New Metaphors and New Narratives. Amy Sillman, Bed, 2006, oil on canvas, 91 x 84”

Slides:



Advertisements
Similar presentations
~Lake Oswego Art Literacy~ Jennifer Bartlett (born ) American Artist and Painter Photo of Jennifer Bartlett ca
Advertisements

Neodada.
Helen Frankenthaler 1928 – American Abstract Expressionist
Some contemporary American Artists utilizing text: Ed Ruscha b. 1937, Omaha, NE Jenny Holzer b. 1950, Gallipolis, OH Barbara Kruger b. 1945, Newark, NJ.
ARTS IN THE INFORMATION AGE. Pop Art  Starts in England in the 1950s  Really takes off in 1960s New York  Celebrates consumers products, celebrities,
Jim Dine Contemporary and Pop Artist Born 1935 Cincinnati, Ohio.
10.1 Amy Sillman, Bed, Oil on canvas, 91 x 84” (231.1 x cm). © 2013 Amy Sillman. Image courtesy of Sikkema Jenkins & Co., New York.
Testing the Edges of the Breathable wax, paint, hand cut and laser cut yupo paper, chains, pins, dimensions variable, 2011.
Art Unit 2 Folio Britt Westaway. Mind Map What is Culture?
Conceptual art Key artists and collaborations annasuvorova.wordpress.com.
Café Terrace at Night Created in September 1888 Oil on Canvas 81.0 x 65.5 cm Kroller-Muller Museum, Otterlo.
Line Artwork that portrays line. “Line is a mark made using a drawing tool or brush. There are many types of lines: thick, thin, horizontal, vertical,
Relational Aesthetics and The Making
Minimalism/Post-Minimalism
Jennifer Bartlett American Artist and Painter.
Worlds, installation, grass 5x5 m, Real Presence, Military museum, Belgrade, Serbia, 2005.
A View through my Window. The window has inspired artists, photographers, architects, and writers throughout the ages.
Art Society Trip NYC 2009 Saratoga Springs Advisors: Mrs. Cyrek & Mrs. Milovich Student Reps: Alex Sgroi and Hannah Tyrell.
Robert Gober.
Elizabeth Murray American Artist Elizabeth Murray in her studio.
Coosje van Bruggen and Claes Oldenburg at the inauguration of the Bottle of Notes, 1994, in Middlesbrough, England. Photograph by Hazel Gall. Claes Oldenburg.
Principles of Composition
Sylvie Fleury. Serie ELA 75/K (Plumpity. Plump). 2000
De Chirico, Piazza d’Italie: Malincornia,1948 Oil on Canvas, Private Collection De Chirico, Piazza d’Italie, 1913 Oil on Canvas, Art Gallery of Ontario,
Absurd Adjective: --wildly unreasonable, illogical, or inappropriate: completely ridiculous --having no rational or orderly relationship to human life.
Painting: Styles & Techniques. Claude Monet Impression Sunrise, 1872 Oil on canvas 48 x 63 cm.
The Cummer Museum of Art & Gardens 829 Riverside Ave. Jacksonville, FL
Art Brut Modern. This power point presentation for educational purposes only. All image sources are noted and copyrights held by original source.
Trading Cards 3 cards due 3/28 3 cards due 4/18 3 cards due 5/23.
LAURIE STEINHORST Images of Student Work Painting I. Drawing I. Figure Drawing.
Saw, Sawing Tokyo International Exhibition Center, Big Sight, Tokyo Steel, epoxy resin, fiber-reinforced plastic, polyurethane and polyvinyl chloride foams;
