Unit 7: Graphic Design.

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Presentation transcript:

Unit 7: Graphic Design

What is Graphic Design? Graphic Design is a creative process that combines art and technology to communicate ideas using a skillful combination of text and pictures in advertisements, magazines, flyers, business cards, etc.

4 Basic Principles of Design: Proximity Alignment Repetition Contrast

Grouping related items together Proximity Grouping related items together Very often in beginners’ designs, the words and phrases and graphics are strung out all over the place, filling corners and taking up lots of room so there won’t be any empty space. There seems to be a fear of empty space. When pieces of a design are scattered all over, the page appears unorganized and the information may not be instantly accessible to the reader. The Principle of proximity states that you group related items together. Move them physically close to each other so the related items are seen as one cohesive group rather than a bunch of unrelated bits.

Which design uses proximity appropriately? Example 1 Example 2 (Answer: Example 1) Example 2- The two items on the top left are in close proximity to each other, implying a relationship. But should these two have a relationship? How about the date and the issue information? They should be closer together since they both identify this particular issue. Example 1- The proper relationships have been established. 1) changed everything from all caps to lowercase, which gives room to make the title stronger and bolder 2) enlarged the airplane and let it break out of the boundry, a common graphic trick that opens up the space

Alignment Nothing should be placed on the page at random. Every item should have a visual connection with something else on the page. New designers tend to put text and graphics on the page wherever there happens to be space, often without regard to any other items on the page. What this creates is the slightly messy kitchen effect- you know, with a cup here, a plate there, a napkin on the floor, a pot in the sink, a spill on the floor. It doesn’t take much to clean up the slightly messy kitchen, just as it doesn’t take much to clean up a slightly messy design that has weak alignments. The principle of alignment forces you to be conscious-no longer can you just throw things on the page wherever there happens to be room.

Which design uses alignment appropriately? Madison Middle School Mrs. Missy Rhodes 1365 Mannsdale Road Madison, MS (601) 605-4171 Example 2 Madison Middle School Madison, MS (601) 605-4171 1365 Mannsdale Road Mrs. Missy Rhodes Example 1 (Answer: Example 2) Example 1- The elements on this card look like they were just thrown on and stuck. Not one of the elements has any connection with any other element on the card. Example 2- By moving all the elements over to the right and giving them one alignment, the information is instantly more organized. (of course, grouping the related elements into closer proximity helped, too) The text items now have a common boundary; this boundary connects them together.

Repeat some aspect of the design throughout the entire piece Repetition Repeat some aspect of the design throughout the entire piece The principle of repetition states that you repeat some aspect of the design throughout the entire piece. The repetitive element may be a bold font, a thick rule (line), a certain bullet, color, design element, particular format, spatial relationships, etc. It can be anything that a reader will visually recognize. You already use repetition in your work. When you make headlines all the same size and weight, when you add a rule a half-inch from the bottom of each page, when you use the same bullet in each list throughout the project- these are all examples of repetition. What beginners often need to do is push this idea further- turn that not easily seen repetition into a visual key that ties the publication together.

Which design uses repetition appropriatley? Example 2 Example 1 (Answer: Example 2) Example 1- When you get to the end of the information, does your eye just wander off the card? Example 2- Now when you get to the end of the information, where does you eye go? Do you find that it bounces back and forth between the bold type elements? It probably does, and that’s the point of repetition- it ties a piece together, it provides unity.

Making two elements different Contrast Making two elements different Contrast is one of the most effective ways to add visual interest to your page- a striking interest that make a reader want to look at the page- and to create an organizational hierarchy among different elements. The important rule to remember is that for contrast to be effective, it must be strong. Don’t be a wimp! Contrast is created when two elements are different. If the two elements are sort of different, but not really, then you don’t have contrast, you have conflict. That’s the key- the principle of contrast states that if two items are not exactly the same, then make them different. Really different!

