Church of the Vierzenheiligen StaffelStein, Germany Johann Balthasar Neumann FLASHCARD TO OOMPLETE Artist: Johann Balthasar Neumann Title: Church of the Vierzehnheiligen Medium: n/a Size: n/a Date: 1743–72 Source/ Museum: Near Staffelstein, Germany

Know about fete galante paintings Artist: Jean-Antoine Watteau Title: Pilgrimage to The Island of Cythera Medium: Oil on canvas Size: 4'3" X 6'4½" (1.3 X 1.9 m) Date: 1717 Source/ Museum: Musée du Louvre, Paris Pilgrimage to the Island of Cythera, Jean-Antoine Watteau, oil, 1717 - FLASHCARD Know about fete galante paintings

Triumph of Venus, Francois Boucher, Oil on canvas, 4’3” x 5’3”, 1740 Artist: François Boucher Title: Triumph of Venus Medium: Oil on canvas Size: 4'3⅛" X 5'3¾" (1.3 X 1.62 m) Date: 1740 Source/ Museum: Nationalmuseum, Stockholm Triumph of Venus, Francois Boucher, Oil on canvas, 4’3” x 5’3”, 1740 Flashcard… Rococo style in Paris

The Meeting, Jean-Honore Fragonard, oil on canvas, 10’ x 7’, 1771-73 Part of a series of paintings on Rococo romantic adventures Also did the Swing Pastel colors, aristocracy at play FLASHCARD ADD MORE Artist: Jean-Honoré Fragonard Title: The Meeting Medium: Oil on canvas Size: 10'5¼" X 7'⅝" (3.18 X 2.15 m) Date: 1771–73 Source/ Museum: The Frick Collection, New York

Charles Sackville, 2nd Duke of Dorset, 1730, pastel on paper Flashcard Know about Rosalba Carriera’s role with women and academies Artist: Rosalba Carriera Title: Charles Sackville, 2nd Duke of Dorset Medium: Pastel on paper Size: 25 X 19" (63.5 X 48.3 cm) Date: c. 1730 Source/ Museum: Private collection

Self-Portrait with Two Pupils Adelaide Labille-Guiard 1785, 7’ x 5’ What is Labille-Guiard saying about the role of women painters? Enlightenment and the role of women painters? She was one of 2 women elected to French Academy What type of composition is shown? Artist: Adélaïde Labille-Guiard Title: Self-Portrait with Two Pupils Medium: Oil on canvas Size: 6'11" X 4'11½" (2.11 X 1.51 m) Date: 1785 Source/ Museum: The Metropolitan Museum of Art, New York. Gift of Julia A. Berwind, 1953 (53.225.5)

Marie Antoinette with Her Children Elisabeth Vigee-Lebrun Oil on canvas, 1787 How does this painting try to give a message? Who was the patron of this painting? What kind of career did Vigee-Lebrun have? Allegory of abundance Artist: Marie-Louise-Élisabeth Vigée-Lebrun Title: Portrait of Marie Antoinette with Her Children Medium: Oil on canvas Size: 9'½" X 7'⅝" (2.75 X 2.15 m) Date: 1787 Source/ Museum: Musée National du Château de Versailles

THE APOTHEOSIS OF HOMER flashcard WEDGWOOD VASE, white jasper body with a mid blue dip and white relief 18” 1786 Wedgwood showed classical figures against a pink or blue background Recognize wedgwood, not necessarily this specific piece Neoclassicism in England-revival of classical traditions How did Josiah Wedgwood feel about Enlightenment ideals? Artist: Josiah Wedgwood Title: Vase: The Apotheosis of Homer Medium: White jasper body with a mid-blue dip and white relief Size: height 18" (45.7 cm) Date: 1786 Source/ Museum: Made at the Wedgwood Etruria factory, Staffordshire, England. Relief of The Apotheosis of Homeradapted from plaque by John Flaxman, Jr., 1778. Trustees of the Wedgwood Museum, Barlaston, Staffordshire, England

Robert Adam (architect to King George III) Anteroom, Syon House, Robert Adam (architect to King George III) Middlesex, England (Duke of Northumberland’s home) Flashcard Developed style of interior decoration based on applied ornament; fit taste of wealthy Aim: “to transform the beautiful spirit of antiquity with novelty and variety” Used motifs from Pompeii and rococo Never accepted by British Royal Academy Unearthing of Pompeii ruins big influence in Neoclassicism Artist: Robert Adam Title: Anteroom, Syon House Medium: n/a Size: n/a Date: 1760–69 Source/ Museum: Middlesex, England

Artist: William Hogarth Title: The Marriage Contract Medium: Oil on canvas Size: 27½ X 35¾" (69.9 X 90.8 cm) Date: 1743–45 Source/ Museum: From Marriage à la Mode / The National Gallery London Reproduced by Courtesy of the Trustees The Marriage Contract, William Hogarth, 1743, from Marriage a la Mode series Flashcard.. Know about satirical paintings & how this showed Hogarth’s views on society

