ART!!! PERIOD 1 1450-1648.

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Presentation transcript:

ART!!! PERIOD 1 1450-1648

New Techniques in Art Painting Perspective Chiaroscuro Human emotion sfumato Sculpture Free-standing contrapposto Idealized human form; nudes Greco-Roman motifs http://www.gentlemansgazette.com/renaissance-architecture-explained-15h-17th-century/ Architecture Greek temple architecture Simplicity, symmetry, harmony, balance

Sandro Botticelli (1444-1510) Venus is central figure, symbolizing Humanitas: embodiment of the ideal Ideal of nature: springtime Hung in Medici house Savonarola changed Botticelli’s work to reflect piety over sensuality Primavera, 1482

Botticelli Birth of Venus, 1485-87 Venus and Mars, 1483

Raphael (1483-1520) Pope Julius II commissioned School of Athens Four branches of human knowledge: Theology Law (Justice) Poetry Philosophy (School of Athens) Plato & Aristotle central figures Aristotle: concerned with nature and human affairs Plato: ancient philosophers, mysteries that transcend this world Gardner’s p. 606-607

Michelangelo (1475-1564) Primarily a sculptor: believed every block of marble contained perfect form within it Platonist Sought the ideal Loyal Christian Use of contrapposto an asymmetrical arrangement of the human figure in which the line of the arms and shoulders contrasts with while balancing those of the hips and legs. David, 1504

Pieta, 1498-99 St. Peter’s Basilica, 1546

The Last Judgement, 1534-41

Sistine Chapel, 1508-12 Moses (for tomb Julius II), 1513-15

Venetian School: Titian (1485-1576) The Ascension, 1516-18 Bacchus and Ariadne, 1520-23

Mannerism Art Compositions can have no focal point, space can be ambiguous, figures can be characterized by an athletic bending and twisting with distortions, exaggerations, an elastic elongation of the limbs, bizarre posturing on one hand, graceful posturing on the other hand, and a rendering of the heads as uniformly small and oval. The composition is jammed by clashing colors, which is unlike what we’ve seen in the balanced, natural, and dramatic colors of the High Renaissance. Mannerist artwork seeks instability and restlessness.

Mannerism Characteristics: El Greco (1541-1614) Burial of Count Orgaz, 1586-88 Reaction against Renaissance ideals of balance, symmetry, simplicity, and realistic use of color Rebellion against “perfection” of High Renaissance Used unnatural color, shapes irregular Bridge between High Renaissance & Baroque https://www.britannica.com/art/Mannerism

Tintoretto Last Supper, 1594 Arcimboldo "Vertemnus” ca 1590

Baroque Art Stormy. exceedingly emotional more dynamic than earlier styles. The period is identified as encompassing an art of passion and theatrical displays. It is : Forceful Brilliant Tense Bursting with energy Sensual Extravagant

Baroque Art Italian Baroque artists embraced a more dynamic and complex aesthetic. …dramatic theatricality, grandiose scale, and elaborate ornateness…characterized… the art and architecture. Baroque art production further suggests the role art played in supporting the aims of the [Catholic] Church. Bernini, baldacchino, 1623-24, St. Peter’s, Vatican City. -Gardner’s Art Through the Ages, 11th Ed. Bernini, Trevi Fountain, 1629-1762, Rome.

Bernini, David, 1623, Galleria Borghese, Rome. Artemisia Gentileschi, Judith Slaying Holofernes, 1614-20, Uffizi, Florence, Italy.

Baroque Sculpture and Architecture Italy: Gian Lorenzo Bernini (1598-1680) Piazza Navona: Fountain of the Four Rivers A Counter Reformation Catholic Inspired by Caravaggio Sculptor Greatest imprint on city of Rome than any other artist

Bernini Saint Peter’s Square Baldacchino

Bernini Trevi Fountain David

Ecstasy of Saint Teresa by Bernini

Italian Baroque Painting Caravaggio (1571-1610) Baroque art reaches out to people and provokes action; designed to give spontaneous personal experience. Baroque paintings are filled with dramatic movement, striking contrasts of light and dark, vivid colors, and earthly realism. Baroque artists depicted the heroic acts of martyrs and saints to inspire the lower classes to accept their own suffering and not lose faith. First important painter of Baroque period Highly emotional scenes Use of tenebrism Considered a realist in an age of idealists Criticized for use of ordinary, gritty people as models even for religious paintings

Caravaggio Bacchus David with the Head of Goliath

Caravaggio Basket of Fruit Crucifixion of Saint Peter

Northern European Baroque Art Peter Paul Rubens (1577-1640) Rubenshuis, Antwerp northern Europe, the Netherlands was divided into two parts: the Northern Netherlands (present day Netherlands) and Southern Netherlands (present day Belgium and part of France), each usually referred to as Holland (North) and Flanders (South). Rubens and his workshop dominated the art of Flanders with the creation of dramatic and powerful religious altarpieces and portraits of the ruling families of Italy and France. Emphasized color and sensuality (nudes as Roman goddesses, nymphs, saints, and angels); melodramatic contrasts; monumental size Mainly Christian subjects http://www.oxfordartonline.com/public/page/themes/baroqueartandarchitecture

Rubens The Fall of Man, 1628-29 The Three Graces, 1635

Rembrandt (1606-1669) Self Portrait, 1658 Dutch artist during Dutch Golden Age Self Portrait, 1658 Painted in Amsterdam – tolerant city, valued personal privacy, thus unknown if he was Catholic or Protestant Personal tragedies: wife died, 3 of 4 children died, bankrupt Known for self-portraits (more than 90), very prolific Narrow color range: browns, reds, beige. Pinpoint style with light to illuminate a point Painterly style: layers of paint

Rembrandt: The Night Watch 1642

Rembrandt Anatomy Lesson of Dr. Tulp 1632 Return of the Prodigal Son, 1669

Baroque Art: Spain Diego Velasquez, 1599-1660 Las Meninas, 1656 Court painter for King Philip IV Favorite Moved into palace Spanish Golden Age Important portrait artist Loose brush technique

Velasquez Philip IV 1632 Los Borrachos 1628

Baroque Music (ca. 1600-1750) Highly complex, polyphonic musical texture Rich, expressive Use of Church organ, harpsichord Improvisation Composers: Bach (1685-1750) Handel (1685-1759) Vivaldi (1678-1741)