Eighteenth Century Europe

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Presentation transcript:

Eighteenth Century Europe The Rococo Style and The Enlightenment

GERMAIN BOFFRAND, Salon de la Princesse, with painting by CHARLES-JOSEPH NATOIRE and sculpture by J. B. LEMOINE, Hôtel de Soubise, Paris, France, 1737–1740. GERMAIN BOFFRAND, Salon de la Princesse, Hôtel de Soubise, Paris, France, 1732–1740. (two views)

FRANÇOIS DE CUVILLIÉS, Hall of Mirrors, the Amalienburg, Nymphenburg Palace park, Munich, Germany, early 18th century.

Balthasar Neumann. Church of the Vierzehnheiligen, 1743–72, nr Balthasar Neumann. Church of the Vierzehnheiligen, 1743–72, nr. Staffelstein, Germany Balthasar Neumann. Church of the Vierzehnheiligen, 1743–72, nr. Staffelstein, Germany Germany

BALTHASAR NEUMANN, interior and plan of the pilgrimage church of Vierzehnheiligen, near Staffelstein, Germany, 1743-1772.

Antoine Watteau,”Fete Galante” with view of Chateau of Montmorency, Boston MFA, c1715, 19”x22”

Watteau, Gathering in a Park, c. 1716

ANTOINE WATTEAU, L’Indifférent, ca. 1716. Oil on canvas, 10” x 7” ANTOINE WATTEAU, L’Indifférent, ca. 1716. Oil on canvas, 10” x 7”. Louvre, Paris.

ANTOINE WATTEAU, Return from Cythera, 1717 ANTOINE WATTEAU, Return from Cythera, 1717. Oil on canvas, 4’ 3” x 6’ 4 1/2”. Louvre, Paris.

Watteau, Return from Cythera (2nd version), Berlin, c1718-20

Watteau, Gersaint Shop Sign, 1721, Berlin-Brandenburg, Schloss Charlottenburg, 5’4”x10’1”

FRANÇOIS BOUCHER, Cupid a Captive, 1754. Oil on canvas, 5’ 6” x 2’ 10” FRANÇOIS BOUCHER, Cupid a Captive, 1754. Oil on canvas, 5’ 6” x 2’ 10”. The Wallace Collection, London.

Boucher, Madamoiselle O’Murphy, 1751, Cologne, Wallraf-Richartz Mus Boucher, Madamoiselle O’Murphy, 1751, Cologne, Wallraf-Richartz Mus., 23”x29”

Boucher, Marquise de Pompadour, 1756, Alte Pinakothek, 6’7”x5’2”

JEAN-HONORÉ FRAGONARD, The Swing, 1766. Oil on canvas, approx JEAN-HONORÉ FRAGONARD, The Swing, 1766. Oil on canvas, approx. 2’ 8 5/8” x 2’ 2”. Wallace Collection, London.

CLODION, Satyr Crowning a Bacchante, 1770. Terracotta, 1’ 5/8” high CLODION, Satyr Crowning a Bacchante, 1770. Terracotta, 1’ 5/8” high. Louvre, Paris.

JOSEPH WRIGHT OF DERBY, A Philosopher Giving a Lecture at the Orrery, ca. 1763–1765. Oil on canvas, 4’ 10” x 6’ 8”. Derby Museums and Art Gallery, Derby.

ABRAHAM DARBY III and THOMAS F ABRAHAM DARBY III and THOMAS F. PRITCHARD, iron bridge at Coalbrookdale, England, 1776–1779.

JEAN-BAPTISTE-SIMÉON CHARDIN, Saying Grace, 1740 JEAN-BAPTISTE-SIMÉON CHARDIN, Saying Grace, 1740. Oil on canvas, 1’ 7” x 1’ 3”. Louvre, Paris.

Chardin, Lean Diet, 1731, Louvre, 13”x16”

JEAN-BAPTISTE GREUZE, Village Bride, 1761 JEAN-BAPTISTE GREUZE, Village Bride, 1761. Oil on canvas, 3’ x 3’ 10 1/2”. Louvre, Paris.

ÉLISABETH LOUISE VIGÉE-LEBRUN, Self-Portrait, 1790 ÉLISABETH LOUISE VIGÉE-LEBRUN, Self-Portrait, 1790. Oil on canvas, 8’ 4” x 6’ 9”. Galleria degli Uffizi, Florence.

WILLIAM HOGARTH, Breakfast Scene, from Marriage à la Mode, ca. 1745 WILLIAM HOGARTH, Breakfast Scene, from Marriage à la Mode, ca. 1745. Oil on canvas, 2’ 4” x 3’. National Gallery, London.

THOMAS GAINSBOROUGH, Mrs. Richard Brinsley Sheridan, 1787 THOMAS GAINSBOROUGH, Mrs. Richard Brinsley Sheridan, 1787. Oil on canvas, 7’ 2 5/8” x 5’ 5/8”. National Gallery of Art, Washington, D.C.