II Acoustic Reality II.3 (W Sept 13) Fourier.

Slides:



Advertisements
Similar presentations
Sound Synthesis Part II: Oscillators, Additive Synthesis & Modulation.
Advertisements

The Physics of Sound Sound begins with a vibration of an object Vibrating object transfers energy to air medium All complex vibration patterns seen as.
What makes a musical sound? Pitch n Hz * 2 = n + an octave n Hz * ( …) = n + a semitone The 12-note equal-tempered chromatic scale is customary,
Harmonic Series and Spectrograms 220 Hz (A3) Why do they sound different? Instrument 1 Instrument 2Sine Wave.
1 Two waves passing through the same region will superimpose - e.g. the displacements simply add Two pulses travelling in opposite directions will pass.
Chapter 13 – Sinusoidal Alternating Waveforms Lecture 13 by Moeen Ghiyas 05/05/
Reflections Diffraction Diffusion Sound Observations Report AUD202 Audio and Acoustics Theory.
Chapter 7 Principles of Analog Synthesis and Voltage Control Contents Understanding Musical Sound Electronic Sound Generation Voltage Control Fundamentals.
Pressure waves in open pipe Pressure waves in pipe closed at one end.
Ira Fulton School of Engineering Intro to Sinusoids What is a sinusoid? » Mathematical equation : Function of the time variable : Amplitude : Frequency.
PH 105 Dr. Cecilia Vogel Lecture 13. OUTLINE  Timbre and graphs:  Time graph  Spectrum graph  Spectrogram  Envelope  scales  units  interval factors.
Music Processing Roger B. Dannenberg. Overview  Music Representation  MIDI and Synthesizers  Synthesis Techniques  Music Understanding.
Fourier Analysis D. Gordon E. Robertson, PhD, FCSB School of Human Kinetics University of Ottawa.
Waveform and Spectrum A visual Fourier Analysis. String with fixed ends.
Square wave Fourier Analysis + + = Adding sines with multiple frequencies we can reproduce ANY shape.
Calcul mental. Calcul n°1 2 x 7 = Calcul n°2 3x 7 =
The Spectrum Jean Baptiste Fourier ( ) discovered a fundamental tenet of wave theory All periodic waves are composed of a series of sinusoidal.
The Spectrum n Jean Baptiste Fourier ( ) discovered a fundamental tenet of wave theory n All periodic waves are composed of a series of sinusoidal.
Human Psychoacoustics shows ‘tuning’ for frequencies of speech If a tree falls in the forest and no one is there to hear it, will it make a sound?
The Frequency Domain Sinusoidal tidal waves Copy of Katsushika Hokusai The Great Wave off Kanagawa at
Phantom to test MUGA software Bill Thomson, Joe O’Brien Nigel Williams.
FM Demodulation Dr. Ali Muqaibel.
ACOUSTICS AND THE ELEMENTS OF MUSIC Is your name and today’s date at the top of the worksheet now?
Harmonic Series and Spectrograms
Physics 1251 The Science and Technology of Musical Sound Unit 4 Session 37 MWF Synthesizers Unit 4 Session 37 MWF Synthesizers.
Modulation. Definition One signal (carrier) varies according to the changes in another signal (modulator) Either amplitude modulation (AM) or frequency.
Wave Motion. Wave Types Longitudinal –Motion parallel to energy transport Transverse –Motion perpendicular to energy transport.
Resonance Chapter 4. Concert Talk Resonance: definition When a vibrating system is driven by a force at a frequency near the natural frequency of the.
CH. 21 Musical Sounds. Musical Tones have three main characteristics 1)Pitch 2) Loudness 3)Quality.
1© Manhattan Press (H.K.) Ltd Stationary waves in an open pipe.
Lab 11: Standing Waves Only 1 more to go!! Wave: something that results from a disturbance and then travels away from that disturbance Example: Tossing.
Fundamentals of Musical Acoustics. What is sound? air pressure time.
Physics 1251 The Science and Technology of Musical Sound Unit 1 Session 7 Good Vibrations Unit 1 Session 7 Good Vibrations.
Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology IIIDigital Audio III.2 (M Oct 12) Finite Fourier Theory.
12/2/2015 Fourier Series - Supplemental Notes A Fourier series is a sum of sine and cosine harmonic functions that approximates a repetitive (periodic)
Digital modulation techniques. Modulations systems.
Sinusoid Seventeenth Meeting. Sine Wave: Amplitude The amplitude is the maximum displacement of the sine wave from its mean (average) position. Simulation.
Harmonic Series and Spectrograms BY JORDAN KEARNS (W&L ‘14) & JON ERICKSON (STILL HERE )
CS434/534: Mobile Computing and Wireless Networks Y. Richard Yang 08/30/2012.
Closed Pipe Pipe closed at ONE end: closed end pressure antinode air press. L = /4 L.
Periodic signals To search a time series of data for a sinusoidal oscillation of unknown frequency  : “Fold” data on trial period P  Fit a function.
9 th Grade Science Chapter 12c.  Definition: ◦ Sounds used in regular pattern that is pleasing to hear  Every musical instrument has: ◦ Natural frequency:
The Spectrum n Jean Baptiste Fourier ( ) discovered a fundamental tenet of wave theory.
Guerino Mazzola (Fall 2015 © ): Honors Seminar II.1Physical Reality II.1.1 (F Sept 11) Sound Anatomy.
Basic Acoustics. Sound – your ears’ response to vibrations in the air. Sound waves are three dimensional traveling in all directions. Think of dropping.
Intro to Fourier Series BY JORDAN KEARNS (W&L ‘14) & JON ERICKSON (STILL HERE )
MEASUREMENTS IN FREQUENCY DOMAIN: GENERAL ASPECTS.
Synthesizing a Clarinet Nicole Bennett. Overview  Frequency modulation  Using FM to model instrument signals  Generating envelopes  Producing a clarinet.
SOUND
Mayda M. Velasco Winter Classical Mechanics: Lecture #20.
III Digital Audio III.2 (M Oct 02) Finite Fourier Theory.
II.1 Physical Reality II.1.1 (F Sept 08) Sound Anatomy.
II Acoustic Reality II.4 (F Sept 22) FM, Wavelets, and Physical Modeling.
Fourier’s Theorem.
Electromagnetic Wave.
HNC/D Engineering Science
II Acoustic Reality II.4 (F Sept 21) FM, Wavelets, and Physical Modeling.
Intro to Fourier Series
Net 222: Communications and networks fundamentals (Practical Part)
Developing a Versatile Audio Synthesizer TJHSST Computer Systems Lab
Lab 6: Sound Analysis Fourier Synthesis Fourier Analysis
III Digital Audio III.8 (Wed Oct 24) Filters and EQ (= Equalizing)
III Digital Audio III.2 (F Oct 05) Finite Fourier Theory.
Sinusoidal Functions.
Lecture 8: PM Modulation 1st semester By: Elham Sunbu.
Lecture 6: FM Modulation 1st semester By: Elham Sunbu.
Lecture 10: Fourier Analysis of Periodic Signals
Graphs of Sine and Cosine: Sinusoids
Graphs of Sine and Cosine Sinusoids
Complex Waveforms HNC/D Engineering.
Presentation transcript:

