Zoë Cameras: FOV SPI FI Workspace Cams. Zoë Science Cameras Life in the Atacama 2005 Science and Technology Workshop.

Slides:



Advertisements
Similar presentations
Set the Camera Options  Resolution  Focus  Exposure  Zoom  Flash  Self-Timer/Remote Control.
Advertisements

An Idiot’s Guide to Exposure a.k.a. John’s Guide to Exposure.
Digital Photography I Photography I Aperture ISO Shutter Speed.
Exposure The balance of the amount of light allowed entering the photographic medium There are 3 elements used to create the desired exposure 1. ISO 2.
EXPLAINING PRINCIPLES OF WORK AND SETTINGS CAMERA PREPARING DOCUMENTATION VIDEO MAKER by SRI WAHYUNI, S.Pd.
Digital Camera Essential Elements Part 1 Sept
Frank Hada and Jackie Boyd Fox Valley Camera Club March 13, 2007.
Camera Basics Level 1 Film Technology Canon XL-1.
Dynamic Range Compression & Color Constancy Democritus University of Thrace
History of Digital Camera By : Dontanisha Williams P2.
Advanced Digital Photography. Introductions Who Why What.
Photography Basics. The Process The Exposure - Camera and Lens Developing - Dark Room or PS… Printing – Darkroom or InkJet.
Stargazing on Mars Stargazing on Mars Cover Page Environment Constellations Polar Axis Observing Moons Observing Mars Moon to Moon Solar Eclipses Earth.
Capturing and controlling digital images. Great images are not made by digital cameras. They are made by photographers who understand what to look for.
On the following slides some examples from various digital library pages are shown These examples show that the traditional compression techniques are.
Taking Photos Composing a picture Working with light Custom Settings Auto Settings.
Digital Camera Settings
Photography Parts of a Camera. Aperture size (or width or diameter) of the opening of a lens diaphragm inside a photographic lens regulates the amount.
Digital Photography White Balance RAW vs. JPEG Resolution & Megapixels Camera Settings.
Camera Functions Using Your Digital Camera Question Numbers Listed in Green (50) Answers Listed in Orange.
Making the best pictures You could possibly make.
Camera Functions Using Your Digital Camera. 1. What happens when you press the shutter button down halfway? What does macro mode allow you to do? Pressing.
Light, Focus, Composition Digital Photography Basics.
Point and Shoot Digital SLR-Single Lens Reflex (DSLR) Prosumer- Not technically its own specification-combines user friendly P&S features with.
Carnegie Mellon Life in the Atacama, Design Review, December 19, 2003 Science Planner Science Observer Life in the Atacama Design Review December 19, 2003.
Shooting. Initial Camera Settings Cameras have default settings for picture quality. The school’s cameras are no exception. Camera resets to default settings.
Teacher: Kenji Tachibana Digital Photography I x Making Images – 20 slides.
Color Correct and Remove Keystoning A minimalist approach to photographing your art By Paul Marley.
Life in the Atacama, Design Review, December 19, 2003 Carnegie Mellon SPI and Context Imagers Life in the Atacama Design Review December 19, 2003 Stuart.
Lecture Exposure/histograms. Exposure - Four Factors A camera is just a box with a hole in it. The correct exposure is determined by four factors: 1.
Digital Cameras. Image Capture  Images are captured by the image sensor, then stored in the camera in a memory device.  Sensors convert light into an.
Optical Aeronomy Calibration Facility CEDAR WORKSHOP JUNE, 2007 Jeff Baumgardner, Center for Space Physics Boston University.
1 COMS 161 Introduction to Computing Title: Digital Images Date: November 12, 2004 Lecture Number: 32.
Digital Photography Basics Light Metering White Balance RAW vs. JPEG Resolution & Megapixels Camera Settings.
Camera Basics. Three things effect the exposure: 2. The size of the aperture or hole that allows light in. 3. The length of time light is admitted into.
ISO and White Balance. ISO Refers to the light sensitivity of the sensor ISO – International Standard Organisation HIGH ISO value means the sensor will.
DIGITAL CAMERAS Prof Oakes. Overview Camera history Digital Cameras/Digital Images Image Capture Image Display Frame Rate Progressive and Interlaced scans.
The Complete Photographer! 1 The Complete Photographer Meeting Agenda 7:00 Opening Comments / Announcements 7:00 Opening Comments / Announcements 7:15.
Entry Task Answer the following question on scratch paper & hand in (5pts.): If you look at the following slide under a microscope (40x magnification),
Photography 101 Lighting Basics. Direction of Light  With the exception of completely diffused light, light casts shadows over a scene which can emphasize.
Digital Images and Digital Cameras take notes in your journal.
Carnegie Mellon Rover Concept of Operation Life in the Atacama 2004 Science & Technology Workshop David Wettergreen The Robotics Institute Carnegie Mellon.
Camera LENSES, APERTURE AND DEPTH OF FIELD. Camera Lenses Wide angle lenses distort the image so that extreme wide angle can look like its convex such.
Rover and Instrument Capabilities Life in the Atacama 2004 Science & Technology Workshop Michael Wagner, James Teza, Stuart Heys Robotics Institute, Carnegie.
By Prof. Stelmark. Digital Imaging In digital imaging, the latent image is stored as digital data and must be processed by the computer for viewing on.
Chapter 4 Exposure F-stop, Shutter Speed and Other Things.
Life in the Atacama, Design Review, December 19, 2003 Carnegie Mellon Life in the Atacama Field Experiments 2004 David Wettergreen The Robotics Institute.
1 Cinematography Videography An Overview 2 Cinematography Means literally: “ Writing in Movement” A better term than videography?
Basic Photography.
Advanced Camera Handling I
PHOTOGRAPHY TECHNIQUES
Getting to know your camera.
Getting Ready for 2017 Dr. Carl J. Wenning.
“OH MY!” Apertures, Shutters, ISOs… Camera Skills
Basic Photography.
Lenses Are classified by their Focal Length.
Camera Basics.
UFOAnalyzerV2 (UA2) the key of accuracy
Single Object & Time Series Spectroscopy with JWST NIRCam
Depth of Field Objective: to photograph a subject with a foreground and background, giving a better understanding of aperture and its relation to depth.
Photography and Modeling Society October 7, 2009
The Aperture acts like an iris
Basic Photography.
White Balance & ISO Digital Photography Apollo Technology Education
Multiple Exposure and Extending the Frame
Mr Shelor M-101 and Canon Cameras
COMS 161 Introduction to Computing
PLEASE NOTE Due to copyright reasons, the images in this power point have been removed, leaving only the text left over from the slide show. Also please.
Its use in setting exposure
Photographing things that go bump in the night
Presentation transcript:

