Furniture Styles F&ID

Colonial Period First Colonies- Jamestown & Plymouth Jacobean Style- after King James I Heavy rectangular with geometric or floral carvings Spiral twisted legs

Colonial Period Windsor Chair 1650-1700 homes - sparsely furnished economic resources were limited Influence of Jacobean simple handcrafted furniture, not very ornate had to be very functional. oak, maple, beech, ash and hickory chest - most important piece of furniture (no closet) Characteristics: simple, crude, legs have knobs. Windsor Chair

Chair Table Trestle Table- Large back protected from drafts Tipped forward made into table Trestle Table- Long rectangular, could be removed and moved easily

Trundle Bed- Lower bed slides under upper bed

1680-1720 – William and Mary Highboy prosperity of the colonists comes through in this furniture French and Italian influence Asian influence Characteristics: much lighter scale that Jacobean more refined carvings/trims than country colonial knobs on legs are more refined seats are often woven of rushes Upholsters-velvets and silks were used brass handles instead of wooden knobs Veneer or then layer of fine wood was used as an outer finish Highboy

Gateleg Table- table with legs on both sides, swing out to support table

Georgian Style

1720 – 1770 Queen Anne Queen Anne style was influenced by the orient depended on the “S” curve rather than straight lines the curves are gentle and flowing furniture is slender definite feminine influence formal and elegant or more informal and simple black lacquer, a glossy finish was introduced cherry wood also popular Characteristics/Examples: Cabriole leg: looks like a very gentle “S” curve with a swelling on the upper part and tapered inward right above the pad or club foot Shell Carvings Wing Chair: upholstered with side units or wings to protect person from drafts

Fiddleback Queen Anne Fiddleback side chair: the most popular piece, fiddle slat back, wide seat, often armless to accommodate ladies wide skirts (hoopskirts)

Wing Chair Wing Chair: upholstered with side units or wings to protect person from drafts

Chippendale 1750-1790 Chippendale Thomas Chippendale, published book of furniture styles French, Queen Anne and Oriental influences both straight and curved lines, large scale, sturdy and elegant introduction of Chippendale marks beginning of the late Georgian period mahogany wood used almost exclusively similar to the Queen Anne style only more masculine Characteristics/Examples: Claw and ball foot : on a cabriole leg, legs could also resemble several bamboo shoots bound together Marborough leg: straight leg with Chinese influence Cupboards/cabinets: had paneled and latticed glass doors, topped with a carved broken curved pediment and center decorative knob Ornate hardware: butterfly and ring hardware

Camelback Characteristics/Examples: Claw and ball foot : on a cabriole leg, legs could also resemble several bamboo shoots bound together Marborough leg: straight leg with Chinese influence Cupboards/cabinets: had paneled and latticed glass doors, topped with a carved broken curved pediment and center decorative knob Ornate hardware: butterfly and ring hardware Camelback

POST COLONIAL- Federal Style

Hepplewhite 1790 – 1820 Hepplewhite bridge between Chippendale and Neoclassic (Greece & Rome influence) Characteristics: most noticeable feature is the chair back in the form of shields, hearts, and ovals straight and either tapered or square leg, terminates with or without a spade foot bellflower and eagle motifs, carved from wood and set in enlayed brass ring hardware, drawer pulls were common

Sheraton 1790-1820 Sheraton dominance of straight lines, simple, and graceful classical motifs used – urn, swags, scrolls, pendants, flowers, and ovals Characteristics: rectangular/square chair backs leg is straight and tapered, sometimes leg was Reeded – vertical lines carved into the wood foot usually terminates into a thimble foot sofas have a carved wood railing across the back armrests extended straight above the leg

EMPIRE After Napoleon Elaborate & dramatic Copy of ancient Egypt

Duncan Phyfe 1810 – 1830 (late federal) Duncan Phyfe Duncan Phyfe was a famous cabinet maker from New York Phyfe’s furniture falls into two periods - - Federal or Neoclassical and Empire (the next period) His furniture during the Federal period is considered to be his best. His later furniture in the Empire period was much more heavy, massive, masculine and had lower quality workmanship as did all Empire furniture generally. Characteristics: animal paw foot, sometimes brass simple, clean lines restraint in ornamentation used motifs included lyre, palm leaves, laurel, holly, lions head, wheat reeding the seat and back are carved in one piece and a slip in slat in seating lower backs rolled over top rail sofa looks like a sleigh most popular legs on tables include a console or simple pedestal supported on sprayed legs.

Duncan Phyfe Lyre- musical instrument

Shaker Furniture Created by Religious group that settled in New England Plain, simple Based on utility not ornamentation

VICTORIAN PERIOD 1840-1900 Advances in technology with Industrial Revolution- mass produced Very ornate & heavy looking Rosewood, tropical wood became very popular redish brown grain Marble, iron, & brass

1890-1910 Art Nouveau Tiffany Stained Glass, Victorian influence, short lived, curved

Modern Period International Abandoned wood-chrome, manufactured material After roaring 20’s, people began to spend more time and money outside of the home, entertainment boom Bauhaus Chair 1929

1930’s Art Deco Fun, Glamourous, for entertaining Mass production begins

1940s and 50s Made for human form Fun, bright colors

1970s and 80s Venturi- bent plywood Green and yellow

1900’s and 2000s Continued modernization Similar furniture styles, just changes in color schemes Inexpensive and replaceable, not build to really last