Adding Sizzle and Stationality to Your Station Steve Hunter E.W. Scripps Company
Needs to Cut Through the Noise Lots of competition We all can play the same songs You need to stand out from the rest Radio Imaging sonically brands the radio station!
What are you famous for? Best Music? New Music? Most Music? News, Weather, or Traffic? Morning Show? Great Personalities? Content?
A Great Station Can Be Set Apart From the Competition Imaging On-air presentation Great writing Excellent production value Memorable production Great Personalities Benchmarks Features Specialty Programming Themed Weekends
What We Learned from PPM vs. Diary What we thought when PPM first started What was the reality? Comes down to great programming and recall People still control the radio dial
What Has PPM Taught Us? How people really use the radio How long do they really stay with us What makes them tune in What makes them tune out When they are actually using the radio Set appointments to listen
In the Diary World of Nielsen Is your product compelling? Is your product memorable? They don’t carry their diaries with them It comes down to what they think they were listening to Will they remember what to write down?
It still comes down to having a compelling, entertaining, and memorable product!
Breaking Down Your Imaging What does it say about your radio station? Does it sell the KEY benefits of your radio station? Is it memorable? Is it based on fact? Is it truthful? Does it set you apart from your competitors? Put a value on the air-time that you use to sell your station
Writing Your Imaging Write the headline What is the message trying to sell? Is it written in the language for the target audience? Identify the most creative writers in your building Make it a team effort Play it for people in the target before it airs Have a calendar of upcoming events
Types of Imaging Quick Breaks/Shotguns – Keeps forward momentum of station Sweepers – Sells image of station, features or artists Promos – Contesting, events and station image Stager –Weather, traffic, breaking news intro Music stagers – Always best when using listeners or artists Jingles Very important to balance them on your clock
Choosing the Right Imaging Voice Do they fit your station? Do they cut through? Do they have different reads? What is their availability and turn-around time? Do they define your brand? Be prepared to stick with them The answer isn’t to always change the imaging voice
Starting With Bad Examples Not Creative Doesn’t grab your attention Can’t hear the station name Waste of a valuable position on your clock
What Was Wrong? Bad Writing Bad Processing Bad Mixing
What Was Wrong? Good writing Bad VO Processing Bad Mix
What Was Wrong? Good writing Choosing the wrong music for the target demo
Good Examples – Concert Promo Good writing Big Concert Promo Hits the core demo of the station
Good Examples – Christmas Wish Promo Good writing – Makes the listener feel good Touches Listeners Hits the core demo
Good Examples – Station Image Sweeper Good writing Memorable Patriotic Creates Emotional Bond
Good Examples – Party Station Artist Sweep Good use of energy Straight to the point Use of CORE artists
Good Examples – Concert Giveaway Promo Big concert promo Grabs attention Keeps them listening
Good Examples – Friday Night Live Sweep Quick and to the point Doesn’t waste time Great energy
Good Examples – Localizer Quick Break Sells the position and name of the station Local Good station voices
Good Examples – Image Definer Sweeper Defines and sells the image of the radio station Good use of song hooks Well produced
Good Examples – Artist Setup Sweeper Power intro Sells new music Short and to the point Uses the artist to sell their song
Good Examples – Artist Promos Sells the music Centered around your artists Well produced Sells the station image
Good Examples – Artist Promos Sells the music Centered around your artists Well produced Sells the station image
Good Examples – Artist Promos New Music Sells the music Centered around your artists Well produced Sells the station new music image
Good Examples – Specialty Weekend Promo Sells your music image Fun image Well written
Good Examples – Listen At-Work Promo Sells your at-work image Reflects stationality Uses music hooks to sell image
Good Examples – Hurricane Update Stager Attention grabbing Very topical Urgency in the writing Urgency in the read Something important is about to happen
Good Examples – Listener Lunch Promo Fun feature Well written Funny
Good Examples – T.S.O. Christmas Promo Well written Funny Promotes the website
Good Examples – Jingle Ball Teaser Sweeper Creates excitement Well written Uses artists Topical for fall
Good Examples – At-Work Sweeper Funny Sells at-work Memorable Short
Good Examples – Cash Contest Promo Very PPM friendly “after this” Well produced Well written Short and to the point
Good Examples – Artist Sweeper Uses the artists to sell your station Well themed Short in length
Good Examples – Listener Quick Break Uses listener audio Sells new hit music image Really quick
Good Examples – Listener Sweeper Uses listener audio Sells your music image Really quick
Resources to Help Imaging resources Writing Mix Group Digital Sound and Video Benztown Reelworld Production Vault Mediabase Tuned-In Share resources in your company Staff brainstorming Mini-focus groups
Monitoring Your Station Are you selling the key benefits of your station in every quarter- hour? Is your clock well balanced (sweepers, quick breaks, promos)? When someone tunes in – do they know what makes your station special and unique? Will they remember what station they were listening to? Are you giving your listeners a good experience?
Steve Hunter – Operations Manager Imaging Questions Steve Hunter – Operations Manager Scripps Media Tulsa Steve.Hunter@scripps.com