II Acoustic Reality II.3 (W Sept 13) Fourier

Sound anatomy Classical Joseph Fourier (partials/overtones) ~ 1800 Frequency Modulation (FM) John Chowning ~ 1970 Wavelets (Jean Morlet et al.) ~ 1984 Physical Modeling (Claude Cadoz et al.) ~ 1989

Sound anatomy Classical Joseph Fourier (partials/overtones) ~ 1800 Frequency Modulation (FM) John Chowning ~ 1970 Wavelets (Jean Morlet et al.) ~ 1984 Physical Modeling (Claude Cadoz et al.) ~ 1989

Sound anatomy A sound „laaaa“ time envelope wave

+ = Sound anatomy envelope H wave w shift and squeeze w. H support amplitude A duration d onset e

w(t) = A0 + ∑n≥1 An sin(2.nft+Phn) Sound anatomy Classical Joseph Fourier (partials/overtones) ~ 1800 wave w every periodic function!!! 2nd partial = 2nd overtone amplitude length of arrow fundamental = 1st partial = 1st overtone w(t) = A0 + A1 sin(2.ft+Ph1) + A2 sin(2.2ft+Ph2) + A3 sin(2.3ft+Ph3) +... phase (angle) w(t) = A0 + ∑n≥1 An sin(2.nft+Phn) Simplicity of sinusoidal waves?

w(t) = A0 + A1 sin(2. ft+Ph1) + A2 sin(2. 2ft+P2) + A3 sin(2 w(t) = A0 + A1 sin(2.ft+Ph1) + A2 sin(2.2ft+P2) + A3 sin(2.3ft+Ph3) +A4 sin(2.4ft+Ph4) Spin.nb

Sound anatomy: remarks on Fourier and realities mental reality physical sender message receiver synthesis analysis construction decomposition

ADSR envelope model Sound anatomy Some explicit examples calculated via Mathematica SW SawFourier.nb peak onset +Attack ADSR envelope model onset +attack +Decay Sustain onset +Attack + decay + sustain onset onset +Attack + decay + sustain + Release

Sound anatomy Chronospectrum of a trumpet