Artaud ( ) Artaud believed that ‘man was savage under the skin’ What do they think of the idea that you can release the audience’s pent-up.

Slides:



Advertisements
Similar presentations
Creative Development. 1: Explores different media and responds to a variety of sensory experiences. Engages in representational play. Scale points 1 –
Advertisements

Sum it Up and Point the Way Forward Conclusions: Ending on a Strong Note.
Frederick Douglass Chapter 4. Freedom Is ….. Freedom is anything that releases us from restraint. Different types of freedom give us an overview into.
Module 2: Assessment in Creative Arts © 2006 Curriculum K-12 Directorate, NSW Department of Education and Training.
LITERACY AND DRAMA EXPLORING THE INTERACTION BETWEEN LANGUAGE AND DRAMA.
“The Media Spectacle Comes to Mexico” OCTAVIO PAZ.
Constantine Stanislavski
Primitive Theatre *Write down anything underlined on each slide.
ARTIST ROOMS Learning Programme BILL VIOLA Dick Institute, Kilmarnock 3 September – 24 December 2011 Kate Davies, Cultural Development Coordinator – Visual.
Carl Sandburg Elementary Quarter 1
Thank you for using this pre-visit resource. We believe this will help strengthen student learning leading up to and during your gallery visit. Due to.
Characteristics of Religion If Religion is a human response to the sense that there is something beyond the ordinary and that this sense gives meaning.
LAMENTATION WCED GRADE 12 REVISION 2012 CHOREOGRAPHED BY MARTHA GRAHAM FIRST PERFORMED IN 1930 NEARLY 82 YEARS AGO.
Directing The Basics. The director's vision shapes the look and feel of a film. He or she is the creative force that pulls a film together, responsible.
Welcome to Theatre.
Theatre and Violence Focus: Violence: a theatrical and ethical question. Reading: - Kelly, Dennis (2008) DNA, London Oberon Modern Plays - Ridout, Nicholas.
Introduction to Reflection Essays English 100 Students, TTH, 7a Fall 2009.
Seven Types of Intelligence. Word Smart  This is the intelligence of language, books, and stories Reading, writing, and speaking come naturally to individuals.
Storytelling Sharing your personal experiences The Rules True About you.
Puppetry for Development By Cariad Astles For ISTA London TaPS 3, January 2012.
Dance is a type of art that generally involves movement of the body, often rhythmic and to music. It is performed in many cultures as a form of emotional.
Natural & Stylised theatre. Stanislavski.
Antonin Artaud The Theatre of Cruelty Surround the audience.
The Pearl By John Steinbeck.
The Early Years Curriculum
With Oliver Folaranmi & Rhys Marks Youth Wave
The Foundation Stage Curriculum
SOCIAL INTEGRATION OF IMMIGRANTS STUDENTS BY USING DRAMA APPLICATIONS
Introduction to Theatre
Metamorphosis Franz Kafka.
Streetcar Named Desire
Introduction into Epic Theatre
Content Vocabulary self-esteem positive self-talk body image.
What Picasso Didn’t Know
THEATRE OF CRUELTY ANTONIN ARTAUD
DANCE DRAMA & MOVEMENT TECHNIQUE
Anton Artuad Simeon evanson.
Intercultural Communication
Introduction To Religion
African Ceremonial Mask
My Dream Project By: Staci Mion.
Portfolio: 30 marks Performance: 15 marks Evaluation: 15 marks
Check out summary on pages 24 and 25 for highpoints of chapter onee
Physical Theatre DV8, Gecko and Pina Baugh
What is the difference between a sign and a symbol?
understanding the importance of Story
By: Diana Cha & Ally Jewell
Konstantin Stanislavski
Creative Nonfiction.
Theater of the Oppressed
Wounds. Wounds News Flash: Life is not always fair News Flash: Life is not always fair. Everyone experiences some form of pain. There are two ways.
Modernism How did World War I transformed art, architecture, music and literature.
A Doll House by Henrik Ibsen
Constantine Stanislavski
Check out summary on pages 24 and 25 for highpoints of chapter onee
Connecting with Challenge
PERFORMANCE SKILLS Putting on the Ritz.
Session 15: Writing across texts
Reception Class Spring 2019
The Difference Between a live performance and a recorded performance
The 5 Stages of Grief Denial Anger Bargaining Depression Acceptance.
Self-Regulation, Routines & Interests Glossary
Self Esteem Feeling good about yourself and the things you do
Roman Theatre.
Development of your piece
Vision and Mission 1.
Past Life Regression and therapy
A Streetcar named Desire by Tennessee Williams
A Streetcar Named Desire
Streetcar Named Desire
Presentation transcript:

Artaud (1896 -1948) Artaud believed that ‘man was savage under the skin’ What do they think of the idea that you can release the audience’s pent-up desires to, for example rape, or kill, by allowing them to see the act in a participatory way as an audience – Through living the same highly-charged emotions as the actors or through shock tactics that they will no longer want to do the act themselves.

Shock the audience Can you sicken an audience with violence so that they lose the desire to be violent themselves? Artaud believed in creating a UNIVERSAL LANGUAGE of theatre that all practitioners could use. What solutions might they propose?

Theatre of cruelty When Artaud first mooted the term Theatre of Cruelty, he was talking about actors being cruel to themselves – stretching the imagination until near breaking point, challenging the body to complete extreme moves –pushing the physical boundaries to extremes the body must go beyond exhaustion into a trance-like state where it no longer feels exhaustion or its pain and can thus achieve extraordinary things. He wants the actor to wake his own double (his dream self, his psyche) The audience must have their double aroused by experiencing theatre that jolts them into emotional and awed spiritual responses We must always do things to extreme Pg 267 –notes from Summary of Theatre and its’ Double.

Sound Traditional theatre was enslaved by words /dialogue He focused on sounds not words Screams and primitive emotions Use of musical instruments

Dreams The world of our dreams is a true reality . He strived to fimd a style of theatre that would be able to explore this reality 1931 he saw a performance of Balinese dance This was ritualistic and religious – Stories told in a stylised form with unrealistic make-up – symbolic gesture and use of mask

Ritual He was fascinated by ritual They way that it totally transformed and absorbed the participants The spiritualty The heightened senses

Further research http://www.slideshare.net/garethhil/rehearsing-artaud

Refernece Drama@Coombeshead College last accessed 4th January 2016 https://www.google.co.uk/search?q=artaud+theatre&e spv=2&biw=1920&bih=969&source=lnms&tbm=isch&sa=X &ved=0ahUKEwjlxuCtiaXKAhVHtQ8KHUdjCtoQ_AUIBigB#i mgrc=lFI7lZOAW3tmPM%3A http://www.slideshare.net/garethhil/rehearsing-artaud