Art since the 1950’s Social and Political Comment Art Modernist Architecture Postmodernist Architecture Deconstructivist Architecture Environmental Art Performance Art Conceptual Art New Media Art: Video, Computer, Mixed

CHRIS OFILI, Holy Virgin Mary, 1996 CHRIS OFILI, Holy Virgin Mary, 1996. Paper collage, oil paint, glitter, polyester resin, map pins, elephant dung on linen, 7’ 11” x 5’ 11 5/16”. The Saatchi Collection, London. 2 2

JAUNE QUICK-TO-SEE SMITH, Trade (Gifts for Trading Land with White People), 1992. Oil and mixed media on canvas, 5’ x 14’ 2”. Chrysler Museum of Art, Norfolk. 3 3

LEON GOLUB, Mercenaries IV, 1980. Acrylic on linen, 10’ x 19’ 2” LEON GOLUB, Mercenaries IV, 1980. Acrylic on linen, 10’ x 19’ 2”. Courtesy Ronald Feldman Fine Arts 4 4

MAGDALENA ABAKANOWICZ, 80 Backs, 1976–1980 MAGDALENA ABAKANOWICZ, 80 Backs, 1976–1980. Burlap and resin, each 2’3”high. Museum of Modern Art, Dallas. 5 5

JEFF KOONS, Pink Panther, 1988. Porcelain, 3’ 5” x 1’ 8 1/2” x 1’ 7” JEFF KOONS, Pink Panther, 1988. Porcelain, 3’ 5” x 1’ 8 1/2” x 1’ 7”. Museum of Contemporary Art, Chicago 6 6

ROBERT ARNESON, California Artist, 1982 ROBERT ARNESON, California Artist, 1982. Glazed stoneware, 5’ 8 ” x 2’ 4” x 1’ 8”. San Francisco Museum of Modern Art 7 7

MARK TANSEY, A Short History of Modernist Painting, 1982 MARK TANSEY, A Short History of Modernist Painting, 1982. Oil on canvas, three panels, each 4’ 10” x 3’ 4”. Courtesy Curt Marcus Gallery, New York. 8 8

HANS HAACKE, MetroMobiltan, 1985 HANS HAACKE, MetroMobiltan, 1985. Fiberglass construction, three banners, and photomural, 11’ 8” x 20’ x 5’. Musée Nationald’Art Moderne, Centre Georges Pompidou, Paris. 9 9

FRANK LLOYD WRIGHT, Solomon R. Guggenheim Museum, New York, 1943-1959. 10 10

Guggenheim interior

Guggenheim, glazed vault overhead

Guggenheim, 90’ central space

LE CORBUSIER, Notre Dame du Haut, Ronchamp, France, 1950–1955. 14 14

LE CORBUSIER, interior of Notre-Dame-du-Haut, Ronchamp, France, 1950-1955. 15 15

Ronchamp, interior

EERO SAARINEN, Trans World Airlines terminal (terminal 5), John F EERO SAARINEN, Trans World Airlines terminal (terminal 5), John F. Kennedy International Airport, New York, 1956-1962. 17 17

Artist: Eero Saarinen Title: Trans World Airlines Terminal, John F. Kennedy Airport Medium: n/a Size: n/a Date: 1956–62 Source/Museum: New York

Eero Saarinen, Gateway Arch, 1965, 630’ tall, St. Louis, MO

Gateway Arch

JOERN UTZON, Sydney Opera House, Sydney, Australia, 1959–1972. 22 22

LUDWIG MIES VAN DER ROHE and PHILIP JOHNSON, Seagram Building, New York, 1956-1958. 23 23

SKIDMORE, OWINGS AND MERRILL, Sears Tower, Chicago, 1974. 24 24

MAYA YING LIN, Vietnam Veterans Memorial, Washington D.C., 1981-1983 25 25

CHARLES MOORE, Piazza d’Italia, New Orleans, Louisiana, 1976-1980. 26 26

PHILIP JOHNSON and JOHN BURGEE (with Simmons Architects), AT&T (now Sony) Building, New York, 1978–1984. 27 27

