KK.8 Playing Karawitan in Structure Lagu Gendhing Ladrang garap kendhang kalih and kendhang setunggal irama tanggung and dadi Playing repertoar Gendhing Ladrang garap kendhang kalih and kendhang setunggal irama tanggung and dadi

8.1 Understanding Structure gendhing Ladrang Ladrang is kind of gending that every one gongan coast of : 32 sabetan 8 gatra 16 strokes of kempyang Structure / scheme gending ladrang : - - + - - + -  - + -  - - + -  x.x x.x x.x x. x.x x.x x.x x. x.x x.x x.x x. x.x x.x x.x x. - + -  - + -  - + -  - - + - x.x x.x x.x x. x.x x.x x.x x. x.x x.x x.x x. x.x x.x x.x xg. 8 kali pukulan kethuk 4 kali pukulan kenong 3 kali pukulan kempul Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata 8.2 Rules of Irama Gending ladrang used two kind of irama that is : a. Irama tanggung ( ½ ), start after gong buka, till the 3rd gatra in the first gongan. b. Irama dadi ( ¼ ), start from the 4th gatra in the first gongan till suwuk. Buka : .132 y123 1132 .12gy Umpak : x2x1x2x3x x x x2x1x2xyx x x x3x3x.x. x6x5x3x2x Ir. tanggung ir. dadi dst ...... xx5x6x5x3x x x x2x1x2xyx x x x2x1x2x3x x x x2x1x2xgxyx Seni Kerajinan dan Pariwisata

8.3 Playing tecnique tabuhan and garap of each ricikan. 8.3.1 Titilaras ladrang Wilujeng laras slendro pathet manyura Buka . 1 3 2 y 1 2 3 1 1 3 2 . 1 2 gy - + - - + - - + - - + - Umpak _ 2 1 2 3 2 1 2 ny 3 3 . p. 6 5 3 n2 5 6 5 p3 2 1 2 ny 2 1 2 p3 2 1 2 gy _ Ngelik . . 6 . ! 5 ! n6 3 5 6 p! 6 5 3 n2 6 6 . p. ! 5 ! n6 ! ! 3 p2 . 1 2 gy _ Seni Kerajinan dan Pariwisata

8.3.2 Notation of kendangan ladrang next 8.3.2 Notation of kendangan ladrang 8.3.2.1 Notation kendang kalih ladrang a. Buka xxIx x x xIx x x x xPx x x xB xOx xOx xBx xPx x xOx xOx xBx xgP b. Changes from irama tanggung to irama dadi xOx xOx xBx xPx x xOx xOx xBx xP xOx xOx xBx xPx x xOx xOx xBx xnP xOx xOx xBx xPx x xOx xOx xBx xP xOxPxOxBxOxKxOxPx xOxBxOxKxIxPxOxnB c. Irama dadi < _ xOxPxOxBxOxOxOxPx xOxOxPxBxOxOxOxI xOxPxOxPxOxPxOxBx xOxPxOxOxPxBxOxnP xOxOxPxBxOxPxBxOx xPxBxPxOxBxOxPxB xOxKxOxKxOxKxOxPx xOxOxPxBxOxPxOxxgB xOxKxOxKxOxKxOxKx xOxKxOxKxOxKxOxP xOxPxOxKxOxPxOxBx xOxKxOxKxOxKxOxnK xOxKxOxPxOxKxOxPx xOxKxPxBxOxKxOxP xOxKxOxKxOxKxOxPx xOxBxOxKxIxPxOxnB _

next D. Kendangan ngelik XxOxXxPxBxPxOxBxOxPx xOxOxPxBxOxPxBxO xPxBxPxOxBxOxPxBx xOxKxOxKxOxBxOxnP xOxOxPxBxOxPxBxOx xPxXXxPxOxPxOxBxOxP xOxKxOxKxOxKxOxPx xOxBxOxKxIxPxOxnB _< E. Suwuk > > xOxPxOxBxOxKxOxPx xOxBxOxKxIxPxOxnB xOxPxOxBxOxOxOxPx xOxOxPxBxOxOxOxI xOxPxOxPxOxPxOxBx xOxPxOxIxIxBxOxnP xOxIxIxBxOxPxOxIx xIxBxOxPxOxOxOxB xKxKxKxOxKxKxKxPx xKxKxKxOxKxOxKxgO

