Mangled Epic: Statius’ Thebaid (II)

Slides:



Advertisements
Similar presentations
Objectives Summarize the works of Roman literary figures, historians, and philosophers. Describe the art and architecture developed by the Romans. Understand.
Advertisements

Department of Classics  University of London Undergraduate Fair,  Wednesday 16 September  Dr Efi Spentzou
AS Latin Unit L1: Latin Language (1.5 hrs) Unit L2: Latin Verse and Prose Literature (1.5 hrs) –Ovid Amores 3, poems 2, 4, 5, 14 –Cicero.
CRITICAL APPROACHES TO LITERATURE Literary Theory.
EPIC. Epic One of the earliest forms of literature Long narrative poem that recounts the adventures of a legendary hero in pursuit of a goal of national.
Literary Theory Source - and
How to Analyze a Poem. Content: How does the tone and the context of the work change your understanding of the poem? 1) Speaker: Is the speaker the poet.
RL3-Analyze the impact of the author’s choices regarding how to develop and relate elements of a story. Epic & Epic Hero.
How do we study literature? How does viewpoint and bias affect our perception of literature?
Investigative Journalism Western Literature Welcome to The SkyView Sentinel Reporting Team!
Roman Religion and Literature. Objectives Explain how Greco-Roman civilization was formed. List the Roman contributions to literature, the arts, and technology.
Chapter 12. Criticism = assessment Theory = lens of assessment.
Critical Approaches to Literature
Critical Approaches to Literature
Critical Approaches to Literature
Critical Approaches to Literature
Homer the Odyssey.
The poetics of empire: Virgil’s Aeneid
Thebes, Narcissus and Political Crisis: Ovid’s Metamorphoses
(AND WHY YOU SHOULD CARE)
Historical and Cultural Literature
Mangled Epic: Statius’ Thebaid
A Level History.
British poetry Project objective
Project by Kali Peragine
Elements of Poetry.
Analyzing Literature: The Formalist Perspective
Key to Exercise VIX I. Discuss the following questions with your partner and then come up with your answers. 1.What does the Greek myth attempts to explain?
Analyzing Literature:
Theory + Aesthetics + Art Criticism
HUM 2051: Civilization I Fall 2011 Dr. Perdigao October 21-24, 2011
Types of Critical Lenses
Part II: Review and Anticipate (continued)
Classics, Classical Studies and Ancient History at Bristol
Legacy of Ancient Greece and Rome
Comparative Essay.
What Was Pax Romana? This period (Latin for “Roman Peace”) started with Augustus Caesar, the Roman Empire enjoyed 200 years of peace and prosperity. The.
The Aeneid: Roman Epic.
A guide to Literary Analysis
The Odyssey: Unit Objectives
Critical Approaches to Literature
Salvete, omnes! Welcome to IB Latin!.
NB #29: Social Justice Portfolio Final Reflection
Literary Critical Perspectives and Strategies
Literature and Composition I Prose Fiction
“All Roads lead to Rome” “When in Rome, do as the Romans do”
Literature and Composition I Prose Fiction
Publius Vergilius Maro Virgil
PESCIE – Life in the Roman Empire
Warm-Up – KWL Based on your research and everything you have learned, list the FIVE most interesting/important things you have learned and want people.
The Roman Empire Introduction.
Analyzing Literature: The Formalist Perspective
Critical Approaches to Literature
Notes on Theme.
Critical Approaches to Literature
Formalist & functionalist Approach to stylistics
Analyzing Literature: The Formalist Perspective
IB English 11: Semester Two
Being Brilliant in English
Theme and Symbol English 10
American Literature with U.S. History
Introduction to Classical Mythology
Critical Approaches to Literature
Satire, Epic & Mock Epic Works of Swift & Pope.
Critical Approaches to Literature
Critical Approaches to Literature
The mother’s story: Statius’ Achilleid
Romeo and Juliet Day 5 Spring 2016.
Style Analysis Paragraph
KKF/HF2| Summer Semester| Thursday, | Instructor: Dr. Florin Leonte
Presentation transcript:

Mangled Epic: Statius’ Thebaid (II) Politics & Poetics Mangled Epic: Statius’ Thebaid (II)

Tydeus: horror in the mirror (Cellini 1554)

Etruscan temple relief, Pyrgi

Political ‘issues’ in the Thebaid Civil war (nb recent civil war of 69) Succession, the problem of… Brotherly rivalry (see Suetonius 2.3 on Domitian and Titus) Epic’s monumentalising power in crisis? Horror trumps/takes the place of glory

Hell on earth: the new Jupiter

Directionality derailed Ipse deum genitor tibi me miseratus ab alto mittit The father of the gods himself in pity sends me to you from on high/the depths

Quiz Suggest 4 ways of filling in the blank: The politics of ____________________   2. Place the following figures in chronological order (according to birth date), beginning with the earliest: Virgil, Lucan, Seneca the Younger, Persius, Ovid, Catullus, Nero, Domitian, Statius.

3. When did the battle of Pharsalus take place?   4. Translate the following key Latin terms: concordia amicitia furor mora libertas carmen perpetuum recusatio tempora verba novissima

5. What does a ‘formalist’ approach to literature consist of? Conservative criticism in a formal style Criticism which deals only with metre and rhythm Interpretation which approaches the text as isolated from the social, political, cultural and economic context in which it was produced. 

6. What suggests that Ovid Metamorphoses 3 gets us to reflect on Ovid’s own ‘guilt’ and punishment by Augustus?

7. Which of the following statements are true? Literature reflects and responds to its surrounding culture Literature participates/intervenes in and performs politics+ Literature is a product of social and political forces. The verbal arts are uniquely political  

8. Why does the topic of civil war offer such exciting opportunities for Latin epic poets to experiment with poetic form?

9. Why are civil war and incest entwined themes in Latin epic. 10 9. Why are civil war and incest entwined themes in Latin epic? 10. Why is teleology a political issue in epic narrative?

11. In what ways does Virgil get us to think about politics as a viewpoint, or visual perspective? 12. Name three things Statius’ Thebaid has in common with Virgil’s Aeneid.

13. How do Lucan and Statius make reading about civil war a participatory political act?