TODAY’S CHANGING ORGANIZATIONAL AND OPERATIONAL MODELS

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Presentation transcript:

TODAY’S CHANGING ORGANIZATIONAL AND OPERATIONAL MODELS FOR IN-HOUSE CREATIVE TEAMS ANDRE PAQUIN May 19, 2010 The Creative Group New York

Agenda – meeting format and rules Multiple meetings – 1 topic Multiple idea sharing Posted online by the weekend Introductions and review of meeting event format The Creative Group What is InSource? Point of view presentation Break Roundtable discussions Summary of key ideas Wrap up Networking 2

The Creative Group overview

What is InSource?

What is InSource? Who We Are InSource provides THE network for collectively sharing professional experiences, knowledge and best practices that help empower all inhouse creative leaders to run their business most effectively. Point-of-Difference Leadership focus – that’s what makes us different from other “inhouse” oriented organizations. Our primary audience is comprised of those individuals who run inhouse creative organizations for their employers. We provide support, professional development, resources and advocacy for those in leadership positions and who aspire to move into leadership positions.

What is InSource?

Models – Organizational and operational They way we do business has changed. How do those changes impact us? The resources we have to meet the needs of our internal clients The design of our organization The make-up of our organization How it used to be What are the alternatives today? – Completely in-house – Completely external (agency/outsource) – Hybrid – Other? 7 7

Corporate Model Organization’s goals and objectives The pillars – HR – Finance – Manufacturing – Marketing – Sales Where does creative fit? How does creative fit? – Support (consultative versus art department) – Product development and innovation Models for management – Distributed – Centralized Define value add first Define department objectives – transactions filled by order takers – Proactive solutions providers contributing strategies to bigger picture issues 8 8

Changing creative business models – defining value The value that creative and production teams provide is typically defined and measured in terms of time, cost, quality and occasionally other influencing factors. Value Relationship Triangle Choose any 2 Quality Time Cost Quality – creativity, expertise, meets business objectives, error-free, on-brand Cost – competitive for market/types of service Time – responsiveness and turn-around time 9

Value proposition – Model 1: Inhouse only value criteria benefits challenges quality organizational stewardship – aligned with client business goals and company priorities consistent experience - central point of contact leverage knowledge across teams and company brand integrity - across all businesses and media corporate culture engrained perception problems - in-house group: not as creative, expensive, takes too long talent pool can be limited fresh ideas - long-term staff can lose freshness and/or proficiency as trends, techniques and tools change cost lower hourly costs than outside resources fiscal responsibility – focused on saving the company money financial transparency - time accountability and line-item documentation focus on billing and staff utilization rather than value add technology and facilities charges and infrastructure time can spend fewer hours per project than external resources efficiency - able to share knowledge, ideas, assets and resources longer cycle times due to fixed capacity fixed full-time staff limits flexibility if work- load or work type mix changes other integrated processes, project management and technology inside firewall reducing issues with IT processes and file sharing convenience – face-time and accessibility 10

Value proposition – Model 2: External resources only value criteria benefits challenges quality attract higher level of talent than in-house teams have access to specialized talent if needed have resources and capacity to develop more creative solutions advisory/strategic must compete based on quality strong internal management is required to keep external resource arrangement effective lack institutional stewardship and understanding of client/company priorities do what clients want even if it’s not brand compliant cost willing to negotiate pricing for volume of work typically have higher hourly rates than in- house groups separate interests - independent businesses not always concerned with looking for cheapest options time flexibility/scalability - can add staff or different skill sets as needed cycle-time – more resources and capacity to work on projects immediately typically take more time on projects than in- house groups (not driven by efficiency) other many external resources meet diversity requirements all use separate processes, project management systems and technology technology - file transfer and network security can add complexity/cost confidentiality concern on sensitive materials 11

Value proposition – Model 3: Hybrid value criteria benefits challenges quality organizational stewardship and aligned priorities consistent experience - central point of contact leverage knowledge across teams and company brand integrity - across all businesses and media access to specialized talent if needed resources and capacity to develop more creative solutions focused on solutions strong internal management is required to keep external resource arrangements effective consistent structure, processes and technology cost able to evaluate and use most cost effective resources appropriate for situation fiscal responsibility - in-house team focused on saving company money focused on efficiency, productivity, value requires rigorous financial management of internal and external resources time flexibility/scalability - can add resources or different skill sets as needed cycle-time – more resources and capacity to work on projects immediately managing relationships with a greater number of internal and external partners adds complexity and may be time- consuming other integrated processes, project management and technology inside firewall reducing issues with IT processes and file sharing convenience – face-time and accessibility 12

