Music of the Caribbean ·The music of the Caribbean is a diverse grouping of musical genres. ·They are each syntheses of African , European, Indian and native influences, created by the descendants of African slaves. ·Some of the styles to gain wide popularity outside of the Caribbean include reggae, zouk, salsa, calypso, and punta. Caribbean, Central American and South American music.

·Hip hop - Reggae sub-genre Colombia ·Cumbia ·Porro ·Salsa ·Champeta ·Vallenato ·Tropipop ·Mapalé ·Hip hop - Reggae sub-genre Cumbia is a Latin American musical style that originated in Colombia's Caribbean coastal region. Traditional cumbia and its associated dance is considered to be representative of Colombia , along with Vallenato, Bambuco and Pasillo. The basic rhythm structure is 4/4. Due to its origins, both African and new world natives influences can be felt in cumbia. Most of the percussion instruments of traditional Cumbia have been replaced by the more versatile conga, claves, and timbales. Cumbia drums were of African origin. Claves percussion instruments are a pair of hard thick sticks and usually set the beat throughout the song. Instruments of European origin used in cumbia today include the guitar, the mejoranera, and the violin, the accordion, the bass guitar, and the modern flute. Salsa music is a genre of music, generally defined as a modern style of playing Cuban Son , Son Montuno, and Guaracha with touches from other genres of music. Originally, Salsa was not a rhythm in its own right, but a name given in the 1970s to various Cuban-derived genres, such as Son, Mambo and Son Montuno.

claves African 4/4 modern clarinet modern flute Australian 3/4 Cumbia is a Latin American musical style that originated in Colombia's Caribbean coastal region. Traditional cumbia and its associated dance is considered to be representative of Colombia , along with Vallenato, Bambuco and Pasillo. The basic rhythm structure is 4/4. Due to its origins, both African and new world natives influences can be felt in cumbia. Most of the percussion instruments of traditional Cumbia have been replaced by the more versatile conga, claves, and timbales. Cumbia drums were of African origin. Claves percussion instruments are a pair of hard thick sticks and usually set the beat throughout the song. Instruments of European origin used in cumbia today include the guitar, the mejoranera, and the violin, the accordion, the bass guitar, and the modern flute. claves African 4/4 hard thick sticks accordion modern clarinet modern flute soft thin sticks Australian double bass 3/4 Salsa music is a genre of music, generally defined as a modern style of playing Cuban Son , Son Montuno, and Guaracha with touches from other genres of music. Originally, Salsa was not a rhythm in its own right, but a name given in the 1970s to various Cuban-derived genres, such as Son, Mambo and Son Montuno.

Answers 4/4 claves African modern flute modern clarinet Australian 3/4 Cumbia is a Latin American musical style that originated in Colombia's Caribbean coastal region. Traditional cumbia and its associated dance is considered to be representative of Colombia , along with Vallenato, Bambuco and Pasillo. The basic rhythm structure is 4/4. Due to its origins, both African and new world natives influences can be felt in cumbia. Most of the percussion instruments of traditional Cumbia have been replaced by the more versatile conga, claves, and timbales. Cumbia drums were of African origin. Claves percussion instruments are a pair of hard thick sticks and usually set the beat throughout the song. Instruments of European origin used in cumbia today include the guitar, the mejoranera, and the violin, the accordion, the bass guitar, and the modern flute. 4/4 claves African hard thick sticks accordion modern flute modern clarinet soft thin sticks Australian double bass 3/4 Salsa music is a genre of music, generally defined as a modern style of playing Cuban Son , Son Montuno, and Guaracha with touches from other genres of music. Originally, Salsa was not a rhythm in its own right, but a name given in the 1970s to various Cuban-derived genres, such as Son, Mambo and Son Montuno.

Salsa instrumentation The most important instrumentation in salsa is the percussion which is played by a wide variety of instruments, including claves, cowbells, timbales and conga. Apart from percussion, other core instruments are the trumpets , trombones, and bass guitar. Other melodic instruments are commonly used as accompaniment, such as a guitar, the piano, and many others, all depending on the performing artists. The tres guitar was used in a particular style of band known as a conjunto but that format is nearly extinct and it is indeed a rarity to find a band that uses a tres. Bands typically consist of up to a dozen people, one of whom serves as band leader, directing the music as it is played. Two to four players generally specialize in horns, while there are generally one or two choral singers and players of the bongo, conga, bass guitar, piano and timbales. The maracas, claves or güiro may also be played, typically by a vocalist. The bongocero (Bongo player) will usually switch to a kind of bell called a campana (or bongo bell) for the montuno section of a song. Horns are typically either two trumpets or four trumpets or, most commonly, two trumpets with at least one saxophone or trombone.

