7: Module 3: Unit 1: Lesson 2
What do you learn in this class?
Good afterlunch! Please get out your documents and the questions/work you have prepared. Please get out your Socratic Seminar Assignment sheet. Get out.
Good morning! Please get out your documents and the questions/work you have prepared. Please get out your Socratic Seminar Assignment sheet. Get out your.
Comment on Students’ Stories, And A Guide to Literary Criticism
Good afternoon! Please get out your documents and the questions/work you have prepared. Please get out your Socratic Seminar Assignment sheet.
How Should You Participate in this Course?
Presentation transcript:

Humanities Core Course Winter: War Dr. Morse 2016  HumCore Welcome back!!!!  Introductions, Class Policies, Expectations  Essay 3: Introduction (Historical Analysis)  Lecture Review  Writing Diagnostic

Opening Introductions Dr. Morse Office: HIB 196 Office Hours: MW 1:00-2:00, TuTh 10:30-11:30 (and by appointment) Use “Sign-Up Sheet” on Weekly Class Modules Class

Policies and Expectations Class Policies and Procedures Time Management Grading Writing: Essay #3 (40%), #4 (30%), 5 Blog Posts (20%), Participation (10%) Lecture: Midterm (40%), Final (50%), Participation (10%) Participation Grade Components Drafting is Essential and a Required Part of Writing as a “Process” Attendance – Interactivity Assessments (Self, Peer) Blog / Message Board / Office Hours

What will we be doing in Core this quarter? War on slavery – War over slavery Writing with a purpose and “Picturing” War – slave narratives, poetry, letters, articles, painting, sketch, ads Essay 3: Image Analysis / Historical Analysis Writings on Torture / Violence to the Body and Mind in War / Torture as Entertainment Blog Writing: Op-Ed Writing (opposite the editorial page) Social Journalism Argument/Counterargument War in the News – Mediating and “Selling” War – News Journalism and Entertainment Media Analysis – film and television

Introductions Who are you? Share something interesting (something you didn’t know or had not thought about) from today’s lecture or from this week’s readings. OR What text or activity are you most looking forward to, and why? OR Most Impactful War Film, and how?

Lecture Review DiscussionQuestions 1) What disciplinary approach does Professor Fahs follow? 1) How would you characterize her lecturing style? 2) How can you prepare to listen to and take notes in lecture? 2) What is the definition of historical contingency? Why is this of central concern in our lectures? 3) Who was William Lloyd Garrison, and what were his positions about slavery? In what specific ways does Frederick Douglass depart from his positions? 4) What genre(s) comprise Douglass’ text? What are characteristics of these genres? What rhetorical or stylistic strategies does he use to give his “autobiography” a deeper purpose?

Writing Diagnostic – Select One Use your best free-style academic prose Write for minutes The Battle of Shiloh in southwestern Tennessee, represented on the next slide, was fought by over 100,000 troops (60% Union; 40% Confederate). 3,482 died and 16,400 were wounded. Given today’s lecture, the above historical details and your own knowledge of the Civil War, view the painting and answer the following question. What story of war and what “history” of the Battle of Shiloh does this painting depict and/or perform?

External Links of Interest (Douglass Writings Rochester U) (Douglass Writings) (Documenting the American South) (Douglass “My Opposition to War”)

HOW DOES THIS IMAGE UNDERSCORE DOUGLASS’S TASK IN THE PUBLIC SPHERE? WHAT CHALLENGES DOES HE FACE AS A PUBLIC INTELLECTUAL IN THIS PARTICULAR ERA?

Satirical racist print, part of the “Practical Amalgamation Series,” created by Edward Williams Clay in 1839 and illustrating white fears of a mixing of the races.