Georgian Silver Collection Various women artists.. Elizabeth Morley, and others From National Museum of Women in the Arts Be aware of the role women played and what these objects were used for Artist: n/a Title: Elizabeth Morley, George III Toddy Ladle, 1802; Alice and George Burrows, George III Snuffbox, 1802; Elizabeth Cooke, George III Salver, 1767; Ann and Peter Bateman, George III Goblet, 1797; Hester Bateman, George III Double Beaker, 1790 Medium: n/a Size: n/a Date: n/a Source/ Museum: National Museum of Women in the Arts, Washington, D.C. Silver Collection assembled by Nancy Valentine, purchased with funds donated by Mr. and Mrs. Oliver Grace and family

Lady Sarah Banbury Sacrificing to the Graces, oil on canvas, Joshua Reynolds, 1765 Grand Manner portrait with style of classical history painting combined with portraiture Reynolds - 1st President of British Royal Academy, wrote book on history painting as highest form of art & preserving classical traditions Lady Banbury playing role of a Roman priestess making sacrifice to the gods flashcard Artist: Joshua Reynolds Title: Lady Sarah Bunbury Sacrificing to the Graces Medium: Oil on canvas Size: 7'10" X 5' (2.42 X 1.53 m) Date: 1765 Source/ Museum: The Art Institute of Chicago. Mr. and Mrs. W. W. Kimball Collection, 1922.4468

Blue Boy, Thomas Gainsborough Oil on canvas, 2 m x 1.5 m, late 18th century Gainsborough studied portraits of Van Eyck - painted over 700 portraits Influenced by Watteau in feathery landscapes Son of a friend (ironmonger), legend that he painted it in blue to prove Reynolds wrong about the viability of blue as a central color in a portait Disagreed with Sir Reynolds about having to do classical or history style in portraits Artist: Thomas Gainsborough Title: Portrait of Mrs. Richard Brinsley Sheridan Medium: Oil on canvas Size: 7'2⅝" X 5'⅝" (2.2 X 1.54 m) Date: 1785–87 Source/ Museum: National Gallery of Art, Washington, D.C. Andrew W. Mellon Collection (1937.1.92)

Artist: Joseph Wright Title: An Experiment on a Bird in the Air-Pump Medium: Oil on canvas Size: 6 X 8' (1.82 X 2.43 m) Date: 1768 Source/ Museum: The National Gallery, London An Experiment on a Bird in the Air-Pump, Joseph Wright, oil on canvas, 1768 Showed Industrial Revolution in dramatic and entertaining way, attempted to popularize science. Dramatic lighting influenced by WHO?????? (hint: Baroque). Science brings light into a world of darkness

Artist: Antonio Canova Title: Cupid and Psyche Medium: Marble Size: 6'1" X 6'8" (1.55 X 1.73 m) Date: 1787–93 Source/ Museum: Musée du Louvre, Paris

Artist: Angelica Kauffmann Title: Cornelia Pointing to her Children as her Treasures Medium: Oil on canvas Size: 40 X 50" (101.6 X 127 cm) Date: c. 1785 Source/ Museum: Virginia Museum of Fine Arts, Richmond, Virginia. The Adolph D. and Wilkins C. Williams Fund

Artist: Benjamin West Title: The Death of General Wolfe Medium: Oil on canvas Size: 4'11½" X 7' (1.51 X 2.14 m) Date: 1770 Source/ Museum: The National Gallery of Canada, Ottawa. Transfer from the Canadian War Memorials, 1921 (Gift of the 2nd Duke of Westminster, Eaton Hall, Cheshire, 1918)

Samuel Adams, John Singleton Copley, oil on canvas 50” x 40”, 1772 Neoclassic style in the colonies What is Copley trying to say? How does this reflect the Enlightenment and what was happening in England and the colonies? flashcard Artist: John Singleton Copley Title: Samuel Adams Medium: Oil on canvas Size: 50 X 40" (127 X 102.2 cm) Date: c. 1770–72 Source/ Museum: Museum of Fine Arts, Boston. Deposited by the City of Boston

Most famous Neoclassical painter Part of series of Royal commissioned history paintings Emblem of French revolution Sacrifices for good of state Artist: Jacques-Louis David Title: Oath of the Horatii Medium: Oil on canvas Size: 10'8¼" X 14' (3.26 X 4.27 m) Date: 1784–85 Source/ Museum: Musée du Louvre, Paris Oath of the Horatii, Jacques-Louis David, oil on canvas, 11’ x 14’, Louvre, 1785 Exemplum virtuitis.. What story does this show? Neoclassical drapery and tripartite composition, David was sympathizer with human rights, and did not want education by the Church

Death of Marat, J. Louis David 1793, oil on canvas 5’5” x 4’2” What event does this painting show? What influences/echoes are there from Michelangelo and Caravaggio? flashcard Artist: Jacques-Louis David Title: Death of Marat Medium: Oil on canvas Size: 5'5" X 4'2½" (1.65 X 1.28 m) Date: 1793 Source/ Museum: Musées Royaux des Beaux-Arts de Belgique, Brussels

Artist: Richard Boyle (Lord Burlington) Title: Chiswick House Medium: n/a Size: n/a Date: 1724–29 Interior decoration (1726–29) and new gardens (1730–40) by William Kent Source/ Museum: West London, England Richard Boyle, Chiswick House. Gardens designed by landscape architect William Kent, west London 1724-40

Artist: Thomas Jefferson Title: Monticello Medium: n/a Size: n/a Date: 1769–82, 1796–1809 Source/ Museum: Charlottesville, Virginia