Art Since 1945 Post-War Expressionism

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Presentation transcript:

Art Since 1945 Post-War Expressionism Representational vs. Abstract Art Abstract Expressionism Post-Painterly Abstraction Minimalism Pop Art Photorealism Feminist Art Social / Political Concerns

ALBERTO GIACOMETTI, Man Pointing, (no. 5 of 6), 1947 ALBERTO GIACOMETTI, Man Pointing, (no. 5 of 6), 1947. Bronze, 5’ 10” x 3’ 1” x 1’ 5 5/8”. Des Moines Art Center, Des Moines

FRANCIS BACON, Painting, 1946 FRANCIS BACON, Painting, 1946. Oil and pastel on linen, 6’ 5 7/8” x 4’ 4”. Museum of Modern Art, New York.

Andrew Wyeth, Christina’s World, 1948, MoMA, NY, 32”x48”

JEAN DUBUFFET, Vie Inquiète (Uneasy Life), 1953 JEAN DUBUFFET, Vie Inquiète (Uneasy Life), 1953. Oil on canvas, 4’ 3” x 6’ 4”. Tate Gall., London.

JACKSON POLLOCK, Number 1, 1950 (Lavender Mist), 1950 JACKSON POLLOCK, Number 1, 1950 (Lavender Mist), 1950. Oil, enamel, and aluminum paint on canvas, 7’ 3” x 9’ 10”. National Gallery of Art, Washington, D.C.

Hans Namuth, Jackson Pollock painting in his studio in Springs, Long Island,New York, 1950. Center for Creative Photography, University of Arizona, Tucson.

WILLEM DE KOONING, Woman I, 1950–1952 WILLEM DE KOONING, Woman I, 1950–1952. Oil on canvas, 6’ 3 7/8” x 4’ 10”. Museum of Modern Art, New York.

BARNETT NEWMAN, Vir Heroicus Sublimis, 1950–1951 BARNETT NEWMAN, Vir Heroicus Sublimis, 1950–1951. Oil on canvas, 7’ 11 3/8” x 17’ 9 1/4”. Museum of Modern Art, New York (gift of Mr. and Mrs. Ben Heller).

MARK ROTHKO, No. 14, 1961 Oil on canvas, 9’ 6” x 8’ 9” MARK ROTHKO, No. 14, 1961 Oil on canvas, 9’ 6” x 8’ 9”. San Francisco Museum of Modern Art

ELLSWORTH KELLY, Red Blue Green, 1963 ELLSWORTH KELLY, Red Blue Green, 1963. Oil on canvas, 6’ 11 5/8” x 11’ 3 7/8”. Museum of Contemporary Art, San Diego

FRANK STELLA, Mas o Menos (More or Less), 1964 FRANK STELLA, Mas o Menos (More or Less), 1964. Metallic powder in acrylic emulsion on canvas, 9’10” x13’8 1/2”. Musée National d’Art Moderne, Centre Georges Pompidou, Paris

HELEN FRANKENTHALER, The Bay, 1963 HELEN FRANKENTHALER, The Bay, 1963. Acrylic on canvas, 6’ 8 7/8” x 6’ 9 7/8”. Detroit Institute of Arts, Detroit.

MORRIS LOUIS, Saraband, 1959. Acrylic resin on canvas, 8’ 5 1/8” x 12’ 5”. Solomon R. Guggenheim Museum, New York.

David Smith, Cubi XIX, 1964. Stainless steel, 9’ 4 ¾” X 4’ 10 ¼” X 3’ 4”. Tate Gallery, London

TONY SMITH, Die, 1962. Steel, 6’ x 6’ x 6’ TONY SMITH, Die, 1962. Steel, 6’ x 6’ x 6’. Museum of Modern Art, New York

DONALD JUDD, Untitled, 1969. Brass and colored fluorescent Plexiglass on steel brackets, 10 units, 6 1/8” x 2’ x 2’ 3” each, with 6” intervals. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

LOUISE NEVELSON, Tropical Garden II, 1957–1959 LOUISE NEVELSON, Tropical Garden II, 1957–1959. Wood painted black, 5’ 11 1/2” x 10’ 11 3/4” x 1’. Musée National d’Art Moderne, Centre Georges Pompidou, Paris.

RICHARD HAMILTON, Just What Is It That Makes Today’s Homes So Different, So Appealing?, 1956. Collage, 10 1/4” x 9 3/4”. Kunsthalle Tübingen, Germany.

