The Manhattan Transcript Bernard Tschumi a h s e n s e n e m s ı r m a | b e s t e n u r ö z t ü r k | ı ş ı k ö y k ü m ö z t ü r k

photo is taken by http://www.tschumi.com Bernard Tschumi one of today’s foremost architects theoretical and practical architect associated with deconstructivism no architecture without events, actions or activity form follows fiction photo is taken by http://www.tschumi.com

The Manhattan Transcript  neither real projects nor mere fantasies complex relationship between space and their use between the set and the script between type and program between object and events disjunctions among use, form and social values hence, the drawings make use of the tripartite mode of notion developed earlier in order to introduce time and experience into the reading of architecture of the city.

The Manhattan Transcript three dis-joined levels of reality the world of objects made up of buildings that are abstracted from maps, plans and photographs the world of movements taken from choreography, sports or movement diagrams the world of events derived from news photography. photo is taken by http://emperors.kucjica.org/event-and-movement-in-architecture/

photo is taken by The Manhattan Transcripts - Bernard Tschumi MT1 : THE PARK (plan) point of view stand point moment movement position freedom photo is taken by The Manhattan Transcripts - Bernard Tschumi

MT2 : THE STREET (section) photo is taken by The Manhattan Transcripts - Bernard Tschumi

MT3 : THE TOWER (axonometric) photo is taken by The Manhattan Transcripts - Bernard Tschumi

MT4 : THE BLOCK (perspective) photo is taken by The Manhattan Transcripts - Bernard Tschumi

photo is taken by http://www.tschumi.com Screenplays | 1976 Relation between events and architectural space transformational devices of a sequential nature informative to act upon existing ones Cinema as a source the time-and-space nature of architecture Flashbacks, crosscutting, jumpcuts, dissolves and other editing devices They dealt with issues of material (generators of form: reality, abstraction, movement, events, and so forth), device (disjunction, distortion, repetition, and superimposition), and counterpoint (between movement and space, events and spaces, for example). photo is taken by http://www.tschumi.com

Joyce's Garden | London | 1976 superimposition of one text on another the disjunction between an architectural signifier and its programmatic signified, between space and the use that is made of it Point-grid structure photo is taken by http://www.tschumi.com

Joyce's Garden | London | 1976 Specific zoning not function Work on the idea of «follies» as rather abstract buildings, designing and building a series of site-specific installations in art context photo is taken by http://www.tschumi.com

Parc de la Villette | Paris | 1982-1998 Involved the design and construction of over 25 follies, walkways, bridges and landscape gardens Park, a museum of science, a Grande Halle for exhibition Urban park for the 21. century Point grid system similar Joyce’s Garden Breakdown mass photo is taken by http://www.tschumi.com

Parc de la Villette | Paris | 1982-1998 Follies by superimpositioning Three systems Points Lines Surfaces Identify and flexibility activities Human movement conceptualized as one large user-defined space that is completely open for interpretation. photo is taken by http://www.tschumi.com

Parc de la Villette | Paris | 1982-1998 photo is taken by http://www.tschumi.com

Fireworks at Parc de la Villette | Paris |1992 lasted half an hour, took place on June 20, 1992, and was witnessed by more than 100,000 people. a three-dimensional and fleeting version of the organizational principle of the park: namely, the superimposition of systems of points, lines, and surfaces. event in space and time. photo is taken by http://www.tschumi.com

Fireworks at Parc de la Villette | Paris |1992 photo is taken by http://www.tschumi.com

Le Fresnoy Art Center | Tourcoing |1991-1997 cinema, ballroom dancing, skating, and horseback riding, exhibition spaces, sound studios and assorted production facilities, a library, a cinema, a restaurant, and apartments for faculty and students works produced by the visiting artist-professors and the young artists are also shown in various events in France and abroad. photo is taken by http://www.tschumi.com

Le Fresnoy Art Center | Tourcoing |1991-1997 photo is taken by http://www.tschumi.com

References Bernard Tschumi Architects. (n.d.). Retrieved March 21, 2017, from http://www.tschumi.com/ Tschumi, B. (1995). Manhattan Transcripts. London: Academy Editions. Tschumi, B. (2001). Architecture and Disjunction. Cambridge, MA: MIT Press. Tschumi, B. (2012). Bernard Tschumi: Architecture Concepts: Red is Not a Color. New York: Rizzoli International Publications.