The Nineteenth Century: Realism in America Pre-Raphaelites in England Historicism in Architecture and Early Photography Lecture 23

WINSLOW HOMER, Veteran in a New Field, 1865 WINSLOW HOMER, Veteran in a New Field, 1865. Oil on canvas, 2’ 1/8” x 3’ 2 1/8”. Metropolitan Museum of Art, New York 2 2

Winslow Homer, The Life Line, 1884, 29x45”. Philadelphia Mus. of Art Artist: Winslow Homer Title: The Life Line Medium: Oil on canvas Size: 28 ¾ X 44 ⅝" (73 X 113.3 cm) Date: 1884 Source/ Museum: Philadelphia Museum of Art. The George W. Elkins Collection Winslow Homer, The Life Line, 1884, 29x45”. Philadelphia Mus. of Art

THOMAS EAKINS, The Gross Clinic, 1875, 8’ x 6’ 6” THOMAS EAKINS, The Gross Clinic, 1875, 8’ x 6’ 6”. Philadelphia Museum of Art, Philadelphia. 4 4

JOHN SINGER SARGENT, The Daughters of Edward Darley Boit, 1882 JOHN SINGER SARGENT, The Daughters of Edward Darley Boit, 1882. Oil on canvas, 7’ 3 3/8” x 7’ 3 5/8”. Museum of Fine Arts, Boston 5 5

1893, Hampton Univ. Hampton, Virginia Henry Ossawa Tanner The Banjo Player 1893, Hampton Univ. Hampton, Virginia 48x35”

HENRY OSSAWA TANNER, The Thankful Poor, 1894 HENRY OSSAWA TANNER, The Thankful Poor, 1894. Oil on canvas, 2’ 11 1/2” x 3’ 8 1/4”. Collection of William H. and Camille Cosby. 7 7

Henry Tanner, Resurr. Of Lazarus, 1896, 37x48”, Musee d’Orsay, Paris Artist: Henry Ossawa Tanner Title: The Resurrection of Lazarus Medium: Oil on canvas Size: 37⅜ X 47 13⁄16" (94.9 X 121.4 cm) Date: 1896 Source/ Museum: Musée d’Orsay, Paris Henry Tanner, Resurr. Of Lazarus, 1896, 37x48”, Musee d’Orsay, Paris

EDMONIA LEWIS, Forever Free, 1867. Marble, 3’ 5 1/4” high. James A EDMONIA LEWIS, Forever Free, 1867. Marble, 3’ 5 1/4” high. James A. Porter Gallery of Afro-American Art, Howard University, Washington, D.C. 9 9

JOHN EVERETT MILLAIS, Ophelia, 1852 JOHN EVERETT MILLAIS, Ophelia, 1852. Oil on canvas, 2’ 6” x 3’ 8” Tate Gallery, London. 10 10

DANTE GABRIEL ROSSETTI, Beata Beatrix, ca. 1863. 2’ 10” x 2’ 2” DANTE GABRIEL ROSSETTI, Beata Beatrix, ca. 1863. 2’ 10” x 2’ 2”. Tate Gallery, London. 11 11

Artist: Charles Barry and Augustus Welby Northmore Pugin Title: Houses of Parliament Medium: n/a Size: n/a Date: 1836–60 Source/ Museum: London, England Royal Commission on the Historical Monuments of England, London CHARLES BARRY and A. W. N. PUGIN, Houses of Parliament, London, England, designed 1835.

JOHN NASH, Royal Pavilion, Brighton, England, 1815–1818. 13 13

Artist: Charles Garnier Title: The Opéra Medium: n/a Size: n/a Date: 1861–74 Source/ Museum: Paris Charles Garnier, The Opera, 1861-74, Paris (grand boulevards designed by Haussmann)

CHARLES GARNIER, the Opera, Paris, France, 1861-1874, Beaux Arts Style 15 15

CHARLES GARNIER, the Opera, Paris, France, 1861-1874

Grand Staircase, Paris Opera Artist: n/a Title: Grand Staircase, the Opéra Medium: n/a Size: n/a Date: n/a Source/ Museum: n/a Grand Staircase, Paris Opera

HENRI LABROUSTE, reading room of the Bibliotheque Sainte-Genevieve, Paris, France, 1843-1850.

JOSEPH PAXTON, Crystal Palace, London, England, 1850-1851; enlarged and relocated at Sydenham, England, 1852-1854. Detail of a color lithograph 19 19

LOUIS-JACQUES-MANDÉ DAGUERRE, Still Life in Studio, 1837 LOUIS-JACQUES-MANDÉ DAGUERRE, Still Life in Studio, 1837. 6 1/4” x 8 1/4”. Daguerreotype. Collection Société Française de Photographie, Paris. 20 20

JOSIAH JOHNSON HAWES and ALBERT SANDS SOUTHWORTH, Early Operation under Ether, Massachusetts General Hospital, ca. 1847. Daguerreotype. Massachusetts General Hospital Archives and Special Collections, Boston. 21 21

HONORÉ DAUMIER, Nadar Raising Photography to the Height of Art, 1862 HONORÉ DAUMIER, Nadar Raising Photography to the Height of Art, 1862. Lithograph, 11x9” Museum of Fine Arts, Boston. 22 22

NADAR, Eugène Delacroix, ca. 1855 NADAR, Eugène Delacroix, ca. 1855. Modern print, 8 1/2”x 6 2/3” from original negative in the Bibliothèque Nationale, Paris. 23 23

JULIA MARGARET CAMERON, Ophelia, Study no. 2, 1867 JULIA MARGARET CAMERON, Ophelia, Study no. 2, 1867. Albumen print, 1' 1" x 10 2/3". George Eastman House, Rochester 24 24

TIMOTHY O’SULLIVAN, A Harvest of Death, Gettysburg, Pennsylvania, July 1863. Negative by Timothy O’Sullivan. 6 3/4" x 8 3/4". New York Public Library 25 25

EADWEARD MUYBRIDGE, Horse Galloping, 1878. Collotype print, 9” x 12” EADWEARD MUYBRIDGE, Horse Galloping, 1878. Collotype print, 9” x 12”. George Eastman House, Rochester, New York. 26 26