Which design uses contrast appropriately? Example 1 Example 2 (Answer: Example 1) Example 2- There is a bit of contrast between the typefaces and between the rules, but the contrast is wimpy. Are the rules (lines) supposed to be two different thickness? Or is it a mistake? Example 1- Now the strong contrast between the typefaces makes the piece much more dynamic and eye-catching. With a stronger contrast between the thicknesses of the rules, there is no risk of someone thinking it’s a mistake. The entire table is stronger and more sophisticated; you know where it begins and where it ends.

The Rule of Thirds The rule of thirds is a compositional rule of thumb in visual arts such as painting, photography and design. The rule states that an image should be imagined as divided into nine equal parts by two equally- spaced horizontal lines and two equally-spaced vertical lines, and that important compositional elements should be placed along these lines or their intersections. Proponents of the technique claim that aligning a subject with these points creates more tension, energy and interest in the composition than simply centering the subject would. Definition of Rule of Thirds – A concept in graphic design that states that an image or work space should be divided into nine equal parts using horizontal and vertical lines and that design elements (text, images, etc.) should be placed along the lines or at their intersections to create a more interesting design.

There is one more general guiding principle of Design (and of Life): Don’t be a wimp! Review: Don’t be afraid to create your Design (or your Life) with plenty of blank space- it’s rest for the eyes (and the Soul). Don’t be afraid to be asymmetrical, to uncover your format- it often makes the effect stronger. It’s okay to do the unexpected. Don’t be afraid to make words very large or very small; don’t be afraid to speak loudly or to speak in a whisper. Both can be effective in the right situation. Don’t be afraid to make your graphics very bold or very minimal, as long as the result complements or reinforces your design or your attitude. Let’s take the following rather dull report cover and apply each PARC principle to it.

A rather dull but typical report cover: centered, evenly spaced to fill the page. If you didn’t read English, you might think there are six separate topics on this page. Each line seems an element unto itself. Now lets apply the rule of proximity to the report cover.

Vary the space between to indicate the closeness or the importance of the relationship. If items are related to each other, group them into closer proximity. Separate items that are not directly related to each other. By putting the title and subtitle close to each other, we now have one well-defined unit rather that six apparently unrelated units. It is now clear that those two topics are closely related to each other. When we move the by-line and date farther away, it becomes instantly clear that although this is related information and possibly important, it is not part of the title. Now let’s apply the Alignment principle.

If your alignments are strong, then you can choose to break an alignment occasionally and it won’t look like a mistake. Be conscious about every element you place on the page. To keep the entire page unified, align every object with an edge of some other object. Even though the author’s name is far from the title, there is a visual connection between the two elements because of their alignment. The example on the previous slide is also aligned- a centered alignment. As you can see, though, a flush left or right alignment (as shown in the example on this slide) gives a stronger edge, a stronger line for your eyes to follow. A flush left or flush right alignment also tends to impart a more sophisticated look than a centered alignment. Now let’s apply the Repetition principle.

Repetition also helps strengthen the reader’s sense of recognition of the entity represented by the design. Repetition is a stronger form of being consistent. Look at the elements you already repeat (bullets, typefaces, lines, colors, etc.); see if it might be appropriate to make one of these elements stronger and use it as a repetitive element. The distinctive typeface in the title is repeated in the author’s name, which strengthens their connection even though they are physically far apart on the page. The small triangles were added specifically to create a repetition. Although they each point in a different direction, the triangular shape is distinct enough to be recognized each time. The “color” of the triangles is also a repeated element. Repetition helps tie separate parts of a design together. Let’s apply the last principle: Contrast.

You can add contrast in many ways- rules (lines), typefaces, colors, spatial relationships, directions, etc. Would you agree that the example on this page attracts your eye more than the example on the previous page? It’s the contrast here, the strong black versus white, that does it. Adding contrast to this was simply a matter of adding the black box. I added a bit of contrast in the type by making the subtitle italic vs. roman of the title and by-line. (The title is the font--Bodoni Poster Compressed; the subtitle is the font--Bodoni italic.) Can you describe where the principles of proximity, alignment, and repetition are also being used in this final example?