“the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, …[who] burn,

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Presentation transcript:

“the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, …[who] burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars.” -Jack Kerouac (On the Road) The Beat Generation

The Beats Bohemian The practice of an unconventional lifestyle Celebrated non-conformity and spontaneous creativity Focus on performance, which later inspired ‘Slam Poetry’ Drew a lot of inspiration from Romanticism Thoreau, Emerson, Whitman, Poe, Dickinson

Founders Allen Ginsberg (1926-1997) Jack Kerouac (1922-1969) Howl, America Mostly Poetry Opposed militarism, materialism and sexual repression Jack Kerouac (1922-1969) On the Road (1957) Buddhism, Catholic spirituality, jazz, drugs, sexuality and travel Wanted to write ‘the next Great American Novel’ William S. Burroughs (1917-1997) Naked Lunch (1959) Almost predicted future (AIDS, crack pandemic, liposuction) Semi-autobiographical work Former heroin addict, traveler, convicted of manslaughter (wife in 1951), depression Novels, novellas, short stories, essays

Scroll of On the Road Based on the travels of Kerouac and his friends across the USA Considered the defining work of Postwar Beat and Counterculture movements Typed out on a continuous reel of paper during three weeks in 1951 120 ft long, sheets he cut & taped together himself Typed single spaced, without margins or paragraphs

Gary Snyder The “Thoreau of the Beats” Rural background & wilderness experience Moved to Japan, Zen Buddhism Met in New York City, ended up in San Francisco in the mid-1950s Name was coined by Kerouac, dual meanings of both being “tired” or “beaten down” and “upbeat” “beatific” This was directly in response to a casual conversation about Fitzgerald and the Lost Generation of the American 1920s Largely middle-class, white, definitely a ‘boys club’ PNW (!!) Kerouac spent a bunch of time in the North Cascades The Dharama Bums On the Road Reed College (Portland, OR)

Important Places Columbia Greenwich Village San Francisco

Characteristics of the Beat Culture Rejection of received standards Innovations in style Use of illegal drugs Alternative sexualities An interest in examining religions A rejection of materialism Explicit portrayals of the human condition

Beatniks The name suggested that Beats were Used as a new stereotype Far out of the mainstream society Possibly pro-Communist Used as a new stereotype Man with a goatee and a beret reciting nonsensical poetry and playing bongo drums Became satirized and appeared in cartoons, movies, etc. Some original Beats embraced the beatniks stereotypes, though many criticized them as inauthentic poseurs Original hipsters? Later became Hippies

Legacy & Impacts The Obscenity Trials Spiritual liberation Lawrence Ferlinghetti arrested for distributing “Howl” in 1957 Spiritual liberation Sexual revolution (or liberation) Demystification and/or decriminalization of marijuana Evolution of rhythm and blues into rock and roll as a high art form (Bob Dylan, the Beatles, Janis Joplin, The Grateful Dead, The Rolling Stones, etc) Spread of ecological consciousness (Snyder) Opposition to the military-industrial machine civilization In the 1960s elements of the Beat movement where incorporated into the hippie and larger counterculture movements

Causalities of the Beats “Kerouac was a casualty too. And there were many other casualties that most people have never heard of, but were genuine casualties. Just as, in the 60s, when Allen and I for a period there were almost publicly recommending people to take acid. When I look back on that now I realize there were many casualties, responsibilities to bare.” – Gary Snyder Much of the drug use that the Beats advocated for spiraled from an emphasis on opening creative spaces into a recreational dependence that bordered on (or outright was) dangerous

“Follow your inner moonlight; don’t hide the madness” Allen Ginsberg https://www.youtube.com/watch?v=JiQQ0DljjJ4 “Follow your inner moonlight; don’t hide the madness”

I saw the best minds of my generation destroyed by      madness, starving hysterical naked, dragging themselves through the negro streets at      dawn looking for an angry fix, angelheaded hipsters burning for the ancient      heavenly connection to the starry dynamo in the      machinery of night . . .      —Allen Ginsberg, “Howl”

Ginsberg Background Spent a short period of time in a mental institution (Bellevue) after being accused of a crime (pled insanity, not guilt) Father – high school English teacher in New Jersey Mother – loyal communist, battled mental illness throughout her life, attempted suicides Gay, Jewish, no strongly-declared political affiliation (though definitely left-leaning)

“America” Written 1956, soon after the McCarthy Red Scare Somewhat rambling, stream-of-consciousness Political, and also personal

Discussion Questions Does this poem's focus on a past historical period, with all its historical references, make it less relevant to a modern audience? Is the speaker more hopeful about the prospects for America's future? Or more pessimistic? How can you tell? Based on his complaints and desires that we learn about in the poem, what, specifically, do you think the speaker plans on doing when he "[puts his] queer shoulder to the wheel”?

YOUR “AMERICA” You and a partner must create your own “America”, which comments on the state of our country as you see it now… You must decide: Are you hopeful? Mimic Ginsberg’s use of allusions Think current events! Get creative! Disclaimer: Profanity must be sparse and VERY intentional