Guitar in Jazz.

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Presentation transcript:

Guitar in Jazz

History 1920s Banjo was used Duke Ellington in early 1930s 1930s Guitar becomes the main rhythmic chordal accompaniment 1940s Some guitarists start to playing solos in big bands Invention of Electric Guitar ‘50s-’60s Small combos and Organ Trios 1970s Fusion with rock, funk. Jazz Rock

Jazz in Guitar: Early Ages Not a big factor in Jazz compared to Rock, Blues, etc. Started mainly as chord-playing rhythm instrument Comping Major 7th, Major 6th, minor 7th, dominant 7th, diminished, half-diminished, augmented, …

Electric: A whole new world The nature of acoustic guitars had somewhat prevented it from becoming a solo instrument Advent of Electric Guitar & Amps enabled solos Lot of techniques to create groove Grace notes, Slides, Muting, Bending, …

Django Reinhardt European! (Big influence in general) One of the first person to use guitar as a main instrument in jazz Loses 2 fingers due to fire -> unique style of playing with 3 fingers The Quintet of the Hot Club of France

Charlie Christian Guitar player for Benny Goodman’s Sextet Only played for 3 years! 1939-1942 Short solos Natural swing, creative phrases Had a tremendous effect on all jazz guitarists to follow

Lots more.. Wes Montgomery – Octave Kenny Burrel – Dizzy Gillespie Charlie Byrd – Classic Guitar, Bossa Nova Larry Carlton Lee Ritenour Pet Metheney Eric Clapton …

What Instruments? Acoustic Semi-Hollow Solid-body Ibanez AF120 Fender Telecaster

What Sound? Pure(=Old) Jazz Guitarists prefer clean sounds Jim Hall: No signal processing whatsoever New players use series of effectors to create the sound they want Pat Metheney: “Rocket Control Room” Bebop/Funk Guitarists prefer rougher sounds Use of Distortion, Wah-Whas

The groove machine The Treble part of the groove Whipping cream on Bass & Drum Essential in any funky music (bebop - acid jazz) Muting Wah-wah