JASPER JOHNS, Flag, 1954–1955, dated on reverse 1954 JASPER JOHNS, Flag, 1954–1955, dated on reverse 1954. Encaustic, oil, and collage on fabric mounted on plywood, 3’ 6 1/4” x 5’ 5/8”. Museum of Modern Art, New York

ROBERT RAUSCHENBERG, Canyon, 1959 ROBERT RAUSCHENBERG, Canyon, 1959. Oil, pencil, paper, fabric, metal, cardboard box, printed paper, printed reproductions, photograph, wood, paint tube, and mirror on canvas, with oil on bald eagle, string, and pillow, 6’ 9 3/4” x 5’ 10” x 2’. Sonnabend Collection

Rembrandt, Ganymede, 1635, Dresden

ROY LICHTENSTEIN, Hopeless, 1963. Oil on canvas, 3’ 8” x 3’ 8” ROY LICHTENSTEIN, Hopeless, 1963. Oil on canvas, 3’ 8” x 3’ 8”. Kunstmuseum, Basel..

ANDY WARHOL, Green Coca-Cola Bottles, 1962 ANDY WARHOL, Green Coca-Cola Bottles, 1962. Oil on canvas, 6’ 10 1/2” x 4’ 9”. Collection of Whitney Museum of American Art, New York.

ANDY WARHOL, Marilyn Diptych, 1962 ANDY WARHOL, Marilyn Diptych, 1962. Oil, acrylic, and silk-screen enamel on canvas, each panel 6’8” x4’9”. Tate Gallery, London.

Wayne Thiebaud, Cakes, 1963, Washington NG, 5’x6’

Wayne Thiebaud, Girl with Ice Cream, 1963, Hirschhorn Mus. Wash., D.C., 4’x3’

Tom Wesselmann, Bed Room #2, 1968, Kemper Gallery, Wash. U Tom Wesselmann, Bed Room #2, 1968, Kemper Gallery, Wash. U., St Louis, 4’x7’

CLAES OLDENBURG, various works exhibited at the Green Gallery, New York, 1962.

Claes Oldenberg, Flour Cake, 1962 5’x4’x9’

George Segal, Bus Passengers, 1962, Hirschhorn Mus. Washington, D.C. Life size

CHUCK CLOSE, Big Self-Portrait, 1967–1968 CHUCK CLOSE, Big Self-Portrait, 1967–1968. Acrylic on canvas, 8’ 11” x 6’ 11” Walker Art Center, Minneapolis

DUANE HANSON, Supermarket Shopper, 1970 DUANE HANSON, Supermarket Shopper, 1970. Polyester resin and fiberglass polychromed in oil, with clothing, steel cart, and groceries, life-size. Nachfolgeinstitut, Neue Galerie, Sammlung Ludwig, Aachen

JUDY CHICAGO, The Dinner Party, 1979 JUDY CHICAGO, The Dinner Party, 1979. Multimedia, including ceramics and stitchery, 48’ x 48’ x 48’. Brooklyn Museum, Brooklyn.

Artist: Judy Chicago Title: Mary Wollstonecraft Medium: n/a Size: n/a Date: n/a Source/Museum: Place setting, detail of The Dinner Party

ANA MENDIETA, Flowers on Body, 1973 ANA MENDIETA, Flowers on Body, 1973. Color photograph of earth/body work with flowers, executed at El Yaagul, Oaxaca, Mexico

HANNAH WILKE, S. O. S. --- Starification Object Series, 1974 HANNAH WILKE, S.O.S.--- Starification Object Series, 1974. Ten black-and-white photographs with 15 chewing-gum sculptures in Plexiglas cases mounted on ragboard, from a series originally made for S.O.S. Mastication Box and used in an exhibition-performance at the Clocktower, January 1, 1975, 3’ 5” X 5’ 8”. Courtesy Ron Feldman Fine Arts, New York

CINDY SHERMAN, Untitled Film Still #35, 1979 CINDY SHERMAN, Untitled Film Still #35, 1979. Gelatinsilverprint, 10” x 8”. Private collection.

GUERRILLA GIRLS, The Advantages of Being A Woman Artist, 1988 GUERRILLA GIRLS, The Advantages of Being A Woman Artist, 1988. Offset print, 17”x22”. Collection of the artists.

KIKI SMITH, Untitled, 1990. Beeswax and microcrystalline wax figures on metal stands, female figure installed height 6’ 1 1/2”; male figure installed height 6’ 4 15/16”. Collection Whitney Museum of American Art, New York

MELVIN EDWARDS, Tambo, 1993. Welded steel, 2' 4 1/8" x 2' 1 1/4" MELVIN EDWARDS, Tambo, 1993.Welded steel, 2' 4 1/8" x 2' 1 1/4". Smithsonian American Art Museum,Washington, D.C.