Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in.

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Presentation transcript:

Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in.

Mimis and kangaroo. Older paintings before 7000 BCE, kangaroo probably post-contact.

Workshop of Pollaiuolo (?). Youth Drawing. late 15th century. 7 5/8 x 4 1/2 in.

Leonardo da Vinci. Madonna and Child with St. Anne and Infant St Leonardo da Vinci. Madonna and Child with St. Anne and Infant St. John the Baptist. c. 1505–07.

Leonardo da Vinci. Study for a Sleeve. c. 1510–13. 3 1/8 x 6 3/4 in.

Raphael. Study for The Alba Madonna (recto). c. 1511. 16 5/8 x 10 3/4 in.

Raphael. Study for The Alba Madonna (verso). c. 1511. both 16 5/8 x 10 3/4 in.

Raphael. The Alba Madonna. c. 1510. diameter 37 1/4 in.; framed: 54 x 53 1/2 in.

Raphael. Saint Paul Rending His Garments. c. 1514–15. 9 1/16 x 4 1/16 in.

Georgia O’Keeffe. Banana Flower. 1933. 21 3/4 x 14 3/4 in.

Käthe Kollwitz. Self-Portrait, Drawing. 1933. 18 3/4 x 25 in.

Vija Celmins. Untitled (Ocean) (Venice, California). 1970. 14 1/8 x 18 7/8 in.

Georges Pierre Seurat. Café Concert. c. 1887–88. 12 x 9 1/4 in.

Edgar Degas. After the Bath, Woman Drying Herself. c. 1889–90. 26 5/8 x 22 3/4 in.

Mary Cassatt. Young Mother, Daughter, and Son. 1913. 43 1/4 x 33 1/4 in.

Sandy Brooke. Paestum. 2009. 22 x 30 in. Sandy Brooke, Fate and Luck: Eclipse, 2011, Oilstick on Linen, 30 x 24 in. Sandy Brooke. Paestum. 2009. 22 x 30 in.

Elisabetta Sirani. The Holy Family with a Kneeling Monastic Saint. c 10 3/8 x 7 3/8 in.

Jean Dubuffet. Corps de Dame. June–December 1950. 10 5/8 x 8 3/8 in.

Beverly Buchanan. Monroe County House with Yellow Datura. 1994. 60 x 79 in.

Giovanni Battista Tiepolo. The Adoration of the Magi. c. 1740s. 11 3/5 x 8 1/5 in.

Rembrandt van Rijn. A Sleeping Woman. c. 1660–69. 9 5/8 x 8 in.

Liang Kai. The Poet Li Bo Walking and Chanting a Poem, Southern Song Dynasty. c. 1200. 31 3/4 x 11 7/8 in.

"You can acquire more feeling for line than pencil or charcoal” "You can acquire more feeling for line than pencil or charcoal”. Henri Matisse Henri Matisse, Venus, 1952 Paper Collage on canvas

Closer Look: Search one of the artist we have discussed in this chapter or a previous one. Print off one of there drawings and write a short paragraph on why you find the drawing interesting?