Authenticity in Cultural Heritage Tourism as a means to Sustainability.

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Presentation transcript:

Authenticity in Cultural Heritage Tourism as a means to Sustainability

Authenticity Dimensions of authenticity: Objective: Boorstin, MacCannell Constructed: Cohen, Urry, Rojek Personal: Bruner, Wang Polarity of the theory: Object Subject

Søren Kierkegaard The human subject is a synthesis of: the infinite the finite possibility necessity Authenticity: to focus on one thing as a result of a choice The truth is subjective, but the subjectivity is not the truth  The authentic experience is subjective, but the subjective experience is not necessarily authentic

Mikhail Bakhtin The Chronotope: Kronos: time Topos: space Dialogue: time ---- space change, flux ---- stasis, fixity. Space/stasis: Time/change: Trial patternOdysseus Tristan El Cid Spiderman

Dialogue Authenticity and the personal experience Time/space: - axiological - tied up with judgments about good or bad Dialogue: an event Human being: a project or deed Authenticity and cultural heritage: temporality: changes through generations spatiality: myths, symbols or signs As a communicative principle the chronotope establishes a constant dialogue between generality and uniqueness

Sustainability Cultural Heritage Management Concerns: identifying cultural heritage with reference to conservation for future generations the socio-cultural authenticity of host communities, including traditional values and heritage The chronotope: a principle to identify cultural heritage Generality: structures, symbols or myths Uniqueness: special or exceptional features

Taarnborg Cultural history from Exterior: historic Interior: past and present Investigation: Method - An empirical survey among visitors through the method of participant observation Question - The chronotope: catalyst for authenticity in Cultural Heritage Management? The touristic experience?

Renaissance event Ribe is the oldest town of Denmark - Historic greatness in the The idea of the event: Outdoor: Stasis predominant Renaissance experienced trough a historic staging - People in Renaissance dress, marketplace, games, music, spectacle, entertainment, food Indoor: Bears witness of changing times Renaissance experienced in the light of the present -Talks/lectures, tales, workshops, communication today, multimedia and virtual mediation

Social responsibility Activities: religious ideas and concepts Approach:non-confessional Principal idea: experiencing the spirit of the place  - transformation (Pine and Gilmore, 1999) Ambition: exponent for transformation - not founded on ultimate answers or idealistic ideas - but duality and conflict of human existence

Duality and authenticity Duality: Human subject - exists between flux and fixity Cultural heritage -constantly in the process of production and reproduction. The chronotope is to be investigated as the place where knots of authenticity are tied and untied.