Salsa instrumentation The most important instrumentation in salsa is the percussion which is played by a wide variety of instruments, including claves, cowbells, timbales and conga. Apart from percussion, other core instruments are the trumpets , trombones, and bass guitar. Other melodic instruments are commonly used as accompaniment, such as a guitar, the piano, and many others, all depending on the performing artists. The tres guitar was used in a particular style of band known as a conjunto but that format is nearly extinct and it is indeed a rarity to find a band that uses a tres. Bands typically consist of up to a dozen people, one of whom serves as band leader, directing the music as it is played. Two to four players generally specialize in horns, while there are generally one or two choral singers and players of the bongo, conga, bass guitar, piano and timbales. The maracas, claves or güiro may also be played, typically by a vocalist. The bongocero (Bongo player) will usually switch to a kind of bell called a campana (or bongo bell) for the montuno section of a song. Horns are typically either two trumpets or four trumpets or, most commonly, two trumpets with at least one saxophone or trombone. percussion cowbells band leader choral singers Bongo player guitar dozen clarinets saxophone

Salsa instrumentation Answers Salsa instrumentation percussion The most important instrumentation in salsa is the percussion which is played by a wide variety of instruments, including claves, cowbells, timbales and conga. Apart from percussion, other core instruments are the trumpets , trombones, and bass guitar. Other melodic instruments are commonly used as accompaniment, such as a guitar, the piano, and many others, all depending on the performing artists. The tres guitar was used in a particular style of band known as a conjunto but that format is nearly extinct and it is indeed a rarity to find a band that uses a tres. Bands typically consist of up to a dozen people, one of whom serves as band leader, directing the music as it is played. Two to four players generally specialize in horns, while there are generally one or two choral singers and players of the bongo, conga, bass guitar, piano and timbales. The maracas, claves or güiro may also be played, typically by a vocalist. The bongocero (Bongo player) will usually switch to a kind of bell called a campana (or bongo bell) for the montuno section of a song. Horns are typically either two trumpets or four trumpets or, most commonly, two trumpets with at least one saxophone or trombone. cowbells guitar dozen band leader choral singers Bongo player saxophone clarinets

·Hip hop - Reggae sub-genre Colombia cont... ·Cumbia ·Porro ·Salsa ·Champeta ·Vallenato ·Tropipop ·Mapalé ·Hip hop - Reggae sub-genre The porro is a musical style and dance from the Caribbean region of Colombia . It is a Colombian Cumbia rhythm that developed into its own sub-genre. It was originally a folkloric expression from the Sinú River area that evolved into a ballroom dance. It is played mostly by brass bands or orchestras and danced in couples. At the beginning of the 1970s the Champeta culture became more visible at a national level in Colombia through a series of diverse and complex dances set to the rhythms of Caribbean music. This music was principally a mix of genres such as salsa and jíbaro but later included reggae. This music was played over large loudspeakers. Equipped with these sound systems they held dancce competitions and other events. Those dances were called "therapy" because of their ability to help people relax and free themselves from the economic problems of the country. Tropipop is a Music genre born in Colombia in the late 1990s and early 2000s. It is a blend of traditional musical forms of the Caribbean Region of Colombia, mainly Vallenato, with foreign latin genres such as Salsa and Merengue, and Pop and Pop rock. The term "tropipop" comes from the synthesis of the words "tropical" and "Pop music describing the genre's mix of Latin Tropical roots with American popular music. Mapalé is a Colombian and Ecuadorian dance.

A Colombian and Ecuadorian dance. Mapalé A Music genre born in Colombia in the late 1990s and early 2000s. It is a blend of traditional musical forms of the Caribbean Region of Colombia, mainly Vallenato, with foreign latin genres such as Salsa and Merengue, and Pop and Pop rock. The term "tropipop" comes from the synthesis of the words "tropical" and "Pop music describing the genre's mix of Latin Tropical roots with American popular music. Tropipop A musical style and dance from the Caribbean region of Colombia . It is a Colombian Cumbia rhythm that developed into its own sub-genre. It was originally a folkloric expression from the Sinú River area that evolved into a ballroom dance. It is played mostly by brass bands or orchestras and danced in couples. porro This music was principally a mix of genres such as salsa and jíbaro but later included reggae. This music was played over large loudspeakers. Equipped with these sound systems they held dancce competitions and other events. Those dances were called "therapy" because of their ability to help people relax and free themselves from the economic problems of the country. Champeta Champeta porro Tropipop Mapalé

Answers A Colombian and Ecuadorian dance. Mapalé A Music genre born in Colombia in the late 1990s and early 2000s. It is a blend of traditional musical forms of the Caribbean Region of Colombia, mainly Vallenato, with foreign latin genres such as Salsa and Merengue, and Pop and Pop rock. The term "tropipop" comes from the synthesis of the words "tropical" and "Pop music describing the genre's mix of Latin Tropical roots with American popular music. Tropipop A musical style and dance from the Caribbean region of Colombia . It is a Colombian Cumbia rhythm that developed into its own sub-genre. It was originally a folkloric expression from the Sinú River area that evolved into a ballroom dance. It is played mostly by brass bands or orchestras and danced in couples. porro This music was principally a mix of genres such as salsa and jíbaro but later included reggae. This music was played over large loudspeakers. Equipped with these sound systems they held dancce competitions and other events. Those dances were called "therapy" because of their ability to help people relax and free themselves from the economic problems of the country. Champeta Champeta porro Tropipop Mapalé