Value proposition – Benefits comparison Inhouse External Resources Hybrid Organizational stewardship 3 Brand integrity and advocacy Aligned business priorities Leveraged knowledge/systems Top talent Scalability Access to specialized resources Perceived as advisory/strategic Cost conscious/fiscal responsibility Financial transparency Productivity – efficient hours per project Cycle-time Convenience/accessibility Confidentiality Challenges Inhouse External Resources Hybrid Infrastructure investment 8 Technology barriers Additional management 13

Responsibilities – Organizational and operational Determine level of service you want to provide Integration – Creative Services have become a central hub Participation in agency selection and management Other? 14

Responsibilities – Level of service Organizational maturity levels – inhouse creative/production Business builders Drives company priorities - leads development of brand, products and new business opportunities 5 Serves as primary counsel to executive team and clients in developing business initiatives Innovators 4 Serves as expert - develops integrated solutions to best support business priorities Strategists 3 Measures effectiveness & adds value through best practices Advisors 2 Provides tactical services at request of business 1 Service providers 15

Operations and Relationship Management Responsibilities – Integration Social Media Content Operations and Relationship Management Web/ Interactive Client Creative Market Research 16

Responsibilities – Financial management model pros requirements cons corporate pays no direct charge-backs to business units easy/quick to establish appropriate for newly established creative teams w/o usage data perception of “free resource” drives usage no ability to add when needed resources no cost accountability to business no link between cost of projects and business value (metrics) allocation by projected usage annual creative team budget allocated to business units based on projected creative usage - no cost reconciliation by job some cost accountability to business units appropriate in environments w/o infrastructure for billing/budget transfer accurate planning and resource projections revisit cost allocations mid-year no cost accountability to project owners no link between cost of projects and business value chargeback by project creative team charges back to business units actual cost of each project – with accountability to upfront estimate full cost accountability to project owners/business units directly links cost of project to business value up-front approval of cost supports utilization of flex/specialized resources accurate estimate and billing processes on-going budget tracking training and communication on estimate approval requirements greater administrative burden perception that creative “costs too much” self-sustaining organization creative team charges back to each business unit the actual cost of resources (as above) PLUS a mark-up - to cover infrastructure reinvestment same as above supports reinvestment/optimization of equipment, technology financial leadership 17

Roles – Organizational and operational Traditional roles and creative team structure – business is changing New creative roles – because business has changed Relationship management – across functional areas Operational management – staff chemistry and effectiveness Other? 18

Roles – Traditional roles and team structure “Typical” agency structure oftentimes similar to outside firms Account Services Media Buying and Planning – traditional and online Creative Services Creative/Art direction Design Art Production Copywriting Print Production Traffic

Roles – New creative roles Creative innovations Online strategy Social media Content User experience Relationship management Creative operations Other? 20

Role – Relationship management - Proactively consult with clients on their business and communication objectives Provide options, planning tools and examples of potential solutions Understand strengths of inhouse team and all external resources Act as subject matter expert on brand Communicate often about creative offerings, what’s new, and how it’s valuable to them Provide continuity across creative services Educate requestors on options - ways to execute, timing, costs, trade-offs, etc. Educate requestors on how to work with inhouse team and external resources Educate external resources on how to work with inhouse creative and clients Facilitate strategic project initiation with inhouse or external resources (including brief development) Facilitate meetings to reach actionable outcome 21

Roles – Operational management Building strong relationships, raising company-wide awareness of creative team role and offerings Staff planning, hiring and management Vetting, selection and on-boarding of external resources Process planning and management Selection, implementation and management of supporting technology Budgeting and financial management Metrics and reporting, department and project level Training Proactively engaging clients in planning Advising clients on best options Understanding strengths of the inhouse team and external partners; and directing projects to the best resources Managing interactions between clients and inhouse or external agencies 22

Break Take 15 minutes

Roundtable discussions Groups of 5 – share your story

Summary of ideas Let’s recap and collect all your great ideas

Wrap-up Drinks, networking and continued discussions Notes online Email with links to notes from all meetings