Block Name Design Can you find the name repeated over and over again in this picture?
Year 11 GCSE Art Q. 4 Fusion. Question 4- Fusion Artists, craftspeople and designers are sometimes inspired by the fusion of art forms. Contemporary artist.
Edward Kienholz October 23, 1927 – June 10, 1994.
By John Doe n_of_mario_display.jpg.
Dougal McKenzie Exhibition of paintings and publication: ‘Layers’, The John Moores Contemporary Painting Prize Show Seongnam Arts Center, Seongnam, South.
Affirmations of Identity Recollections and Experiences.
Unit 2: Art by Design AVI 2O
Chapter 27 Abstract Expressionism "My opinion is that new needs need new techniques…the modern painter cannot express his age, the airplane, the atom bomb,
Color Unit. Monday December 16, 2013 You Need: Pencil, Sketchbook Warm Up: Use colored pencil to show me how you feel today. Image: Edvard Munch (1895)
ART APPRECIATION 1301 Jose Mariscal phone: art dept. office cell phone: (text prefered) see me after.
Post-Modernism Bits of History and some from now.
Abstract Expressionism is a post–World War II art movement in American painting, developed in New York in the 1940s. It was the first specifically American.
 Born in London, England in  Currently lives in New York.  Got his BFA from Camberwell School of Art, London and also attended Boston University.
Important art work inspired by September 11, 2001.
Digital Library Jennifer McHgugh. My digital library will include images of my own art work. All of the images were created while working on my BA in.
Thornton Dial September 1928 – January 25, Lost /2 x 46 1/2 x 8 inches (184.2 x x 20.3 cm) wood, tin, steel, paint-stained cloth,
AP Studio Art Domain Project Painting a Diptych/Triptych.
OPERATION URGENT FURY II
Richard Serra, Minimalist. Line Drawings, charcoal and paintstick Example viewing for scale September, 2001, 50” x 51”, charcoal on paper,
Basquiat: The Unknown Notebooks Key Images February 28- May 29, 2016 Tseng Kwong Chi (Chinese-Canadian-American, born Hong Kong, ), Jean Michel.
Roy Lichtenstein Pop Artist “I had always wanted to know the difference between a mark that was art and one that wasn’t”
Before they broke the rules,
7. 1 Robert Mapplethorpe, Larry and Bobby Kissing, 1979
John Sabraw By: Kyle Anthony Palma.
Absence by Alexandra Oates.
Basquiat: The Unknown Notebooks Key Images February 28- May 29, 2016
Ryan Trecartin.
Luetze, Colescott & Shimomura
José Parlá Night and Day in London Town Acrylic, enamel, and plaster on wood Image/Sight: 96 × 480 inches (243.8 cm × cm)
Global Contemporary Required Images
Any Given Child-Tulsa 6th Grade Curriculum
Ohne Titel (The Red Sun), Artist:Joan Miro , 1948, Oil and gouache on canvas, /8 x 28 1/8 in.
Kandinsky, Wassily Composition IV 1911 Oil on canvas x 250
Tower of Babel Jean de Courcy, c A universal history, ‘La Bouquechardiere’ Image courtesy of the British Library.
סינדי שרמן – מות הראייה התמימה
PictureTHIS ATC & Phoenix Art Museum
Variation of Water and Color
American Abstract Expressionist
Presentation transcript:

New Metaphors and New Narratives

Amy Sillman, Bed, 2006, oil on canvas, 91 x 84”

Amy Sillman, P & H 2 (Behemoth), 2007, oil on canvas, 84 1∕2 x 93"

Cecily Brown, Night Passage, 1999, oil on linen, 100 x 110"

Franz Ackermann, Untitled (Mental Map: no.10, public parking lots), Mixed media on paper, 5 1∕8 x 7 1∕2"

Franz Ackermann, Home, Home Again, Installation view at White Cube, Hoxton Square, London, April 21– May 20, 2006.

Odili Donald Odita, Present Tense, Acrylic on canvas 84 x 104"

Ingrid Calame, From #258 Drawing (Tracings from the Indianapolis Motor Speedway and the LA River), Enamel paint on aluminum, 71 x 119 x 1 1∕8".

Neo Rauch, Schicht (Shift), Oil on canvas, 78 3∕4 x 70 7∕8"

Albert Oehlen, El Pez Roncando (The Fish Snoring), Mixed media on canvas, 94 1∕2 x 149 5∕8"

Albert Oehlen, Bad (Bath), Oil on canvas, 110 1∕4 x 118 1∕8"

10.11 Jorge Pardo, Mountain Bar, Los Angeles, Courtesy Friedrich Petzel Gallery, New York.

10.12 Jorge Pardo, 4166 Sea View Lane, Courtesy Friedrich Petzel Gallery, New York.

10.13 Katharina Grosse, Cincy, Installation at the Contemporary Arts Center, Cincinnati, Ohio. Spraypaint, styrofoam, and soil. Image courtesy BUREAU N.

10.14 Jessica Stockholder, Your Skin in this Weather Bourne Eye-Threads & Swollen Perfume …, Paint, concrete, structolite, miscellaneous building materials, carpet lamps, electrical cord, purple plastic stacking crates, swimming-pool liner, welded steel, stuffed pillows, papier-mâché, balls. DIA Center for the Arts. Courtesy Mitchell-Innes & Nash.

10.15 Matthew Ritchie, Mr. Universe, Oil and marker on canvas, 84 x 138" ( x cm). © Matthew Ritchie. Courtesy Andrea Rosen Gallery, New York.

10.16 Matthew Ritchie, Universal Adversary, Mixed media. Installation view, Andrea Rosen Gallery, 21 September–28 October, © Matthew Ritchie. Photo by Tom Powel. Courtesy Andrea Rosen Gallery, New York.

10.17 Matthew Barney, Cremaster 4, The Loughton Candidate, Production still. © 1994 Matthew Barney. Courtesy Gladstone Gallery, New York and Brussels.

10.18 Matthew Barney, The Cabinet of Harry Houdini, Cast nylon, salt epoxy resin, woven polypropylene, prosthetic plastic, and beeswax, 83 5∕8 x 60 x 73" (212.4 x x cm). Astrup Fearnley collection, Oslo. © 1999 Matthew Barney. Courtesy Gladstone Gallery, New York and Brussels.

10.19 Pierre Huyghe, The Third Memory, Film stills. Double projection, beta digital video monitor. Solomon R. Guggenheim Museum, New York. Courtesy of the artist and Marian Goodman Gallery, New York.

10.20 Pierre Huyghe, Streamside Day, Film still. Digital video projection from film and video transfers, 26 minutes. Courtesy of the artist and Marian Goodman Gallery, New York.

10.21 Francesco Vezzoli, Trailer for a Remake of Gore Vidal’s Caligula, Film stills featuring Adriana Asti (top left), Gore Vidal (bottom left), and Milla Jovovich (bottom right). © Francesco Vezzoli. Courtesy Gagosian Gallery.

10.22 Francesco Vezzoli, RIGHT YOU ARE (IF YOU THINK YOU ARE), Live performance at the Solomon R. Guggenheim Museum, New York (Performa07). © Francesco Vezzoli. Courtesy Gagosian Gallery.

10.23 Cory Arcangel in collaboration with Paper Rad, Super Mario Movie, Hacked Nintendo Entertainment System Super Mario Brothers cartridge, Nintendo Entertainment System game console, and artist software. © Cory Arcangel. Courtesy of Cory Arcangel and Lisson Gallery.

10.24 Cory Arcangel, Working On My Novel, Twitter feed. © Cory Arcangel. Courtesy of Cory Arcangel and Lisson Gallery.

10.25 Ryan Trecartin, Roamie View: History Enhancement (Re’Search Wait’S) (top) and The Re'Search (Re'Search Wait'S) (bottom), 2009–10, from Any Ever series. Film stills. Courtesy of the artist and Elizabeth Dee, New York.

10.25 Ryan Trecartin, Roamie View: History Enhancement (Re’Search Wait’S), 2009–10, from Any Ever series. Film still. Courtesy of the artist and Elizabeth Dee, New York.

10.25 Ryan Trecartin, The Re'Search (Re'Search Wait'S), 2009–10, from Any Ever series. Film still. Courtesy of the artist and Elizabeth Dee, New York.