Early Modern Art Mr. Meester AP European History.

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Presentation transcript:

Early Modern Art Mr. Meester AP European History

Themes in Early Modern Art Uncertainty/insecurity. Disillusionment. The subconscious. Overt sexuality. Violence & savagery.

Edvard Munch: The Scream (1893) Expressionism Tries to express the inner experience rather than the outer reality. Uses bright colors, distortion, fantasy, and exaggeration to express a particular emotion. Sometimes uses violent, jarring, or vivid applications

Franz Marc: Animal Destinies (1913)

Windows Open Simultaneously (1921) Robert Delaunay Windows Open Simultaneously (1921) Abstract Grew out of the romantic, impressionist, and expressionist movement Tend to not have a traditional subject

Wassily Kandinsky: On White II (1923)

Paul Klee: Red Balloon (1922)

Georges Braque: Violin & Candlestick (1910) CUBISM The subject matter is broken down, analyzed, and reassembled in abstract form. Cezanne  The artist should treat nature in terms of the cylinder, the sphere, and the cone.

Georges Braque: Woman with a Guitar (1913)

Pablo Picasso: Les Demoiselles d’Avignon (1907)

Picasso: Studio with Plaster Head (1925)

George Grosz Grey Day (1921) DaDa Ridiculed contemporary culture & traditional art forms. The collapse during WW I of social and moral values. Nihilistic.

The Pillars of Society (1926) George Grosz The Pillars of Society (1926)

Raoul Hausmann: ABCD (1924-25)

Marcel Duchamp: Fountain (1917)

Salvador Dali: Soft Construction with Boiled Beans (Premonition of Civil War), 1936 Surrealism Late 1920s-1940s. Came from the nihilistic genre of DaDa. Influenced by Feud’s theories on psychoanalysis and the subconscious. Confusing & startling images like those in dreams.

Salvador Dali: The Persistence of Memory (1931)

Salvador Dali: The Apparition of the Face and Fruit Dish on a Beach (1938)

Salvador Dali: Geopoliticus Child Watching the Birth of a New Man (1943)