AT&T (Sony) Building, NY Artist: Philip Johnson and John Burgee Title: Model, AT&T Corporate Headquarters Medium: n/a Size: n/a Date: 1978–83 Source/Museum: New York AT&T (Sony) Building, NY

ROBERT VENTURI, JOHN RAUCH and DENISE SCOTT BROWN, house in eastern Delaware, 1978–1983. 29 29

RICHARD ROGERS and RENZO PIANO, Georges Pompidou National Center of Art and Culture (the “Beaubourg”), Paris, France, 1977. 30 30

FRANK GEHRY, Guggenheim Bilbao Museo, Bilbao, Spain, 1997. 31 31

DANIEL LIBESKIND, Denver Art Museum, Denver, Colorado, 2006 32 32

ROBERT SMITHSON, Spiral Jetty, Great Salt Lake, Utah, 1970. Art 33 33

Artist: Christo and Jeanne-Claude Title: Running Fence Medium: Nylon fence Size: height 18' (5.50 m), length 24 ½ miles (40 km) Date: 1972–76 Source/Museum: Sonoma and Marin Counties, California Christo & Jeanne-Claude, Running Fence, 1972-76, Sonoma & Marin Counties, CA, 18’ x 24 1/2 miles

11 small islands, 6.5 million square feet of pink fabric Christo & Jeanne-Claude, Surrounded Islands, 1980-83, Biscayne Bay, Miami, Florida 11 small islands, 6.5 million square feet of pink fabric

Artist: Jean Tinguely Title: Homage to New York Medium: Self-destroying sculpture Size: n/a Date: 1960 Source/Museum: Garden of the Museum of Modern Art, New York JEAN TINGUELY, Homage to New York, 1960, just prior to its self-destruction in the garden of the Museum of Modern Art, New York.

Artist: Yves Klein Title: Anthropométries of the Blue Period Medium: Performance Size: m Date: 1960 Source/Museum: Galerie Internationale d’Art Contemporain, Paris Yves Klein, Anthropometries of the Blue Period, 1960 Performance, Int’l. Gall. of Contemp. Art, Paris

CAROLEE SCHNEEMAN, Meat Joy, 1964 CAROLEE SCHNEEMAN, Meat Joy, 1964. Photograph of performance at Judson Church, New York. 38 38

JOSEPH BEUYS, How to Explain Pictures to a Dead Hare, 1965 JOSEPH BEUYS, How to Explain Pictures to a Dead Hare, 1965. Performance at the Schmela Gallery, Düsseldorf. 39 39

Artist: Bruce Nauman Title: Self-Portrait as a Fountain Medium: Color photograph Size: 19 ¾ X 23¾" (50.1 X 60.3 cm) Date: 1966–67 Source/Museum: Courtesy Leo Castelli Gallery, New York Bruce Nauman, Self-portrait as a Fountain, color photo, 1966-7, Castelli Gall., NY, 20”x24”

BRUCE NAUMAN, The True Artist Helps the World by Revealing Mystic Truths, 1967. Neon with glass tubing suspension frame, 4’ 11” x 4’ 7” x 2”. Private collection. 41 41

BILL VIOLA, The Crossing, 1996 BILL VIOLA, The Crossing, 1996. Video/sound installation with two channels of color video projection onto screens 16’high. Private collection. 42 42

DAVID EM, Nora, 1979. Computer-generated color photograph, 1’ 5” x 1’ 11”. Private collection. 43 43

JENNY HOLZER, Untitled (selections from Truisms, Inflammatory Essays, The Living Series, The Survival Series, Under a Rock, Laments, and Child Text), 1989. Extended helical tricolor LED electronic display signboard, 16” x 162’ x 6”. Solomon R. Guggenheim Museum, New York, December 1989–February 1990 44 44

TONY OURSLER, Mansheshe, 1997 TONY OURSLER, Mansheshe, 1997.Ceramic, glass, video player, videocassette, CPJ-200 video projector, sound, 11” x 7” x 8” each. Private collection. 45 45

MATTHEW BARNEY, Cremaster cycle, installation at the Guggenheim Museum, NY, 2003 46 46

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