Zoë Science Cameras Life in the Atacama 2005 Science and Technology Workshop

Zoë Cameras: FOV SPI FI Workspace Cams

Field of View 81.1 deg HFOV 1024 pixel resolution 1.4 mm / pixel at 1 m distance Cameras are focused but with a wide FOV, so the area per pixel is large October 4, 2004 21:38:02 GMT (U041004_2138)

Left camera – Aperture opened to see dark areas Workspace Cameras Left camera – Aperture opened to see dark areas October 4, 2004 17:51:39 GMT (U041004_1751)

Right camera – Aperture closed to see bright areas Workspace Cameras Right camera – Aperture closed to see bright areas October 4, 2004 17:51:39 GMT (U041004_1751)

Lighting Effects: Bright Sun October 9, 2004 17:49:48 GMT (Z041009_1649) Bright noon sky (12:49 pm local time) Auto-exposure cannot compensate lighting levels in all regions of both images

Lighting Effects: Clouds October 7, 2004 16:17:05 GMT (Z041007_1617) Overcast morning sky (11:17 am local time) Auto-exposure evened out brightness in both images

Lighting Effects: Shadows October 4, 2004 21:38:02 GMT (U041004_2138) Clear afternoon sky (4:38 pm local time) Auto-exposure evened out brightness in both images

Rover advances, plows in reverse, FI moves left Plowing October 4, 2004 17:24:38 GMT U041004_1724 Rover advances, plows in reverse, FI moves left October 4, 2004 17:51:39 GMT U041004_1751

Realistic color, consistent exposure Site B, Sol 5, Locale 19 SPI Realistic color, consistent exposure Site C, Sol 13, Locale 41 Color calibration missing from many panoramas, targets should be moved to the back of the spine

Site B, Sol 7, Locale 24 Runout SPI Wheels are visible at maximum tilt, but stitching is difficult Site B, Sol 7, Locale 24 Runout Unexpected weather is apparent

VNIR and SPI % Offset from Image Center Offset at 3.5 m is this big height ~3.5 m Distance of Object [m]

Workspace images SPI images Data Product Sizes Workspace images Each image is 450 to 700 kB (JPEG) SPI images Full resolution (1280x960) images are from 50 to 700 kB (JPEG) Low resolution (320x240) images can be as small as 15 kB (JPEG) Compare data volume of a SPI panorama to that of periodic images every 100 m

Huge File Size 1 image @ 100 = 4 images @ 80 = 10 images @ 20 Compression Huge File Size (Though still an order of magnitude smaller than the raw data.) 1 image @ 100 = 4 images @ 80 = 10 images @ 20 Unacceptable Image Quality Good Tradeoff (Many programs use 75 or 80 as defaults.) Thanks for the slide, Dom

Suggested Enhancements Workspace cameras Higher resolution cameras? Better exposure control? Make sure depth of focus is acceptable SPI cameras Work on visualization tools Improve placement of color targets Make sure white target is in panorama Increase 3D data from large and small baseline cameras? Improve reliability – allow simultaneous PTU and FI