Public financing for film and television content A focus on film and audiovisual development Julio Talavera Film Analyst Warth, 28th September 2016.

Slides:



Advertisements
Similar presentations
Thomas Heskia The Impact of Culture on Social Development and General Well-Being: Is it quantifiable? The Audiovisual Sector as an Example.
Advertisements

Supporting innovation and audiovisuals in Rome and Lazio Stefano Turi, General Manager Filas Spa CANNES May 21st,
ROLE OF THE GOVERNMENT.
Countries and Nationalities.
Antalis H results presentation to Analysts September 8, 2004.
Doing Research on the European Film Industry Huw Jones University of York.
 They speak German  8.47 million of people live there.
Belgian Tax Shelter An incentive for investments in audiovisual productions.
ING main colour palette ING secondary colour palette
Belgium, Flanders and Flemish Youth (Work) Policy
European Feeling! What is the European feeling?. Content: History of European Feeling The European countries The Euro Then and now Our opinion.
ESCM Chapter 7 Martin Howley. Outline Background What is a ‘good indicator’ Use of Indicators –Monitoring –Evaluation –Planning –Improving forecasts –International.
DEVELOPING CULTURAL STRATEGY IN THE CITY OF DUBROVNIK F A C T S S H E E T ANA ŽUVELA BUŠNJA Institute for International Relations, Zagreb.
1 EU & languages Elisabetta Gibertini Michela Sgarbi Mirjam Arula Hanna-Liis Karp.
THE SUPPLY AND FINANCING OF CANADIAN DOCUMENTARIES TO April 25, 2005.
Boosting the creative sectors
© PRIMEHOUSE GmbH, Kantstrasse 149, Berlin Script Forum Warszawa, 2009.
The Geography and People of Europe
1 Public Investment in Film & TV Works: Film Funds in Europe Susan Newman-Baudais Analyst – Film Industry European Audiovisual Observatory Public Investment.
Globalization & Diversity: Rowntree, Lewis, Price, Wyckoff 1.
Regional Financing for Malaria Task Force (RFMTF) 12 May 2014 Hong Kong, China Framing & Coordinating a Regional Response Ramesh Subramaniam, Asian Development.
EUROPE. September 08 to 11 September 12 to 14 September - 15.
Тема урока: «Talking about countries and Nationalities»
Capital - VILNIUS Population GDP million EUR Number of film admissions in Gross box office EUR Market.
Harmonisation across countries in SHARE Workshop on Harmonisation of Social Survey Data for Cross-National Comparison Prague 19.
Greece Yavor Yanakiev Aleksandar Temelkov. Today we will present: Geographic and Demographic Background Historical development GDP Growth and the Crisis.
1 NumericNumeric Developing a statistical framework for measuring the digitisation of Europe’s cultural heritage  Numeric  Phillip Ramsdale The study.
Countries and nationalities (Europe) Markéta Zakouřilová VY_32_INOVACE_104 ZŠ Jenišovice.
Nationalities. Questions Where do you live? I live in Ashdod. Where are you from? I am from Israe l. What nationality are you? I am Israeli What language.
European Day of Languages Friday 26 th September 2014.
Lithuania's ICT Potential. 2 GENERAL INFORMATION ABOUT LITHUANIA  Population: 3.5 mln.  Area: 65,300 sq. km  Language: Lithuanian  Neighbours:  Latvia.
UA in ImageCLEF 2005 Maximiliano Saiz Noeda. Index System  Indexing  Retrieval Image category classification  Building  Use Experiments and results.
Immigration in the US People and Places. The Colonial Period  French established colonies in the lower Mississippi Valley (New Orleans 1718) where the.
POLISH PENSION FUNDS CHAMBER PENSION REFORMS IN CENTRAL & EASTERN EUROPE 1ST INTERNATIONAL PENSION FUND CONFERENCE MADRID,
DTT and the evolution of TV market in Europe Hervé Michel– France Televisions, Deputy Director, International Affairs. Approaches for Growth and Sustainability.
1 Economic situation of the public broadcasting sector in the European Union André Lange Head of Department for Information on Markets and Financing European.
Creating Access to Europe’s Television Heritage Vienna, EDL Workshop November Dr. Alexander Hecht (Austrian Broadcasting Corporation ORF) Johan.
ITALY BY Aaron, Houston and Ivan. Italy Italy is a country in Europe.
The 26-th of September is the European Day of Languages.
FTSE 100 Company Unilever Sharon Seys (3AFC)
EUROPEAN DAY OF LANGUAGES. The European Year of Languages 2001 was organised by the Council of Europe and the European Union. Its activities celebrated.
Languages of Europe Romance, Germanic, and Slavic.
German Development Cooperation-
Television Market In Ireland
EFSI Investment Platforms Possible application areas in the context of smart specialisation and industry.
AIDE AUX CINEMAS DU MONDE (World Cinema Support)
Ministry of Finance Contribution of the Operational Programmes to the implementation of the NSRF objectives Boriana Pencheva Director Management.
Public support to consumer education and promotion campaigns
Francophone countries
Production Incentive Finland for audiovisual productions
زبان بدن Body Language.
Languages 1.
COUNTRIES; NATIONALITIES; LANGUAGE
Marie Skłodowska-Curie Actions Innovative Training Networks
Countries and Nationalities
THE ITALIAN PRIVATE EQUITY AND VENTURE CAPITAL MARKET
Over time, the federal government has grown relative to the U. S
COUNTRIES NATIONALITIES LANGUAGES.
Film Financing and the Digital Single Market: its Future, the Role of Territoriality and New Models of Financing Prof. P. Bernt Hugenholtz Institute for.
By Prof. Danuta Hübner Brussels, 30 May 2007
I am from France. I am French. FRENCH. FRENCH. I am I am from FRANCE.
Countries and nationalities
Archivists and public sector reforms in Belgium
UK “high end” TV Trends in spending and third party funding for shows using high-end TV tax relief Ben Keen for COBA, based on BFI data (adjusted)
A Business-Oriented Overview of Intellectual Property for Law Students
What is Europe?.
MICRO: Enhancing Competitiveness of Micro-enterprises in Rural Areas
CUSTOM INTELLIGENCE SERVICES
Belgium in a glance, facts, figures and fun.
MEDIA PROGRAMME SUPPORT MECHANISMS TO THE AUDIOVISUAL EUROPEAN INDUSTRY Education, Audiovisual & Culture Executive Agency.
Presentation transcript:

Public financing for film and television content A focus on film and audiovisual development Julio Talavera Film Analyst Warth, 28th September 2016

The three pillars of public financing Public funding Fiscal incentives Obligations for the industry to invest in the film and audiovisual sectors

The three pillars of public financing Number of funds Overall income Income by type of source Overall spend Spend by type of activity Public funding Fiscal incentives Obligations for the industry to invest in the film and audiovisual sectors

Scope of the analysis

Geographical levels Supranational National or federal funds Sub-national

Funding body population Yearly average

Average yearly income of public funds in Europe

Total income evolution In EUR million, base year = 2010

Income and funds by geographical level (2010-2014) In number of funds and EUR million, yearly average

Share of sources of income in national and sub-national funds combined in Europe (2010-2014) Excluding France

Average yearly spend of public funds in Europe

Total spend evolution, 2010-2014 In EUR million, base year = 2010

Share of spend by activity, 2010-2014

5-year growth by spending category, 2010-2014

Evolution of feature film and TV production and development In EUR million

Share of spend by category and geographical level, 2010-2014

Share of spend in film and TV production and development by category, 2010-2014

Spend in theatrical development by country (in EUR)

Share of spend in theatrical development by country

Spend in TV development by country (in EUR)

Share of spend in TV development by country

Co-development international schemes German-French mini-traité Polish-German co-development fund Flemish-Dutch cooperation agreement German-Turkish co-production development fund German-Italian co-production development fund French-Greek co-development fund Irish-Northern Ireland Irish Language Broadcasting Fund

Thank you! Questions? Julio.talavera@coe.int