1 Portrait of Georges de Scudéry (1667), from Collection Michel Hennin, Estampes relatives à l’Histoire de France, 4439 (Bibliothèque Nationale de France,

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1 Portrait of Georges de Scudéry (1667), from Collection Michel Hennin, Estampes relatives à l’Histoire de France, 4439 (Bibliothèque Nationale de France, département Estampes et photographie, RESERVE FOL-QB-201 (48)) From: Pomey rewrites Scudéry: the novel source for Pomey’s rhetorical sarabande description Early Music. 2015;43(3):383-395. doi:10.1093/em/cav048 Early Music | © The Author 2015. Published by Oxford University Press. All rights reserved.

2 Title-page of Almahide, ou l’esclave reine, second partie (Paris, 1661) (Paris, Bibliothèque Nationale de France) From: Pomey rewrites Scudéry: the novel source for Pomey’s rhetorical sarabande description Early Music. 2015;43(3):383-395. doi:10.1093/em/cav048 Early Music | © The Author 2015. Published by Oxford University Press. All rights reserved.

3 Venus and Cupid with the arms and device of Mademoiselle de Montpensier, frontispiece for Almahide, ou l’esclave reine, second partie (Paris, 1661) engraved by François Chauveau (Paris, Bibliothèque Nationale de France) From: Pomey rewrites Scudéry: the novel source for Pomey’s rhetorical sarabande description Early Music. 2015;43(3):383-395. doi:10.1093/em/cav048 Early Music | © The Author 2015. Published by Oxford University Press. All rights reserved.