next 8.3.2.2. Notation kendang setunggal ladrang slendro A./Buka B xOx x x x xOx x x x xOx x x x xgO B. _ xOx x x x xBx x x x xOx x x x xB xOx x x x xBx x x x xOx x x x xnP xOx x x x xPx x x x xOx x x x xpP xPx x x x xOx x x x xPx x x x xnO xBx x x x xOx x x x xBx x x x xpP xOx x x x xBx x x x xPx x x x xnO xPx x x x xBx x x x xPx x x x xpO xBx x x x xPx x x x xOx x x x xgO _ C. Suwuk : xOx x x x xBx x x x xOx x x x xB xOx x x x xBx x x x xOx x x x xnP xOx x x x xPx x x x xOx x x x xpP xBx x x x xPx x x x xOx x x x xnB xPx x x x xOx x x x xBx x x x xpP xOx xOx x xOx xBx x xOx xPx x xjxjxjIxBxjnKxO xOx xOx x xOx xPx x xOx xOx x xOx xpB xKxKxKxOx xKxKxKxOx xKxKxKxOx xKxOxKxgO

next 8.3.3 Bonang barung and Bonang Penerus Tecnique tabuhan bonang in gending ladrang : a. Mipil that is menabuh two diferrent tones one by one used keft and right hands. Tones that played are tone in ding with dong of each gatra. example : z2x x x x x x x c1 z2x x x x x x x c3 balungan 2 1 2 1 2 3 2 3 < mipil lamba 2 1 2 . 2 1 2 1 2 3 2 . 2 3 2 3 < mipil rangkep 212.212.212.2121 232.232.232.2323 < mipil rkp nikeli

z3x x x x x x x c3 z.x x x x x x x c. balungan next b. Gembyang, that is left and right hand strokes same tone in one oktaf interval (y- - 6, e – 3) those tecnique applied when there is a twin tone or more empty tone. example : z3x x x x x x x c3 z.x x x x x x x c. balungan e e xx3 . e x3 . . < gembyang lamba e e e e xx3 . e x3 . . e e xx3 . e x3 . . < gembyang rangkep e e e e eexx3.ex3..eexx3.ex3.. eexx3.ex3..eexx3.ex3.. < gby rangkep nikeli e e e e e e e e

next 8.3.4 Saron penerus Tecnique to play is nacah that is stroked as the tempo that used ( irama tanggung one balungan played twice strokes, irama dadi one balungan played four strokes). example : 2 1 2 3 2 1 2 y balungan y 2 2 1 1 2 2 3 3 2 2 1 1 2 2 y nacah lamba y221 1221 1223 3223 3221 1221 122y y22y nacah rangkep

next 8.3.5 Ricikan Balungan that include in ricikan balungan are slenthem, demung and saron barung. Way to play is mbalung, that us strokes same as the notation. slenthem demung saron barung

next 8.3.6 Ricikan Struktural that include ricikan structure are : kethuk / kempyang, kenong, kempul dan gong. way to play is as same as the strokes sign.

8.4 Playing repertoar Gendhing Ladrang garap kendhang dua kendhang satu irama tanggung and dadi 8.3.1 Titilaras ladrang Wilujeng laras slendro pathet manyura Buka . 1 3 2 y 1 2 3 1 1 3 2 . 1 2 gy - + - - + - - + - - + - Umpak _ 2 1 2 3 2 1 2 ny 3 3 . p. 6 5 3 n2 5 6 5 p3 2 1 2 ny 2 1 2 p3 2 1 2 gy _ Ngelik . . 6 . ! 5 ! n6 3 5 6 p! 6 5 3 n2 6 6 . p. ! 5 ! n6 ! ! 3 p2 . 1 2 gy _

Seni Kerajinan dan Pariwisata Rules of play WILUJENG, Ladrang, laras pelog pathet barang Senggrengan rebab laras pelog pathet barang Buka Rebab To the umpak part done twice first ngelik Back to umpak done once 2nd ngelik 3rd ngelik ( part of suwuk ) Pathetan pelog barang jugag Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata GONJANG-GANJING, Ladrang laras slendro pathet sanga. Buka : .2.1 .2.1 2211 .y.gt Umpak: [ .2.1 .y.nt .2.p5 .2.n1 .2.p1 .2.n1 .2.p1 .y.gt ] Apabila akan ngelik: .@.g! Ngelik: .#.@ .6.n5 .!.p6 .5.n6 .5.p6 .3.n5 .2.p1 .y.gt ] Seni Kerajinan dan Pariwisata

Seni Kerajinan dan Pariwisata GONJANG-GANJING, Ladrang laras slendro pathet sanga Senggrengan rebab laras slendro pathet sanga Buka : rebab To the umpak part done twice first ngelik Back to umpak done twice 2nd ngelik 3rd ngelik Back to umpak done once suwuk ( suwuk at the first umpak) .Pathetan slendro sanga jugag Seni Kerajinan dan Pariwisata

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